Posts Tagged ‘park’

Majang Station (마장역) Line 5 – Station #541

May 13, 2012

The further east you go along the Cheonggye Stream (청계천) the more the engineering of its western end gets stripped away and the more you’re able to step into its past.  The process culminates in the Cheong Gye Cheon Museum (청계천문화관) and Cheonggye Stream Shack (청계천 판잣집), close to where the stream begins its southerly turn near Yongdu Station (용두역), but just a bit further on you can come face to face with the Cheonggye’s sorriest period before you even leave the station.

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Near the exits at Majang Station is a terrific photo collage by the Japanese priest Nomura Motoyuki, who, between aid activities, photographed Seoul and, in particular, the Cheonggye shanty towns, from 1973 to 1985.  Compared with today, the Cheonggye of the 1970s is unrecognizable – the wood and tin shacks along its banks look ready to collapse at any moment, more reminiscent of a south Asian slum or refugee camp than anything that squares with notions of Seoul.  Kids with dirty faces play amid piles of trash and squalor, while another is bathed outside in a plastic bucket.

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They’re fascinating images to hold in your head as you make your way to the stream today, just a couple hundred meters or so from Exit 2 or 3.  It’s simple but pretty here: a plain stretch of water with some patches of reeds and grassy banks the color of hay.  On the opposite bank a high concrete wall blocks the wide series of tracks that lead to Seoul Metro’s Gunja Train Depot, and this and the flyway running overhead blunt the stream’s charm a bit but don’t detract too much.  There’s of course a two-lane bike path running along the stream, but you’ll also find what is one of the cutest features we’ve come across so far: the Children’s Bicycle Safety Experience Learning Center (어린이 자전거 안전 체험학습장).  This little patch of concrete is separated into two parts: one with S-curve patterns and figure-8’s for absolute beginners to practice on; the other, for slightly more advanced riders, having curving paths and gently banked curves, as well as miniature crosswalks, street lanes, and bike traffic signs for learning traffic rules.  Didn’t come with your own ride?  No worries – there are bike rentals available near the entrance.

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Walking to the stream from Exit 2 you might notice a sign advertising the Sancheong Medicinal Herbs Park (산청 약초 공원) at the stream, but when I arrived at its banks the only trace of the Herbs Park I found was the large sign marking its location.  The absence, I assume, was because I visited in February.  Just a few steps west of where the park was supposed to be was another streamside attraction,  the Cheonggyecheon Ecology Classroom (청계천 생태교실), a white canvas building with displays and dozens of rows of chairs inside, but this too was closed.

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A walk in the opposite direction, from Exit 4, past the Hankook store with its tires wrapped in gold foil like wedding bands for giants, will lead toward Hanyang University and Wangsimni.  After a bit you’ll both start to pick up a university vibe and clearly make out the enormous Bit Plaza complex off to your right.

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There’s a bit of the old school to the Majang area, readily visible on a small market street along Majang-ro-40-gil (마장로40길), which is the side street after U-turning from Exit 3 or 4.  Rough around the edges, there were just a few elderly hangers-on milling about, including an old ajumma wrapped up in mismatched scarf, hat, and jacket, bent over and pushing a low cart before she paused to wind up and spit a gob of unwanted saliva onto the street.

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After returning to the main street I swung right onto Majang-ro-42-gil (마장로42길), where a guy was doing some welding work on the corner, having run an extension cord out of his adjacent shop and across the sidewalk.  After sidestepping the sparks I continued on but nothing really caught my eye until just before the end of the street when I noticed a steep set of stairs labeled Salgoji-2-gil (살곶이2길) running up to my right, just the kind that I can’t resist exploring.

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I went up, and after winding through some narrow, concrete-paved alleys I found myself in a gravel and dirt parking lot in the middle of a rather isolated neighborhood that I couldn’t quite wrap my head around.  There was almost no one about, and it seemed part slum, part abandoned, though I couldn’t figure out how much of which.  There was a vegetable plot and a couple dirt paths winding around it and alongside buildings, some trash strewn here and there, and a single old woman sitting outside and keeping an eye on me.  There was something odd, yet at the same time quirkily endearing about the place, both traits likely brought about by its relative isolation from the rest of the area.

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Anyone familiar with Majang is probably wondering by this point When are they gonna get to the meat?  Don’t worry, we haven’t forgotten, for if there is one thing Majang is synonymous with, it’s meat.

For nearly half a century, since the city’s main meat market moved here from Jongno-gu in 1963, the Majang Livestock Market (마장 축산물시장), has been providing an estimated 70% of all beef consumed in Seoul.  Along with the country’s largest meat market, Majang-dong also used to house a number of slaughterhouses, but these were moved to Doksan in 1998.  Today the market occupies 28 acres and contains thousands of shops selling, in an oh-so-literal way, everything beef and pork related but the squeal.

You can get to the market by going out Exit 2 and then turning left on Majang-ro-35-nagil (마장로35나길).  This will take you past a pair of enormous white warehouses on your left, abandoned-looking and surrounded by high brick walls.  Upon first seeing them I surmised that this was where the old slaughterhouses used to be, and decided to walk around the large block to see if I could confirm or deny my suspicions.  I turned left on the street just before the wall, which was lined with butcher shops with shiny metal hooks dangling from runners in the ceiling.  As the wall lowered I could partially make out a huge pile of twisted scrap metal in the yard in front of the first warehouse, and when I reached the opposite side this was revealed to be a storage space for KEPCO, the Korea Electric Power Corporation.  The second warehouse, of which I could only make out a gutted-looking second floor poking above the wall, was less clear.

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Just past a brand new elementary and middle school is the market’s south entrance, a large arch overhead reading ‘Welcome to Meat Market.’

For anyone whose trip back up the chain from dinner plate to farm has gone no further than plastic-wrapped Styrofoam trays at the grocery store, Majang Meat Market will be an eye-opening experience, in a good and honest way.  It’s important to know what your food is, and was, and Majang takes you about as close to the present tense as one can go.

