Gongdeok Station (공덕역) Line 5 – Station #529, Line 6 – Station #626, AREX – Station #A02

January 29, 2012 by

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If someone were to blindfold you and then drop you off at the intersection above Gongdeok Station, you could be forgiven for thinking you were in Gangnam and not Mapo-gu.  The neighborhood is starkly different from the much more modest nearby areas of Aeogae and Daeheung – massively more developed, a forest of brand new steel and glass towers with streams of heavy traffic moving along the wide avenues below them.  It’s clear that Gongdeok has seen a lot of change, and seen it fast, and having recently been linked to the AREX line that runs from Seoul Station to Incheon Airport, it’s likely to see more.

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The AREX expansion is still new enough that the entrances accessing it and the surrounding plaza haven’t yet been completed, as I saw after stepping out of Exit 8, where white metal fencing and piles of dirt show signs of a work still in progress.  Just past those, however, things are spic and span, Mapo-ro (마포로) lined with sparkling new buildings housing banks, restaurants, and cafes on their first floors.  It’s more of the same along Baekbeom-ro (백범로) from Exit 7: tall modern structures, in front of several of which are the sorts of sculptures commissioned by corporate groups.  There’s a big blue man like glued together lollipops holding a glowing white orb, and metal stick figures running up a silver arc towards vertical.

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In the area framed by these two avenues the neighborhood lets its hair down a bit, and a number of restaurants, bars, and small shops sit invitingly on some small streets paved with stone.

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Kiddy-corner from that, I found things to be exceptionally residential.  Just outside of Exit 2 is the tower of the Lotte City Hotel, sequined eggs out front, and behind it, via Exit 2 or 3, the neighborhood is 100% apartment towers and their trappings: convenience stores, bakeries, real estate offices, and a few hagwons.

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But if there’s one thing that residents of Seoul have come to know it’s that not even the most modern and sterile neighborhoods are without their traces of grime or stubborn remainders from a rougher and not all that remote past.

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Take a bus (or a walk) along Sogang-ro (서강로) west of the station on any given night, and you’ll see a sidewalk flooded in a pulp magazine shade of pink where a strip of hostess bars line up, especially on the south side of the avenue, nearest Exit 1.  I’d seen these several times before, but always from late night bus windows; this was the first time I’d walked past them.  Up close, they seemed curiously shrunken, as if employees and clients alike were two-thirds size.  The front of each establishment was only about three meters wide, and the doors were exactly my height or an inch or two shorter.  Most of them had peepholes.  Facades were usually painted in one solid color, doors in another, and almost all of the establishments used an old-fashioned font resembling hand-drawn brushstrokes on their signs.  It almost goes without saying that none of the bars had windows.

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The hostess bars front a thin strip, a half block wide, of old, slightly beat-up, tile-roofed buildings that reminded me of similar scenes I’ve come across in the more industrial parts of Yeongdeungpo and elsewhere.  Where was the money that was so proudly on display elsewhere around Gongdeok?

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Compounding the incongruity was the fact that just behind this humble row a new park was going in.  It was just a thin strip of concrete walking path between saplings, but I’d seen something similar near Daeheung Station, and my guess was that the two, and possibly more, would connect in a ribbon of park running above the extension of the Jungang Line, going in underground.  Much development is left, however – dump trucks sat around idly and the exercise equipment placed at a bulge in the walking path was still wrapped in protective blue plastic.

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For a bigger look at what Gongdeok was probably like a few years ago, pop out Exit 5 and head to Gongdeok Market (공덕시장) by heading straight on Mallijae-gil (만리재길) and veering to the left onto Mallijaeyet-gil (만리재옛길).  A block up on the left is the market, as old school as you like.  Its main alley runs parallel to the street, squeezed between two old three-story brick buildings that have tufts of grass and weeds growing out of cracks in their sides and roofs.

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Along the outside alley were vegetable sellers and piles of shoes and butchers whose cuts of meat were illuminated with the same pink lights as the hostess bars a couple blocks away.  The market continued in dimly lit stalls occupying the first floor of the building between the alley and Mallijaeyet-gil, a low-roofed, cramped place that brought to mind Guro Market (구로시장) near Namguro Station.  Many of the stalls were closed on a Sunday, but some potent-smelling lunch booths were open and manned by wizened ajummas, though at least one of them had snuck away to a noraebang, judging by the wail pouring from a second-story window.