Stepping under the arch I glanced down and noticed a spot where the top of the asphalt had chipped away; the exposed pavement had a rusty hue, perhaps actually having been stained by years of blood.  Inside, brigades of rubber-smocked butchers were hard at work, one feeding a slab of meat through a band saw, creating a sound like electrified nails on a chalkboard, while nearby the team in another shop went about their business decked out in all white smocks and caps, which led me to wonder a) why butchers seem to always be portrayed wearing white, and why they actually often do in real life, and b) how every butcher I’ve ever seen dressed this way has never had a single stain on their shirt.

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What was once an animal, at the market was deconstructed into product.  It dangled from pegs on walls, rolled by on dollies, was ground into chuck, or was sliced and wrapped in plastic.  Enormous ladders of ribs hung from industrial hooks, sheets of offal bathed in tubs of cold water like lazily soaking laundry, entire pigs stretched out on metal tables, and the gray shag carpet of intestines was folded over itself in wide heavy flaps on plastic sheeting.  Triangular pig ears were spaced evenly on one table and bowls of kidneys looked like mammoth gelatinous versions of their namesake beans.  On one counter sat a loose mandible, decoupled from its former body and sawed in half, and hanging from a hook were several pairs of what I was pretty certain were bull testicles.  Several stalls were selling tails.  The skin had been peeled off and what was left was menacing and surprisingly powerful-looking, like an alien’s tentacle.  There were also entire cow heads, skinned but with the horns still attached.  Some of these had been wrapped up in heavy fuchsia plastic, the sort of thing I imagined seeing mounted on the bedroom wall of a cattle rancher into S&M.

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The amount of meat at the market was tremendous, almost overwhelming.  I marveled at how so much could be consumed – that this market, which contained more beef than I had ever seen in my life, by many magnitudes, represented only a small fraction of what was consumed nationwide, and that this represented only a single day in a single country.

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It may have been because the heavy scent of protein in the air was going to my head, but as I wandered around the market I felt increasingly happy.  In a decade that has thus far been defined by political and economic malfeasance, it was heartening to be completely surrounded by people pursuing truly good, honest work.  There were a few shoppers in the market, but on a late Tuesday morning it was populated overwhelmingly by people just doing their jobs.  A man in a tiny room on a side alley fed a huge chunk of meat through an auto-slicer, cutting it up into thin ½ cm strips.  A steady stream of mopeds and trucks rumbled about, picking up and delivering.  In one stall, a middle-aged woman tended to nothing but pig heads, using a coarse brush to remove any excess hair before they could be sold.  (Has anyone else ever noticed how pig heads all seem to have a faint smile on their face?)

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Along with the sales of beef and pork, a number of cottage industries have naturally arisen in the market to cater to the workers.  I watched a woman push a cart through the aisles, selling lunches of toast and ramen to the butchers.  A man in a corner stall sold rice cakes and dried seaweed, but business was slow and he was nodding off.  On one of the market’s main aisles I spotted a sign for a barber, its accompanying pole spinning away, and tried to think of a single place where I would want less to get my hair cut.  Of course, there are also knife salesmen and knife sharpeners.  One of these had set up his electric whetstone in an underpass below some rail tracks, and as he applied a dull blade to the grinder the sparks from the metal on metal friction sprayed out like a roman candle, bouncing off the concrete wall in front of him.

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The first time that I visited Majang Market my companion and I were passed by a slowly cruising Mercedes with tinted windows, and I remarked, half-jokingly, that any Benz in a meat market must belong to the gangsters who provide ‘protection services.’  She responded that that was impossible.  There’s no way to verify the explanation for this, but it’s plausible and, at the very least, entertaining.  Although Korean gangsters, I was told, do in fact control many neighborhood markets in the country, largely in the, ‘Awfully nice market stall ya got here.  Be a shame if something happened to it,’ way, they leave Majang alone, not because the workers and organized crime have come to any sort of agreement, but because they’ve decided that thousands of people highly proficient in the use of all manner of knives, blades, and cleavers is one population it would be prudent not to
antagonize.

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Of course, the point of these dozens of acres and hundreds of shops is to feed yourself, and for anyone who loves beef or pork there literally is no better place in the city.  Majang is where you’ll get the freshest meat, bar none.  There are certainly a number of barbecue restaurants in the surrounding neighborhood, but you don’t even need to leave the market to eat.  The majority of eateries are clustered near the market’s north entrance, opposite the Cheonggye Stream.  These range from jokbal places to large restaurants that serve just about any cut of beef or pork you could want, including barbecue ‘sampler platters’ that include three or four different cuts.

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To get the fullest market experience, however, you might want to go full DIY.  Pick up whatever you want in the market and take it to one of the modest restaurants that will rent you a grill for just a few thousand won and serve up side dishes for just a few thousand more.  Take a moment to think about what’s brought your food here, throw it on the fire, dig in, and complete the chain.

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Cheonggye Stream (청계천)

Children’s Bicycle Safety Experience Learning Center (어린이 자전거 안전 체험학습장)

Exit 3

Sancheong Medicinal Herbs Park (산청 약초 공원) and Cheonggyecheon Ecology Classroom (청계천 생태교실)

Exit 2

 

Majang Livestock Market (마장 축산물시장)

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Left on Majang-ro-35-nagil (마장로35나길)

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Yeokchon Station (역촌역) Line 6 – Station #611

May 6, 2012

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I left Yeokchon Station from Exit 1, and one of the first things I passed was a café called Santa House, which, yes, had a small gift shop below the café selling all sorts of Santa figurines and Christmas knickknacks.  Instead of Santa himself or even a reindeer, though, the business’ logo had a black and white dog, a cartoon shepherd, gazing out at customers.  Just a few steps further on I walked past a trio of big, fluffy, white dogs sleeping next to a small gate that led to someone’s house.  Two of them had wedged their muzzles underneath the six inches of space at the bottom of the gate so that their bodies were on one side of the fence, their dozing heads on the other.