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I’d heard of the Gongdeok neighborhood being well-known for a couple of foods, so one of my main goals on this visit was to try them out.  Fortunately for the serial-eater, the places for both of these are right next to each other, occupying the outer edge of the market and are the first and second things you see on your way there from the station.

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As soon as you arrive at the market you’ll notice several signs advertising places for jokbal (족발), or pork trotters.  The most prominent of these, and the one my companion and I ate at, is Gungjung Jokbal (궁중족발), which doesn’t appear all that big from the street, but once you step inside the market alley reveals itself to be spread over about a half-dozen rooms, as if it’s metastasized.  Every single one of these was boisterous and packed when I visited, as any good jokbal place should be.  Jokbal is maybe one of the world’s least pretentious eating experiences, and every time I have it I feel as if I really should have just finished working at the docks and should now be telling loud off-color jokes.  My longshoreman fantasy was graciously aided by the fact that a minute after we were seated two guys pulled up chairs at the table next to us, one of whom had the most beautiful Korean mullet I’d ever seen.  Less than ten minutes later they were already on their second bottle of soju.  Keep up the good work, men.

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Gungjung Jokbal’s popularity probably owed quite a bit to its generosity.  Along with a liberal portion of jokbal, the joint provides both a plate of sundae (순대) (blood sausage) and sundae-guk (순대국) (sundae soup) free of charge.  This sounds wonderful in the abstract, but in practice, splitting all that nasty bit pork between two people can feel like you’re eating your way towards your own death.  My advice?  Don’t go with less than four people.  Which is not to say that it wasn’t all delicious.  It was.  I was just ready to sign myself into the nearest cardiac hospital by the time I was done.

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Slightly less heart attack-inducing is what’s referred to as Twikim Alley, just next to the jokbal places.  First of all, this is a total misnomer.  This isn’t a row of restaurants specializing in one food, like Tteokbokki Town in Sindang or the bindaetteok stalls in Gwangjang Market in Jongno-5-ga.  It’s two big twikim restaurants next to each other, though prices here are a bit cheaper than in other parts of town.

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The two restaurants, Cheonghakdong (청학동) and Mapo Grandma Bindaetteok (마포할머니빈대떡) sit on either side of a market alley and are each fronted by a long table piled with dozens of varieties of twikim, battered and fried snacks similar to tempura.  There are the standard varieties you see at any old tent restaurant – vegetable, potato, squid – but also more exotic fare like hot peppers, sesame leaves, and octopus rings…just about anything you could batter and deep fry.  The selection did not, however, extend to deep-fried Oreos or butter.  America – still undisputed deep-frying champion.  U.S.A.! U.S.A.! U.S.A.!

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Like Gungjung, Grandma’s spreads out through a warren of first floor rooms, but Cheonghakdong, where we ate, mostly takes up a large second floor dining room.  After loading up a tray Dunkin’ Donuts-style we handed it over to the woman working there and went upstairs to sit down while our twikim was fried up.

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When our food came, along with a grease-splattered receipt, it was served with dongchimi (동치미), a light, slightly sour soup; two kinds of kimchi for cutting through the grease; and soy sauce with slices of onions for dipping the twikim in.  Comforting, filling, and warm.  Order up a bottle of makkeolli and you’ve got all you need to get yourself through the winter.

Gongdeok Market (공덕시장)

Exit 5

Straight on Mallijae-gil (만리재길) to Mallijaeyet-gil (만리재옛길)

Gungjung Jokbal (궁중족발)

Exit 5

In Gongdeok Market

02) 718-7087

Cheonghakdong (청학동)

Exit 5

In Gongdeok Market

02) 706-0603

Mapo Grandma Bindaetteok (마포할머니빈대떡)

Exit 5

In Gongdeok Market

www.빈대떡.net

02) 715-3775

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Seoul Sub→urban Is Back on the Air!

January 25, 2012 by

We’re happy to announce that now, not only can you read Seoul Sub→urban, once again you can listen to it!  Tune in to Weekend Edition with Walter Foreman on TBS eFM 101.3 at 10 a.m. every Sunday, and right after the intro you can catch our segment, titled, appropriately enough, Seoul Sub→urban.  We’ll be talking about the areas around various subway stations and occasionally zeroing in to spend more time on a particular topic or destination, just like we do here, only now you can get your Seoul travel fix blindfolded, just like you’ve always wanted.

Oh, and 새해 복 많이 받으세요 from Liz and Charlie!

Daeheung Station (대흥역) Line 6 – Station #625

January 22, 2012 by

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A short ways from Sinchon Rotary, Daeheung Station serves Sogang University (서강대학교) and the surrounding neighborhood.  One of Korea’s most highly-esteemed universities, Sogang is a small Jesuit college, its undergraduate student population standing at around 11,000.

Sogang’s front gate is about a ten-minute walk up Sogang-ro (서강로) from Exit 1.  Because I arrived there just a week before Christmas, the campus was decorated for the season, including with a Korean-style nativity scene just inside the entrance.  Statues of Mary, Joseph, the baby Jesus, and company had been set in a thatch-roofed hut of the kind that you see in folk villages and occasionally even out in the countryside.  While livestock and an angel watched over the newborn Christ, strings of garlic, peppers, and soybean paste hung drying from the roof.  It was a unique take on the traditional scene, but one that I found rather charming.

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Behind the manger is a circular plaza with Sogang’s ‘Albatross’ monument: a pyramidal structure with the Latin inscription ‘Obedire Veritasi’ written across it, in front of which a metal arrow lodges in the university crest at the pyramid’s base.

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Sogang sits on a hilly patch of land, and after a short walk up, past a slanted artificial soccer pitch, I came to a statue of Father Theodor Geppert, S.J., who helped found the university in 1960 at the behest of Pope Pius XII.  Despite the Roman collar, he looked more like a TV detective about to explain a whodunit: long coat reaching his knees, right hand stuffed in his pocket, the left held out palm up as if to demonstrate a point that should have been obvious all along.

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Consistent with its small student body, Sogang doesn’t have a very large campus, and it was quite quiet when I explored, unsurprising given that it was a Saturday and exams had just ended.  Apart from a soccer game being played on a pitch in the back and what looked like a get-together of 40- or 50-year-old alumni laughing and drinking instant coffee, there wasn’t much happening.  That subdued atmosphere, however, creates a good opportunity for a stroll along the hilly walking paths that wind between trees in one corner of campus.

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En route to Sogang, I passed a gem of a café that I’d heard about before and had made a mental note to visit when I found myself in these parts.  About halfway between Exit 1 and the university’s main gate, Soom Island (숨도) is easily recognizable by the black and white vertical zigzags on its exterior.  There’s also a giant, rather inscrutable, stuffed bear peering out and waving from behind the window next to the door.

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Soom is divided into three sections.  In the middle is the café, called by a separate name, Café CITA, just to confuse things.  The coffee was good, and my companion and I shared a nice Lintzer Tart.  What makes Soom special, however, are the sections at either end of the establishment.

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To the left is the Book Theater, where shelves of books (a handful of them in English) line the walls, with dozens of titles available for reading, lit up by a mobile of glowing fish, like a school that had been frozen and lifted into the air.  Many more books occupied shelves on a small balcony, but there didn’t seem to be a ladder or any way to get up there, though a large, stuffed green lizard had somehow found his way, leaning over the balcony, open book in hand as he was.  But maybe the nicest thing about the Book Theater are its rules: no talking on your phone, no using your computer, and 스펙쌓기 금지, or no stacking up your spec, as the obsessive accumulation of resume-padding accomplishments is known.  The theater is for reading and reading only.

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On the opposite side of the café is a small gallery space where rotating exhibitions are displayed.  The current one was a whimsical showing by way studio.  The work ranged from a slide show to story books to posters to a collection of small sketches and trinkets, all touching on the intersection of humans and animals, sometimes real, sometimes in cartoon form.

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In the opposite direction from the station, out Exit 2, I passed a few small hostess bars on the main drag, most of them with pink signs, and one with tube lights casually arranged on the door in the shape of a heart.  Mid-afternoon, they were closed up, but I’ve taken a bus past them at night on several occasions, when their dim pink light seeps out past the bodies leaning in the doorframes.

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Beyond those, and about halfway to Gongdeok Station, is the handsome stone façade of Dongdo Middle School (동도중학교), which dates from 1955.  Completely different from your average Korean middle school, it looks much more like a university building, its central tower flanked by three-story wings lined with slender windows, those on the third floor meeting in small peaked arches.

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Nearer the station, the Mapo Art Center (마포아트센터) hosts shows and performances, as well as a swimming pool, in a modern glass facility that sticks out among the older buildings surrounding it and contrasts sharply with the brick homes you can see terraced on the hill up ahead as you walk towards it.  More representative of the majority of the area are the dozens of small business spread about – pet stores, cafes, restaurants, and fruit sellers, at one of which an old woman sat wrapped up in blankets and huddled next to a space heater as she waited for customers to arrive.