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Everywhere I went around Yeokchon it seemed like people were out with their dogs, taking them for a walk or a run in the park, or just using them as an excuse to stretch their own legs in the warm March sun.  After continuing down Jinheung-ro (진흥로) for a bit I swung a right on Jinheung-ro-7-gil (진흥로7길) to look for a market that was posted on the station’s neighborhood map.  I didn’t find it, but this did lead me to Jinheung-ro-1-gil (진흥로1길), running parallel to the main street, where traffic had been cut down to a single lane, the bare minimum width to accommodate vehicles, and the sidewalk running next to it was just as wide.  There were banks of shrubs too, and a new playground, and at intersections the streets were paved with cobblestones.  I’ve found myself in Eunpyeong-gu several times now, and I have to admit I’ve grown to be pretty fond of it, small gestures like this being a big reason why.  The little paseo was lively with parents pushing strollers, people on bikes, shoppers running to the store, and, of course, locals out walking their dogs.

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Back out on Jinheung-ro, the closer I got to its intersection with Eunpyeong-ro (은평로) the newer and more built-up things got.  Near the station the buildings were shorter, but here there were tall apartment buildings, live music clubs, a Vietnamese pho place with patio seating, a three-story 24-hour barbecue restaurant, and a big ol’ E-Mart that dominated everything else.  It had been quiet by the station, and I was a bit surprised at how active things were down here.

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On the other side of the station, the area outside Exit 2 was just what I expected in a neighborhood in these parts, which is to say a typical middle-class Seoul balance of shops and restaurants along the main roads and small and mid-size brick apartment buildings on the small streets and alleys.  When I went out Exit 3 I passed a donkatsu restaurant where an ajumma was yelling an order out of a second story window to a man on the sidewalk below.  It’s only a few minutes’ walk from the exit to Bulgwang Station – you can make out the covered sidewalk market up ahead on the left – and if you head that way you’re treated with lovely views of the southwestern edge of Bukhan Mountain (북한산) and Suri Peak (수리봉) rising between and behind the buildings, their bare tan stone jutting out in the places too tough for trees or scrub to grow.  Accordingly for this part of town, I saw quite a few people walking around in souped-up hiking gear and backpacks.

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If that’s more effort than you’re looking for, though, you can simply head to the relatively new Eunpyeong Peace Park (은평평화공원) just outside of Exit 4.  Middle-aged women were handing out church flyers near the entrance when I arrived.

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The park itself isn’t much – small, with a few benches, trees, and exercise equipment – but it was a remarkably happy place, with parents playing soccer with their kids or teaching them how to ride a bike or just having a picnic.  Here too were more dogs and their respective owners.  A small central plaza also looked like it turned into a splash fountain in warm weather months, but at the time of my visit it was still too early for that.

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The park holds something for history buffs too.  At the end of the park’s main path is a bronze statue of U.S. Naval Lieutenant William Hamilton Shaw (June 5, 1922 – September 22, 1950), erected in 2010.  As you might presume from that date, Shaw died serving in the Korean War, but it was his life up to that point that makes his story particularly interesting.  Shaw was actually born in Korea, Pyongyang to be specific, to Christian missionary parents.  After spending his early years on the peninsula he eventually enrolled in the Navy and participated in the invasion of Normandy in World War II as an executive officer of PT Boat PT518.  After the war he taught warship operations at the Korean Naval Academy before pursuing a Ph.D. at Harvard.  He interrupted his studies when the Korean War broke out, however, returning to his homeland and taking part in the Battle of Inchon.  His death came shortly thereafter, in the effort to retake Seoul, when he was killed by a sniper in Nokbeon-ri (녹번리), what is now Nokbeon-dong (녹번동), where the Peace Park is located.

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Eunpyeong Peace Park (은평평화공원)

Exit 4

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Seoul Station (서울역) Line 1 – Station #133, Line 4 – Station #426, AREX – Station #A01

April 29, 2012

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For almost anyone who travels, there’s a certain romance associated with rail travel that other modes of transportation can’t quite match.  Flight had its moment of glam in the postwar years, but few still find anything romantic about the process of contemporary air travel with its steadily decreasing comforts and increasing security indignities.  Boat travel within developed countries all but doesn’t exist, and cruises aren’t so much travel as the vacation itself.  Trains, however (and their whiff of outdatedness for long distance travel may in part explain this), still evoke a certain charm, a sense that wonderful things might happen not only at your destination, but on your way there.  The names of the great routes – the Orient Express, the Trans-Siberian, the Blue Train – and the great stations – Grand Central, Union, Gare du Nord, St. Pancras – reflect that.  It’s no coincidence that the Hogwarts Express was a steam train and not a jetliner.  Magical people take the train.

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Alas, Seoul Station is not one of the world’s greats, but that’s largely due to a political twist of fate.  If reunification ever becomes a reality, Seoul will become the terminus for what would undoubtedly be one of the world’s longest and most incredible journeys: Lisbon to Seoul overland.

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Until that day, however, those of us who live and travel here have no choice but to accept the fact that what counts as Korea’s ultimate rail journey is the between-meals run to Busan or Mokpo.  What the Korean railroad suffers in its geographical limitations, however, it compensates for in its quality and in its wonderful station.

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Uh, make that two stations.

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Seoul Station, now, refers to the new Seoul Station, but it used to refer to the old Seoul Station right next door.  In the interest of historical linearity, let’s start there.

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The old Seoul Station is a beauty of a thing; it looks the way a train station is supposed to look.  Designed by the Japanese architect Tsukamoto Yasushi and completed in 1925, thick stone slabs ring the bottom below reddish-pink bricks, all below an arched central window and Byzantine dome.