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Sogang University (서강대학교)

Exit 1

Straight on Sogang-ro (서강로)

 

Soom Island (숨도)

Exit 1

Straight on Sogang-ro (서강로)

www.soomdo.org

02) 717-3535

Café Hours: M – F 8:00 – 23:00, Sa – S 9:00 – 23:00; Book Theater and Gallery: M – Sa 11:00 – 22:00

 

Dongdo Middle School (동도중학교)

Exit 2

Straight on Sogang-ro (서강로)

 

Mapo Art Center (마포아트센터)

Exit 2

U-turn, right on Daeheung-ro (대흥로), right on Daeheung-ro-20-gil (대흥로20길)

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Aeogae Station (애오개역) Line 5 – Station #530

January 15, 2012 by

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Aeogae sits just south of Ahyeon and Chungjeongno, north of Gongdeok, east of Ewha, and about a kilometer west of Seoul Station, and despite being surrounded by these fairly popular and busy neighborhoods, Aeogae had always been one of those blank spots for me, a spot on the map about which I had no idea.  This, combined with the fact that it’s not all that far from where both Liz and I live, left me rather intrigued to visit when the station’s number came up recently.

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The neighborhood around the station lies in a valley between ridges to the east and west, centered on Mapo-daero (마포대로), which links Gongdeok and Chungjeongno.  The reason I hadn’t heard much about the place before is that there simply isn’t all that much of note in the area; it’s mostly a typical residential-commercial mix.

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There were a few small restaurants, pubs, and real estate offices outside of Exit 1, with newer apartment towers further ahead; things generally getting newer and nicer as one moves south towards Gongdeok.  After a couple blocks it’s basically just apartment complexes on this side of the street.  In fact, the most notable thing is apartment complexes to be.  About a half-block back of Mapo-daero there’s an enormous area that’s been emptied out and is now just a dirt expanse but will eventually be turned into a Prugio development.  The site covers several square blocks, and its sheer size and the heavy-duty trucks parked on ramps cut into the dirt slopes vaguely reminded me of open-pit mining sites.  On the opposite side some older houses perched at the top of a hill.

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Given Aeogae’s location it’s not surprising that this type of development is occurring.  As I walked through the east side of the neighborhood it seemed quite quiet at first, without much going on.  There were a lot of small businesses, but most were closed, and only a few, single people here and there were walking about.  Eventually, though, I stumbled upon two more large development sites where fencing surrounded vast expanses of dirt.  One, where a pair of backhoes were going at it, was bound to be a screen golf facility; the other was on its way to becoming apartments.

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This latter site, which was just outside of Exit 3, had dump trucks entering and exiting through a gate constructed just a few dozen meters from the station, and, like the site opposite, ended at a ridge topped by red brick homes.  Just before those, on a small rise barely big enough to contain it, stood alone building, three or four stories tall, half of it intact, half of it falling apart, looking like something airlifted out of a horror film.

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It was obvious that Aeogae would look very different five years from now, and it probably looked very different five years ago as well.  Just steps beyond this third major construction site was a neighborhood that I first took to be abandoned.  The homes here were old and desiccated, and many of them had refuse of all sorts just tossed onto their roofs and into the spaces between homes.  There were no signs of life, and just as I was about to come to the conclusion that the entire area had been vacated I noticed a single bare light bulb shining through an open window.  A minute after that I caught snippets of a conversation between two men that drifted outside from one of the buildings, and watched an old woman step out into the alley to fetch a bucket.

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Now it wasn’t clear just what the status of the place was.  Some of the homes had clearly been deserted and many buildings had official signs on them that read 공가 (abandoned building), yet there were apparently some people still sticking things out in this incredibly down and out neighborhood.  The black cat that was curled up on one of the roofs, surveying the scene, seemed to know much more than I did.

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Aeogae does have one more particularly unexpected trick up its sleeve.  A short walk from Exit 4 and left on Mapo-daero-18-gil (마포대로18길) is St. Nicholas Orthodox Church (한국정교회), the only Russian Orthodox church in Seoul.  Although not that big, the church’s oxidized copper-green dome and matching cross are easily noticeable from the street thanks to the fact that it sits atop a small promontory.  I walked up the steep side street toward its old white sign, the paint chipping, and then followed the street to the right as it curved around the church. In the back was a small gray gate that led into a courtyard and then to the church on its opposite side.

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Inside, the church was quiet and unlit, save for a few candles.  Some daylight seeped in through the windows, but the day outside was overcast and gray and the interior remained dim.  No one else was there.