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While trains may no longer run from the old station, it has fortunately been brought back to life with an extensive refurbishment and reimagining.  Reopened on August 9, 2011 and rechristened Culture Station Seoul 284 (화역서울 284), it’s been turned into an exhibition space, and until February 11 it’s hosting a preliminary exhibition entitled ‘Countdown’ before fully opening as an art complex in March.  The current exhibition is a mélange of disciplines and styles from a number of artists, foreign and Korean.  Works range from sculpture to video to slideshows to audio to site-specific installations.

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As interesting as the artworks, if not more so, is their juxtaposition with the restored station and the station itself.  The new Seoul Station is a paragon of modernity, but the original captures the imagination in a way particular to old rail stations.  It’s not hard to envision a curl of cigarette smoke drifting out from a shadowy corner, followed by a trench coated Graham Greene or Paul Theroux, leather satchel in hand.  Thick granite columns line the foyer, and light streams through a stained glass skylight in the ceiling.  There are fireplaces, candelabras, and wood-paneling on the walls.  The exhibit guide notes where the Ladies’ Waiting Room and the Barber Shop were, and you can stroll the carpeted floor of what used to be The Grill, for a long time Seoul’s best Western restaurant, imagining the intrigue as foreign powers plotted Korea’s fate in the pre-war years.

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In at least one location, the old station offers an even deeper look into its past.  In the old barber shop and restroom on the second floor, refurbishment has been left half-completed, so that you’re able to view original construction materials and techniques from behind protective glass.

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The old station is connected to the new by Seoul Square, which is known by many Seoulites primarily for being a popular gathering spot for the city’s homeless.  Indeed, you’ll always find several wandering around or seated on blankets or cardboard, drinking or eating cup ramen, but their presence here is less pronounced that at similar stations in the U.S.  There is also, more often than not, the odd demonstrator or two, bearing a sign and airing a grievance, as well as members of the Seoul Station Street Church (서울역 거리 교회), with their bright jackets, fliers, and eager entreaties to know Jesus.  I had one member, a genial middle-aged man with a voice that sounded like he lived on a diet of cigarettes and gravel, follow me down the street for a block or so before deciding to try his luck with someone else.

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Also on the square is a rather badass statue of Kang Woo-kyu (왈우 강우규 의사).  The statue, which was only unveiled last year, commemorates the anti-colonial activist who, when he was already in his 60s, threw a bomb at the Japanese Governor-General Saito Makoto on this spot in 1919.  Sporting a goatee and some serious boots, his hanbok flowing behind him, Gang’s right arm is tensed at his side, ready to unleash the grenade in his hand.

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The new Seoul Station (서울역) is bright and airy, and it handles its bustle well.  Lined with fast food places and shops, it also has floor exhibits where the likes of Chevrolet show off their latest products, but the tall, high windows create the feeling of space, and people move through the station efficiently.  A department store is attached to both the first and second floors of the station, and on the upper concourse, in addition to a food court, you’ll also find space for photo exhibits and the Open Concert Hall, where two pianos and a keyboard sat at the ready.

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After looking around the interior of the station for a bit I decided to head out to the mezzanine above the tracks, from where I could watch the trains pulling in and departing and watch the flow of passengers.  I was briskly making my way there when a line of yellow tape that I spotted on the ground caused me to stop in my tracks.  On the tape was text that read, in English, ‘We Trust You: (Only paid customers can cross this line.)’ (고객 신뢰선 (운임경계선) in Korean).  That was the security check.  All of it.  Of course, tickets are checked on the train, but there were no guards, no metal detectors, no baggage inspection.  It was remarkable, and even though I had no intention of sneaking onto a train it seemed so good-natured, so trusting, so esteeming of my character that the yellow line actually made me pause and consider for a moment whether or not I should cross it, and when I did I needed to take a moment to convince myself that what I was doing was OK, that I was acting in the name of reportage and wasn’t actually doing something wrong.

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Outside, below the woven gray canopy of beams, the sleek metallic trains lined up even-spaced on the tracks like silverware in its case, awaiting dinner.  I found a spot near the mezzanine’s edge to watch as, a stream of hundreds of dark coats poured out of a newly arrived train and up the escalators.  It was New Year’s Eve, and lots of soldiers were out on leave, heading home to spend time with their families. A group of about 20 army men went by, all dressed in identical camouflage uniforms and with green canvas duffels strapped to their backs.  More stylish were the marines in snappy gray topcoats with polished gold buttons.

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In front of Seoul Station and Seoul Square is the busy Hangang-ro (한강로), and, leaving the station behind, I headed south on it, past a busy taxi queue, to see a bit of the neighborhood.

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Several more of the city’s homeless were here and there on the street surrounding the square, including one I passed who was squatting over a pile of discarded wires, peeling the plastic coating off by hand to get at the valuable copper inside.  Not much further on, just past Exit 13, was a line of people on the sidewalk, about 50 people deep, waiting their turn to get into a soup kitchen that was being operated in a small storefront.  Workers in bright yellow jackets watched over the crowd, and when someone had finished their meal and exited they guided the next person in.

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Beyond the soup kitchen were a couple of shops on either side of the street selling medical oddities like old wooden crutches, prosthetic limbs, and fake silicon hands in a variety of sizes and colors.  None of them were open, and it was unclear if they were simply closed for the weekend or for good.

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In the opposite direction, via a five-minute walk from Exit 4, is one of Seoul’s most well-known landmarks, Sungnyemun (숭례), more commonly known as Namdaemun (남대).

Of course, for the time being there’s nothing to see, as an enormous white shed encloses the gate as it undergoes restoration following the 2008 arson attack that partially destroyed it.

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If you walk there you’ll notice that the area north of the station is far more lively and eclectic than the area to the south, owing, of course, to the nearby presence of Namdaemun Market (남대문시장) (which we’ll cover when we get to Hoehyeon Station (회현역)).  But even on Namdaemun-ro (남대문로) there’s plenty of market spillover, and the sidewalk is lined with tables where vendors sell everything from headlamps to scarves.