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I was raised Catholic, but this was the first time I’d ever been in an Orthodox church, and the result was an odd sense of double displacement.  For one thing, it was clearly and recognizably Christian – I was well familiar with most of the angels and saints depicted on the bright paintings that covered the underside of the dome and many of the walls – but plainly of a different tradition.  Instead of an open apse with an altar, there was a sanctuary closed off by an iconostasis, an elaborately carved wooden screen, with each segment bearing the gilded visage of an important figure: Jesus, Mary, St. Nicholas, the angel Gabriel.  There was also a central dome, and below it hung the horos, a chandelier-like structure with images of saints and angels.  It felt vaguely familiar, yet still strange, like meeting a second cousin: you’re aware that there’s a fundamental connection, but, really, you’ve got no idea who this guy is.

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The other displacement was geographical.  Although I’d noticed nothing in the neighborhood to indicate a Russian or Slavic or Greek population, inside the church it felt like Eastern Europe: the stern-faced, bearded white men in the paintings; the intricate woodwork of the pulpit and priest’s throne, so unlike the clean, modern style that Korean churches favor; the simple sensation of stillness.  The only thing that suggested that I was still in Korea was the hangeul that appeared here and there.

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I walked up the stairs to the balcony in the rear, to get a view of the church’s interior from above, and I could vaguely make out the pounding of construction equipment coming from somewhere nearby.  From the balcony I could get a better view of the painting occupying the underside of the dome as well as the lower half of the one partly obscured by the wooden iconostasis in the bema.

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As I stepped back out onto the stairwell to descend the steps I noticed a package, tied up with twine, with a Russian address written on it in Cyrillic.  Taped to the top of the box was a typed-out list of the contents, in English and Korean, that read like the label you’d find on a box on the floor in God’s basement just after He’d moved:

Prayer Book

Introduction of Orthodox Church

Noah’s Ark

The Tower of Babel

Birth of Jesus Christ

 

St. Nicholas Orthodox Church (한국정교회)

Exit 4

Left on Mapo-daero-18-gil (마포대로18길)

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Jamsil Station (잠실역) Line 2 – Station #216, Line 8 – Station #814

January 8, 2012 by

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Hidden among the soaring glass and steel towers of southeastern Seoul is a wormhole, a portal to a land that physically exists within the Songpa-gu dimensions of time and space but which could seemingly secede and declare a sovereign one block corporation-state at will.  Behold, ladies and gentlemen, the People’s Republic of Lotte.

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You don’t even need to exit the station to cross its event horizon, so seamless is the boundary between its world and ours.  And once inside you could conceivably never have to leave.  You could live at the Lotte Hotel World; buy provisions at Lotte Mart; purchase clothing and dry goods at the Lotte Department Store; acquire alcohol, tobacco, and Chanel No. 5 at the Lotte World Duty Free Shops; procure entertainment at LotteCinema or Lotte World Adventure; take in a show at the Charlotte Theater; and eat and drink at Lotteria.  Presumably the only thing the Republic is unprepared for is your departure, as there is no Lotte Funeral Home.

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Lotty and Lorry the raccoons are benevolent overlords, though, and with the chill of a Korean winter beginning to hit with full force you may find yourself embracing their gay regime, particularly since it’s entirely indoors.

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The Lotte World complex’s main attraction, Lotte World Adventure, is in fact the world’s largest indoor theme park at 82,650 square meters, and you can get to it (and everything else in the Republic) by heading for (though not out of) Exit 4.  You’ll first pass by a plaza with a replica of Rome’s Trevi Fountain.  The one here has improved on the original by adding multicolored lights in the basin!  Of course there’s a Lotteria in the plaza as well, and on the opposite side is an entrance to the department store.  From there you’ll walk down a long hallway flanked with more stores, and if the number of people under one meter is increasing you’ll know you’re headed in the right direction.

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Standing in line for tickets, confetti-and-sugar amusement park songs blasted out of overhead speakers and I asked my intrepid (over one meter) companion if they would be playing the entire time we were inside as well.  She said yes and I began to have second thoughts.  At this point, though, there were people behind us in line.  Like in countless action movies the door behind us had closed, and there was only one option left.  Forward.

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Tickets in hand, we stepped onto an escalator, the music only growing louder as we ascended until we arrived at the top, smack in the midst of one of the park’s twice-daily parades.  It was October so the song was beseeching us to join the ‘Halloween party tonight,’ over and over again, as the parade revolved in an oval around the center of the park.  The employees were dressed as mummies or vampires or just in what I guess you’d call Victorian gothic.  Oddly, almost all of the employees in the parade were white people.  Granted, I’ve never seen a Korean vampire, but it seems to me the situation is just begging for an undead class-action discrimination lawsuit.  There were some sexy Ghostbusters too (some of which were Korean), and all I could think was ‘Thank God Dan and Bill didn’t wear outfits like that.’