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To the west lies Seoul Station’s backdoor, a largely residential neighborhood whose character is entirely different from the neighborhood to the east.  I actually stopped here first, stepping out Exit 4 onto a pleasant little cobblestoned plaza planted with a ‘garden’ of blue and red-tipped metal poles.  Directly across the street was a fire engine-red complex of buildings behind a matching concrete wall, that upon closer inspection turned out to actually be warehouses for the National Theater Company of Korea (국립극장).  Right next to the complex was a recycling yard where a half-dozen men were using heavy equipment to noisily move some metal beams about.

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Behind the warehouses and the recycling yard, the hilly area between the station and Mallijae-ro (만리재로) is an older lower-class neighborhood full of brick apartments and homes, some with tile roofs, and modest, not very profitable-looking stores and businesses.

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Business picks up after you climb up to Mallijae-ro, and it’s just off here where you’ll find the Sohn Kee-Chung Athletic Park (손기정체육공원).  The easiest way to reach the park is to go out Exit 4, cross Cheongpa-ro (청파로), turn right, merge left onto Mallijae-ro just before the overpass, and cross the pedestrian overpass that will come up ahead of you.  After you cross go down on the left and Mallijae-ro-31-gil (만리재로31길) will be directly in front of you, where a small sign points to the park 120 meters away.

Longtime readers (and those savvy to Korean athletic history) may find that name ringing a bell, as we earlier had a run-in with a Sohn memorial when we visited Sports Complex Station (종합운동장역).  We touched on his history in that post, but to briefly recap: Sohn was born in 1914 in Sinuiju (신의주), on what is now the North Korean border with China.  Because Korea was under Japanese occupation at the time, Sohn was forced to compete under the Japanese flag and a Japanese name, Son Kitei.  In Berlin he set an Olympic record, and on the medal stand he used a pin oak sapling he had received as victor to cover up the Japanese sun on his chest.

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Befitting a park dedicated to Sohn, the emphasis here is on athletic facilities, and there are several terraced into the slope, including tennis courts, a nice soccer pitch, and even a ping-pong table.  Additionally, there is the Sohn Kee-Chung Culture Center (손기정문화센터) and Library (독서실), housed in handsome red brick buildings with ivy climbing up their sides.

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There are two sculptures of Sohn in the park.  One is a large rendering of just the elderly Sohn’s head, looking out from the park’s highest point over a wonderful view of the rooftops of central Seoul.  In front of the sculpture is the pin oak (손기정 월계관 기념수) that was given to Sohn upon his victory in the ­­­­1936 Olympic marathon.  According to the nearby plaque, Olympic medalists were originally presented with crowns of Mediterranean laurels, but starting with the ’36 Games the laurels were replaced with pin oak.  The oak that Sohn received was planted at Yangjeong High School (양정고등학교), Sohn’s alma mater, but when the high school relocated the former site was turned into the athletic park.

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The second statue is partway down the slope, and captures Sohn in a pose as the runner is more commonly remembered.  The bib on his chest identifies him as racer number 382, the number he wore in the Berlin race.  He is midstride, his head cocked at a peculiar angle, straining to outrun the other athletes and, just as surely, the shame and burden he was made to carry.

Culture Station Seoul 284 (화역서울 284)

Exit 2

Hours | Tues – Fri: 11:00 – 19:00; Weekends: 11:00 – 20:00; Closed Monday, January 1, and Lunar New Year’s Day

Admission: Free

02) 3407-3500

www.culturestationseoul284.org

www.countdown2011.org

Seoul Square

Exit 1 or 2

Seoul Station (서울역)

Accessible directly from subway

Sungnyemun (숭례) / Namdaemun (남대)

Exit 4

Straight on Namdaemun-ro (남대문로)

Sohn Kee-Chung Athletic Park (손기정체육공원)

Exit 4

Cross Cheongpa-ro (청파로), turn right, Left on Mallijae-ro (만리재로), cross pedestrian bridge, Right on Mallijae-ro-31-gil (만리재로31길)

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Parts of this post first appeared in the April 2012 issue of SEOUL magazine.

Yeouido Station (여의도역) Line 5 – Station #526, Line 9 – Station #915

April 22, 2012

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Change is a constant theme on this blog, one that’s unavoidable when you talk about Seoul, but there are few places in the city that have undergone it quite so dramatically as Yeouido.  In the Joseon era, this island, whose name literally translates to ‘Useless,’ served as a sheep and goat pasture, and that’s pretty much how it stayed until the Japanese built the country’s first airport here in the early 1900s.  Still, it wasn’t until the ‘70s and Korea’s major industrialization that the island began its transformation into the financial and political center it is today.

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This focus on finance and power has led Yeouido to sometimes be referred to as the ‘Manhattan of Seoul,’ in keeping with the unfortunate national habit of making overstretched and not very accurate comparisons (see: Jeju is the Hawaii of Korea; Garosugil is the Paris of Korea; Seoul National University is the Harvard of Korea).  Despite the rather overextended metaphor, Yeouido does exude an air of Serious Business, and its status as the country’s seat of economic power does at least mirror that of Gotham.  Hit up the neighborhood around noon on a weekday and watch the sidewalks turn into rivers of power suits.

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When you step out of the subway station, the first thing you notice is, of course, the many tall office buildings, most of them covered in various hues of tinted glass – purple, cobalt, black, aquamarine.  There’s so much reflective glass in this neighborhood that if you left some kindling out on the street, sooner or later the sun would probably hit the right angle and it would catch fire.  Many of the buildings exhibit commissioned outwork out front, usually a sculpture in a style that emphasizes geometry over detail.

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Yeouido isn’t all work and no play, however, as I found out via a few hours in the neighborhood on a late autumn afternoon.  The island has some of the city’s nicest green spaces, and is one of the best spots in the city for recreational biking.

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Seoul initiated a public bike system just over a year ago, and although the city’s size and terrain have kept its scope relatively limited thus far, the program’s proved popular and there are plans to expand.  If you’re looking for a free ride in Yeouido, however, you’re in luck, as it’s the program’s hub.  All over the island you’ll find racks of crimson and white bikes available for public use.  They’re free for the first 30 minutes, after which you’ll have to pay a very modest fee.  Alternatively, you can purchase a one-month or six-month subscription.  More info is on the website (Korean only).

At first glance, Yeouido might seem like an odd place to set up a public bike program like this, but it’s got a few things working in its favor that made it a sensible place to start.  For starters, it’s flat, which much of Seoul is not.  The wide roads and sidewalks leave plenty of room for bikes (practically every street on Yeouido has a bike lane), and there’s a lot of parkland as well.

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And those parks?  They’re good ones.  We’ll start with Yeouido Park (여의도공원) (which we also visited when we went to Yeouinaru Station), a long strip that divides the island in half, just a couple blocks from Exit 3.

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Yeouido Park is divided into four sections: Traditional Korean Forest (한국전통의 숲), Grassy Field (잔다마당), the Cultural Events Plaza (문화의 마당), and Ecological Forest (자연생태의 숲), from northeast to southwest.  If you come from the station you’ll first arrive at the Cultural Events Plaza, a paved expanse dominated by an enormous taegeukki waving in the breeze.  Its edge is ringed with pickup basketball courts, most of which were being used when I passed by.  There were also fathers playing catch with sons and a pair of old ladies sharing a tandem bike.  Stands on the plaza rent out balls and rollerblades if you don’t have or don’t want to bring your own.  As its name implies, the plaza also hosts events and concerts, and on the day I was there a group of workers was setting up a stage for some type of performance.  While they worked, the enormous sound system blared out the same adult contemporary song over and over again.

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South of the plaza, the Ecological Forest was peaceful, save for the Olivia Newton-John soundalike wailing through the trees.  A boardwalk loops through the trees in this section, which the signage says depicts miniature versions of a variety of eco-zones.  I came across a photo shoot taking place on one stretch of the walk, a not uncommon occurrence in the park, which is a popular place for shoots, both professional and amateur, thanks to its varied and picturesque scenery.

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On the other side of the plaza, the Grassy Field is an open space of gently undulating knolls, dotted with trees.  It’s a great place for a picnic in warm weather or for playing in the snow in winter.  Like in the Ecological Forest, there’s a small pond here, overlooked by a country-style thatch-roofed pavilion.  In the northeast corner you’ll find a statue of King Sejong the Great, similar to the one in Gwanghwamun.

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The Traditional Korean Forest, at the far north end, is a simple, unflashy section where walking paths wend between the trees, all of which are species native to Korea.  There’s another pond here, at the divide between the forest and the field.  It’s probably the prettiest one in the park, and as I admired it I watched four ducks paddle around and occasionally plunge into the water in search of something to eat.

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The other park on Yeouido is the Yeouido Saetgang Ecological Park (여의도 샛강 생태공원), which forms the island’s southeastern border and connects with the Hangang Park to create a green loop encircling Yeouido.  A short walk from Exit 1, this is, without exaggerating, one of the nicest green spaces in Seoul.  Though it’s an engineered wetland, the sculpting is minimal and prevents the park from feeling artificial, save for a couple spots.  Even in those spots, however, I was so taken by just how damn nice the place was that I hardly cared.

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Although it’s not quite big enough to get lost in – the drone of traffic is always present, often visible, and the tops of office and apartment towers hog the horizon – it’s still the most ‘natural’-feeling place that I can remember visiting in Seoul, with the possible exception of Bukhansan.  On the mountain, however, you almost always have to contend with crowds, whereas in the Ecological Park you can frequently find yourself alone on the dirt walking paths, with nothing for company but the bent willow trees and the breeze rattling dried reeds like rainsticks.

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Near the entrance to the park from Exit 1 is a small stream and cascade that tumbles into a pond where two more ducks, one white, one brown, were bobbing up and down.  Above the pond is the wonderful Saetgang Bridge (샛강다리), a pedestrian span linking Yeouido with Yeongdeungpo.  This thin, curvaceous span has two triangular wings formed by cables linking diagonal poles with the walkway, making it look like a lithe metallic dragon.

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Lastly, something that doesn’t really fit in anywhere else in this post because it’s just so, well, weird, but that I have to mention because, well, precisely because it’s so weird.  While I was walking down Geukjegeumyung-ro (극제금융로) from Yeouido Park back to Yeouinaru-ro (여의나루로) I walked past a Coffee Bean & Tea Leaf, and literally had a Wait…did I just see what I think I saw? moment.  Was there a car parked inside that Coffee Bean?  Were there four cars parked inside?  There were.  And there were people reading at tables just as natural as can be, completely indifferent to the fact that at the next table there wasn’t actually a table.  There was a car.

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I looked up at the Coffee Bean sign.  A Hyundai one was right next to it.  Was it a café with a showroom in the middle of it?  Or was it a showroom surrounded by a café?  It was like one of those perceptual illusions: Is it a young woman or an old hag? A vase or two people facing each other?  The questions didn’t end there.  I get the appeal of having a coffee while you look at new cars, but why would you want to drink coffee surrounded by a bunch of mid-priced family-friendly sedans?  Wouldn’t the scent of coffee interfere with that new car smell, and vice versa?  How soon will I be able to sip on a Frappuccino while I browse whiteware?  And, most pointedly: Huh?  (To see it for yourself, go out Exit 4 and turn left on Geukjegeumyung-ro.)

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Yeouido Park (여의도공원)

Exit 3

 

Yeouido Saetgang Ecological Park (여의도 샛강 생태공원)

Exit 1

Dongnimmun Station (독립문역) Line 3 – Station #326

April 1, 2012

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Seoul’s modern history is a tumultuous one, but the city keeps her scars well hid beneath hard-earned layers of development and success.  There are some areas, though, where the wounds have been left exposed, and you can get a glimpse of the troubles the capital and its people have been through.  A good place to do that and to gain a deeper appreciation for how far the city and country have come is the area around Dongnimmun, or Independence Gate.