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When the parade stopped and I had a chance to look around I found myself rather impressed.  The park is a notable example of the utilization of space; it may be the world’s largest indoor theme park, but it’s still indoors, which means that options are limited.  Lotte World overcomes most of these limitations by stacking rides and other attractions on multiple floors, but still having the majority of them visible from the main floor.  A number of rides also have their entrances on the main floor, but their structures hidden behind the outer wall.  This takes away the ‘Oooh, I want to ride on that’ factor, but on the other hand it preserves a bit of the mystery of what you’re getting yourself into.  Other rides make use of the space in the air – there’s a monorail that loops through the park, and gondolas designed to look like hot air balloons pass around above, hanging from a track in the ceiling – and on the ground whatever nook isn’t taken up by rides or arcades or restaurants is occupied by a game stand or ice cream stall.  All of this sits under a giant glass dome that lets in lots of natural light, which adds a feeling of openness.

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There are a couple downsides to all this, though.  One is that all the rides inside feel a bit miniaturized: tiny flume ride, tiny teacups.  If you’re only a meter tall, though, that’s maybe not the worst thing.  The other is that even more than most theme parks, Lotte World can drub you with sensory overload and a feeling of compression.  An area with a Wild West theme sits flush against some European-y buildings with wooden flower boxes, which are both just below a wall of Egyptian statues and hieroglyphics.

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Now, with space at such a premium, you wouldn’t expect there to be a giant hole in the floor.  But there is.  Smack in the middle of the park is a giant hole that looks down on the ice skating rink two stories below.  What the hole actually does, though, is give the park some breathing room and make it feel more open.  The empty space gives the light a chance to spread out and provides some structure for what might otherwise just be a crush of buildings and rides and vendors.  It also provides a convenient route for couples on dates to stroll.

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At one of the oval’s ends is the Garden Stage where occasional performances are held.  I happened to catch a mini-concert by the Charlotte Band, basically an all-girls marching band.  Dressed in red and white uniforms with gold trim and white boots they went through Girls’ Generation and 4-Minute numbers, as well as the Ppororo theme song.  Let me tell you, you have not truly heard ‘Hoot’ unless you’ve heard it the way it was meant to be played: on a sousaphone.

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Lotte World Adventure, isn’t all empty calories, though.  There’s also a small nature center where a variety of plants grow and kids have the chance to hold frogs as a guide explains their mysterious amphibian ways.  There’s also a collection of aquariums containing several species of fish, pools of crabs, and glass boxes holding crickets, grasshoppers, and stag beetles.  Near the gift shop is a large bowl of dirt where kids can sift through and look for Japanese rhinoceros beetle larvae (장수풍댕이).  One boy that was busily digging through was collecting his findings in a quickly growing pile.

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Not all of the amusement park is inside, however.  A walkway connects the indoor portion of the park to Magic Island, set in the middle of the western part of Seokchon Lake.  Much of Lotte World feels like it borrowed just a biiiiit too heavily from Disney World: the name; the Magic Kingdom Island designation; the fuzzy, big-eyed, white-gloved, tuxedo-wearing mascot, and the centerpiece of the Island, the Magic Castle, is a dead-ringer for Sleeping Beauty’s castle with a more modest construction budget.  (Cinderella’s place, of course, being a knock-off too, of Mad King Ludwig’s Neuschwanstein.)  The castle is, according to a sign on its front, ‘considered a masterpiece of gothic architecture of 16th Century Germany.’  Given that it was built neither in the 16th Century nor in Germany, this seems dubious.  More believable is the claim that it ‘will give you the most memorable experience you’ve never had!’  You may now chew on that one for a while.

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The outdoor section of Lotte World has more serious rides than the indoor section, and correspondingly the demographic skews a bit older.  Inside are lots of kids and parents; outside you’ll see more teens and adults, many of them couples on dates.  A word on the Lotte World dress code: couple style here is, while not quite de rigueur, at the very least heartily embraced.  Matching t-shirts or hats are commonplace.  I even saw one couple that literally had the exact same outfit on: shoes, pants, hoodies, bags, everything.  The other dominant Lotte World trend is putting ridiculous things on your head.  Most often this takes the form of oversized bows, but can also be bunny ears or seasonal decorations bobbing on the end of springy coils.