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The station takes its name from the triumphal arch that sits just south of Exit 4.  Near the intersection of Tong-il-ro (통일로) and Seongsan-ro (성산로), the large gray stones of Independence Gate (독립문) frame the south entrance to Seodaemun Independence Park (서대문독립공원).  The arch was constructed in 1897 and modeled on France’s Arc de Triomphe, as seemingly all arches everywhere are.  Previously this had been the location of a different gate, Yeongeunmun (영은문), where envoys from the suzerain Ming and Qing dynasties of China were received.  Soon after the First Sino-Japanese war ended the gate was demolished, and a year later Independence Gate was completed.  Near the gate is a statue of 서재필 (Seo Jae-Pil), a renowned independence activist and the man who was responsible for organizing the gate’s construction.

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Opposite the arch, across Seongsan-ro, is Yeongcheon Market (영천시장).  Covered stalls filled with produce lead down a side street to a larger covered market.  Quite a bit longer than you first suspect when coming from the station, the market building houses, in addition to the usual suspects, a small supermarket and even places selling finches, goldfish, and fishing supplies.

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Back beyond the arch, Independence Park is full of remnants of and memorials to Korea’s troubled past.  The largest and most significant of these is the Seodaemun Prison History Hall (서대문형무소역사관), just up the path from Exit 5.  When you reach the top of this short path you’re met with the sight of a red brick wall about ten feet high with an arched entryway reminiscent of the front of a barn.  Next to the entrance rises a gray octagonal watch tower with small windows in each side.  The tableau is at once stern and quaint: the sturdy bricks and squat dimensions give it an air of authority, but for anyone who’s ever seen or is familiar with modern super-max facilities it lacks the ability to intimidate.  Its slightly nostalgic quality shouldn’t fool you about the horrors that occurred inside, though.

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Built by the Japanese, the prison was opened in 1908 with a design meant to hold up to 500 inmates.  A mere 11 years later it held 3,000, an indicator of how vigorous the Korean resistance was and how harsh the Japanese repression.

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Visitors are taken on a self-guided tour that begins in the Exhibition Hall with an overview of imperialism in Korea, from the French landing on Ganghwa Island (강화도) to the Sino-Japanese War to Japanese colonization.  It also tells you how the prison was expanded in the 1930s by a magnitude of 30 from its original 1,600 square meters in order to accommodate the explosion in arrests of Korean independence activists.  What the history glosses over is that the prison was not shut down with the defeat of the Japanese, but was maintained by Korea’s subsequent dictatorships and put to use for their own nefarious purposes until finally being closed in 1987.

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From the Exhibition Hall you pass into the Central Prison Building, which was the command and control center of the old prison and held the warden’s office.  Here there is a variety of information on resistance movements, with basic information provided in English.  There is also a memorial hall, where the mug shots of some 5,000 killed independence activists cover the walls.  It’s a humbling sight.

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In Prison Building No. 12 the exhibitions continue in the basement with displays on how inmates were interrogated and tortured by their captors.  One of these was simply called water torture (물고문), and consisted of a prisoner being strung upside down by the feet while a prison guard either dunked his head in water or poured water from a kettle up his nose to make him think he was drowning.  I suppose you would have argued that the Japanese were only using an ‘enhanced interrogation technique,’ though, huh John Yoo?

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Above the interrogation and torture chambers, and in Prison Building No. 11 as well, concrete block and steel corridors of cells show the prisoners’ quarters: small wood-floored squares with heavy triple bolts on each door.  When the prisoners were let out it was often to go to the Engineering Work Building, which housed some of the 12 factories that were set up in the prison, mostly to produce textiles and clothes.  Finished goods were used both within the prison itself and also to bolster the Japanese war effort.

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In a rather disorienting contrast with the horrors and deprivations that once occurred here, the grounds of the prison are beautiful.  The stately red brick buildings contrast with the bright green grass of what are some of the nicest lawns in Seoul, and the entire complex is surrounded by hills that are often shrouded in mist, and fronted by the rising peak of Mount Inwang.  I haven’t been there in winter, but I’m sure that it would be equally lovely on a bright, crisp January morning, covered in a blanket of snow.

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The one building that, fittingly, scars the lovely scene is tucked away in the far southwest corner.  The Execution Building is a homely structure of unpainted wood planks that looks something like a frontier schoolhouse.  Inside three benches face what looks like a miniature stage, where a noose hangs above a stool set on a trap door.  There are even curtains, and one wonders if they were opened for the performance or closed before the final act, each its own respective type of cowardice.

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Surrounding the Prison History Hall is the large Independence Park, which has many of the things your average neighborhood park would have – walking paths, exercise machines, basketball courts – but which also hosts a couple of structures related to Korea’s independence struggles: the Patriotic Martyr Monument (순국선열추념탑) and the Independence Hall (독립관).

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The former, a tower of taegeukgis flanked by bas relief of scenes of famous activists, was erected by the Seoul Metropolitan Government on August 15, 1992.  The latter, just a few meters away from the Independence Gate, went through a transformation similar to its neighbor.  Originally called Mohwagwan (모화관) and used to entertain Chinese emissaries, it later hosted forums to promote independence.  Destroyed by the Japanese it was reconstructed in 1996 and now the handsome dark brown wood structure houses memorial tablets and relics.

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Across Tong-il-ro is the neighborhood’s other main feature: an entrance to Mount Inwang (인왕산), Seoul’s most spiritual mountain, and the trio of attractions found on its lower slopes: Guksadang, Seonbawi, and a carved Buddha.

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If you step out of Exit 2 you should notice a sign pointing left up Tong-il-ro-14-gil (통일로14길) to Seonbawi and Inwangsan Guksadang.  Past this the route isn’t well signposted, but the entrance isn’t too hard to find.  From the station exit, make the sharp turn at the sign and follow the road up to the Hanok Restaurant (한옥).  Take a right there, toward the steps that you should see in that direction.  If you’re not sure, the friendly ajumma in the nearby convenience store will point the way, as she did for me.  At the top of the steps is an inclined sidewalk with a wood fence on the right and I’Park apartments on your left.  Here you should see a sign or two again.  It’s only about 200 meters to the mountain path entrance.

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At the entrance to Inwangsan is a brightly painted wooden gate, from which it’s just 150 meters to Guksadang and another 30 to Seonbawi.  You’ll pass a few small temples on the way up, including Seonamjeong Temple (선암정사), where a vicious-looking pair of door guardians scare off evil spirits, one wielding a scimitar, the other holding a boulder over his head.

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I could already hear the sound of drums coming from above, and just a few more steps took me to their source at Guksadang (국사당), a wooden shrine in the familiar burgundy with emerald trim, finished off with bright and intricate detailing.  Vivid robes in several different bright colors hung from a thin rope across a doorway, and inside was a large central altar stacked with fruit and flowers and bearing a pig head, its mouth stuffed full of money.  Several shaman assistants in all white hanbok sat inside, a couple of them on smoke break.  Off to my right I noticed a monk in gray robes and wide-brimmed straw hat ascending some steps, a big plastic bag full of groceries in either hand.  As soon as he disappeared through a gate the drums, which had gone quiet, took up their cadence again, this time joined by a pair of cymbals and a piri (피리), the keening traditional Korean flute.  The female shaman, or mudang (무당), dressed magnificently in royal blue robes and a red hat with two pheasant feathers sticking straight up, began to walk around rhythmically in front of the alter, her eyes closed.

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Guksadang is the country’s most important shamanist shrine, said to house the spirit of King Taejo, founder of the Joseon Dynasty.  Originally located on Namsan, it was rebuilt here after being demolished by the Japanese in 1925.  Korean shamanism is an animist religion or, maybe more accurately, belief system, and one of its primary features is the gut (굿) (pronounced goot), a rite performed by the mudang to do everything from pray for a bountiful harvest to initiate a new shaman.

This particular rite was a memorial service being performed for the surviving family, which consisted of the widow, some sons and daughters, and one grandchild, who seemed far more interested in his ice cream than in what was going on around him.  Indeed, the expressions on the sons and daughters’ faces were mostly ones of forbearance; indulging mom in a belief they themselves had lost.

I lingered outside for a bit, trying to make myself inconspicuous, unsure of whether or not I was welcome, but just as I was about to leave one of the assistants, a woman with a small streak of hot pink in her hair, waved me around to the side and invited me in, and I sat down to watch the ceremony.

Guts are hard to reconcile with modern Korea, but they’re still a common occurrence at Guksadang.  This particular one mostly alternated between the shaman intoning, bouncing, and walking about in front of the altar, and inveighing in a chant-talk before the family.  It also involved more costume changes on the shaman’s part than you’d see at most pop concerts.  The most curious moment came partway through when the family was ushered outside to sit on the temple steps.  They were then given a large sheet of white crepe paper to hold over their heads, onto which the shaman sprinkled first water, then sesame seeds that had been in a bowl together with eggs and what looked like feces.  Several colorful flags were then waved above them, followed by a pair of knives that the shaman banged together, tapped on each family member’s head, and stabbed the air with.  Finally, she took the paper, lit it on fire, and waved it in the air before taking a sip of liquid and spitting it in a spray over the family’s heads.

The ceremony was long – after this climax everyone went back inside for more of the back and forth of chanting and posturing before the altar – and when it reached a point where it began to turn into a session of genuine mourning I quietly made my leave, hiking the 50 meters up to Seonbawi (선바위) (often Romanized as the Zen Rocks, Taoist Rocks, or Immortal Rocks).  Called this because they are said to resemble a pair of robed monks absorbed in meditation, they’re a popular spot for women to visit to pray for a child.  My secular mind was unable to make out anything even remotely monk-like in their appearance.  What they mostly look like is a giant chunk of half-melted butter that someone then took swipes out of with their fingers, or like an ooze creature that had risen up from the ground only to glimpse Medusa and be turned into stone.  You might not be after a child, but the rocks do offer magnificent views across the city, taking in Namsan, Jongno Tower, and the folds of mountains ringing the city.  It’s a peaceful view, and it’s likely the only sounds you’ll hear will be the drumming carrying up from Guksadang and the cooing of the dozens of pigeons that like to hang out on the rocks.

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On your way back to the station, you might want to stop by the Rock-carved Buddha (마애불) that’s down a pathway to your left if you’re standing facing the steps to Seonbawi.  Frankly, it’s not very impressive.  About two meters high and lacking in intricacy it left me a bit disappointed, though it undoubtedly suffers from comparisons to the area’s more fascinating surroundings.

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Independence Gate (독립문)

Exit 4

 

Yeongcheon Market (영천시장)

Exit 4

South on Tong-il-ro (통일로), cross Seongsan-ro (성산로)

 

Seodaemun Independence Park (서대문독립공원)

Exit 4 or 5

 

Seodaemun Prison History Hall (서대문형무소역사관)

Exit 5

www.sscmc.or.kr/newhistory/index_culture.asp

02) 360-8590~1

Hours

Mar – Oct: 9:30-18:00; Nov – Feb: 9:30-17:00; Closed Jan. 1, Seollal, Chuseok, and Mondays (Tuesday if Monday is a holiday)

Admission

Adults: 1,500; Teenagers: 1,000; Kids 7-12: 500

 

Mount Inwang (인왕산)

Exit 2

Left on Tong-il-ro-14-gil (통일로14길), right at Hanok Restaurant (한옥), up stairs and sidewalk

Guksadang (국사당)

Follow the path leading up from the parking lot on your left after passing through the Inwangsan’s entrance gate; approximately 15 minutes from the station

Seonbawi (선바위)

Follow the path up from Guksadang

Rock-carved Buddha (마애불)

Standing at the base of the stairs to Seonbawi, follow the path to the left

 

Parts of this post first appeared in the March 2012 issue of SEOUL magazine.

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