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The entire Lotte World setup, like any good amusement park, is a temple to screaming, eating, game playing, and being spendthrift.  I had been highly skeptical of the whole affair and the only reason I went was for research (or at least that’s what I told myself).  Despite having a tendency to be a bit of a crank, however, I actually found myself having a pretty good time at the place.  A lot of this can probably be attributed to the company I had, the beautiful weather, and the limited time I spent there, but all in all Lotte World ain’t bad.

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Of course, the risk of amusement park-induced rage is always present, particularly if you visit in the winter and the outdoor section is closed.  Fortunately a couple of pressure valves are built into the system.  Tucked away in a corner of Lotte World’s second floor is a smoking room.  Give the kiddies a fistful of 500 won coins, tell them to play nice, and go light up.

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Those unfiltereds not doing the trick?  Leave the park and head downstairs toward the skating rink.  Just off the ice is the entrance to the Lotte World Shooting Range (롯데월드 권충실탄사격장), marked by the posters of handguns plastered around the doorway.

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Stepping into the range’s reception area, a half-flight of stairs below the rink, is a singularly weird experience.  The walls are covered with pictures of firearms, gun-wielding heroes and villains from TV and movies, and also a few signed pictures of Korean celebrities who’ve come in to shoot off a few rounds, including Tablo from Epik High and his wife 강혜정, who starred in Oldboy.  Assault weapons are bolted to the walls and copies of gun magazines take up table space.  Pretty run of the mill stuff if you were in your Texan uncle’s den, but this is Korea, where seeing a firearm outside of the military is about as common as sighting a tiger in the wild.

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Despite being American I come from a non-hunting, non 2nd Amendment-worshipping family and had only fired a gun twice.  The opportunity to squeeze off a few in Korea was one I couldn’t pass up, though.  Want to do it too?  Here’s how: Walk up to the counter, give the attendant your ID card and 20,000 won, point to the gun you want to shoot.  That’s it.  Almost as easy as getting a semi-automatic back in the States.  I chose a Glock 9mm ‘cause I’m street that way.

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When my turn was up I was ushered into the shooting range where one employee strapped a bulletproof vest on me and pointed me to a second employee who was waiting by my lane.  That guy pointed out how to hold the gun, where to aim, and where to pull the trigger.  Then he gave me a pair of noise-muffling headphones to put on, loaded a clip, and let me fire away.  Ten shots later my clip was empty and the target zipped back to the booth where the attendant unclipped it and showed me how I’d done: one bullseye, eight other holes scattered across the target, and one way down in the corner that had missed completely.  The target was only about ten meters away.  I’m not a very good shot.

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If you’re sweet (and it helps to be female) one of the attendants will take your photo like this.

And that was it.  So how did I feel afterwards?  Powerful?  Sated?  De-stressed?  Like I’d channeled my inner Slim Charles?  Well…mostly I felt that it’s a damn fast way to blow through 20,000 won with nothing put a paper full of holes to show for it.

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Back outside, the skaters on the ice rink glided on, completely unaware of the pulpy carnage I’d just unleashed.  The Lotte World Ice Rink is one of the most popular places for skating in Seoul, and if you’ve never skated before it’s a perfectly fine place to try it out; there are always plenty of beginners slowly shuffling around clinging to the outer rail.  If you’re as at home on blades as you are in sneakers that’s good too – as a public rink in a popular entertainment mecca, the sheet here is always a mix of all different levels.  The inner section of the rink is sometimes used for figure skating practice, and I watched a handful of aspiring Kim Yu-Nas landing some pretty impressive jumps as the crowd circled around them.

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As nurturing and providing as the People’s Republic of Lotte is, you may find yourself wishing to defect back to the real world at some point.  And after so much stimulation, you may be looking for something a bit less manic.  Head out Exit 3 and walk straight, past the giant neon raccoon, to Seokchon Lake (석촌호수).  (If you turn right at the raccoon it’ll lead to you the Charlotte Theater (Not Charlotte as in the South-Atlantic financial capital; Charlotte as in 샤롯데, as in Char-Lotte, as in ‘Don’t you forget who owns this.’) where ‘Cats’ is currently playing.)

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The lake is split into two parts by Songpa-daero (송파대로) and is especially popular for the walking track that runs around its circumference.  In the afternoons and evenings it’ll be full of mostly middle-age and older Seoulites taking some exercise, and after the sun goes down young couples start to join the procession.  This all happens in a very orderly clockwise direction, which makes you wonder why the city’s whole ‘Walk on the Right’ campaign is so roundly ignored while the one-way traffic here is so strictly observed.

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The two halves of the lakes have significantly different characteristics.  Though both are pretty, with lots of trees, the east half is markedly more serene.  You may even spot a heron standing stoically near its banks.  This contrast is due to the fact that Lotte World’s Magic Island sits in the middle of the western half, so your romantic evening stroll will be regularly pierced by the screams of roller coaster riders and the wheezing hydraulics of the Bungee Drop.  What it takes away in calm it makes up for in entertainment value, though.

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More entertainment is occasionally provided just off the lake’s northwest corner at the Seoul Norimadang (서울놀이마당).  This open-air theater hosts dance, music, drama, and martial arts exhibitions, mostly on weekends and mostly of the traditional variety, though I have seen b-boying performances held there as well.

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The west side of the lake has one more item of note – right near its entrance is Samjeondobi (삼전도비), a pair of large stone turtles – one bearing a stele, the other with its stele missing – that are designated Historic Site No. 101.  The monument was erected at the request of Taizong of the Qing Dynasty to commemorate his victory in the Second Manchu Invasion of 1636.

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Across Songpa-daero’s ten lanes from Lotte World is a big hole in the ground where yet another piece of the Lotte empire is set to rise, as the construction of the Lotte World Tower is underway.  Walking past I paused to watch as a handful of giant cranes moved their loads about and sparks showered from a welder’s platform.  It was bound to be one more in the neighborhood’s collection of big shiny glass and steel towers that dominate the area.  Banks, convenience stores, and chain coffee shops occupy their ground floors while up above people fill their apartments or toil in their offices.  A block or so north the Number 2 train rumbles by on an elevated track not that far overhead, breaking up the monotony a bit.  Another point of interest tucked between Lotte World and the neighborhood’s modern towers is the series of sculptures of athletes performing various Olympic sports that dot the median on Olympic-ro (올림픽로), recalling when Seoul hosted the 1988 Summer Games.

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If Seokchon Lake isn’t enough of an escape, you can head out Exit 6 and hoof it a kilometer to Hangang Park (한강공원).  Jamsil-daero eventually brings you to the Jamsil Bridge (잠실대교), which you’ll want to go partway up before descending down a circular ramp to the park.  If it’s near sundown and you can tolerate the cold and the noise of the passing traffic, you may want to pause in this unlikely spot to take in what can be a pretty spectacular sunset, as the changing deep blues and pinks silhouette the 63 Building, N Seoul Tower, and the mountain ridges to the north and west.

In the park down below some evening joggers and bikers passed by as I listed to the rush of water coming from a spot below the bridge where the river tumbles about a half-meter from one level to another.  The park is much sparser here than in many other places, the only real amenities being a few picnic tables, making it a good area to have a catch come spring.

Stroll west a short ways, however, and two attraction spring up side-by-side.  The first is the Nature Learning Center (자연학습장), an area of flower gardens, fruit trees, and other plants designed for the educational benefit of school kids.  Next to that is what they’ll probably find more interesting: a swimming pool.  That, however, they’ll have to wait for.

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Lotte World, Lotte World Adventure, and Magic Island

Towards Exit  4

Lotte World Adventure Hours

Monday – Thursday: 9:30 – 22:00; Friday – Sunday: 9:30 – 23:00

Ticket information available on at website

www.lotteworld.com

02) 411-2000

Lotte World Shooting Range (롯데월드 권충실탄사격장)

Hours

Weekdays: 9 – 21:00, Weekends and Holidays: 9 – 22:00

Fee: 20,000 won for 10 bullets

cafe.naver.com/lwsr

02) 414- 4013

Lotte World Ice Rink

Hours

Weekdays: 10 – 21:30, Weekends and Holidays: 10 – 21:30

Entrance Fee

12 and Under: 7,500 won, 13 and up: 8,500; Skate rental: 4,500

Seokchon Lake (석촌호수) and Samjeondobi (삼전도비)

Eastern Half: Exit 2, Western Half and Samjeondobi: Exit 3

South on Songpa-daero (송파대로)

Seoul Norimadang (서울놀이마당)

Exit 3

South on Songpa-daero (송파대로), right on Jamsil-ro (잠실로)

Hangang Park (한강공원)

Exit 6

North on Songpa-daero (송파대로) to Jamsil Bridge (잠실대교)

Parts of this post first appeared in the December 2011 issue of SEOUL magazine.

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