Posts Tagged ‘nightlife’

Sillim Station (신림역) Line 2 – Station #230

October 28, 2012

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Unusually for this project, my initial visit to Sillim was made on a Tuesday morning, and I was a bit surprised at just how much activity there was around the station. A lot of people out and about, and outside Exit 2 a soundtrack of loud K-pop streamed from speakers mounted on light poles in front of the Podo ‘Style Collection Mall.’ Outside the mall’s entrance, wheeled tables with boxes of Reeboks stacked seven high had been rolled out, and customers were poking through those and the piles of discounted jeans next to them.

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In recent years there’s been a lot of development in Sillim, at least in the area immediately around the station. There’s the aforementioned Podo Mall, and the invasion of the bourgeois chain stores – Starbucks, Dunkin Donuts, A Twosome Place – is complete, providing those with the means with trendy places to spend. There are a lot of new buildings, as well as older ones that have been remodeled or are in the process of being remodeled. As I walked south on Sillim-ro (신림로) I watched a half-dozen guys work on the interior of a second floor space that they were in the process of turning into a hair salon. It had windows that ran from waist height to the ceiling, though the glass hadn’t been put in yet and a pair of the workers was taking a smoke break, leaning out and watching the traffic.

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Continuing in that direction, the north and south bound lanes of Sillim-ro split around the Dorim Stream (도림천), and it was at about that point that the area’s recent development petered out and the surroundings got decidedly more working class. In the distance ahead I could see simple homes terracing up the lower slopes of Gwanak Mountain (관악산), the top third of which was a cap of mostly denuded trees. It was quieter here too, and during lulls in the traffic I could catch snippets of classical music drifting up from speakers along the stream, those two things a nice bit of non-commercial development for the area.

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To the east, the sidewalk outside Exit 1 humps up about five meters above the road before dropping back down and running past cafes, to-go pizza places, and the Play Girl Bar. Just past that, the Sillim Central Church (신림중앙교회) had set up some tables and chairs beneath a small tent on the sidewalk. An ajumma was handing out the standard packet of tissues with church info printed on it, and congregants were serving up cups of tea. There was also a bowl of what looked like pajeon batter waiting to be fried up in the oil that was already bubbling away in a pair of skillets, though the only people taking advantage of the things on offer were several old folks who were likely already Sillim Central members.

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While just steps off Nambusunhwan-ro (남부순환로) the surroundings turned very quiet and residential – red brick apartments and pretty Gwanak backdrops – on the avenue the scene was relatively busy. Just after the church a large construction site marked the future site of a hospital, and cars were pulling in to park at a barbecue restaurant that had a sign declaring a ‘Safety Honesty Zone.’

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A small curiosity: The sidewalk on the south side of Nambusunhwan-ro is trisected by parallel gray strips – the usual grooved one to aid the visually impaired and another thin strip of stone suggesting what’s supposed to be the walking section and what’s supposed to be the biking section. The latter is marked by metal plates embedded in the pavement every 20 meters, but instead of showing a picture of a regular bike, they’re imprinted with penny-farthings, the 19th century bikes that had an enormous front wheel and a tiny rear one. No sign of anyone actually on one of these, however.

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The north side of the street was similar to the south, though without bike lane plates. A couple grocery stores weren’t far from Exit 8, each with produce stacked up outside. At one of them a 50-something guy – maybe a shopper, maybe an employee – smoked a cigarette as he picked through zucchini, his sleeveless t-shirt revealing a portrait of a young boy wearing hanbok tattooed into his upper arm.

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Something that’s bugged me for a while is the highly circumscribed number of places in the city where I’ve experienced Seoul’s nightlife; although I get to a lot of different parts of town in the course of this project, that’s done almost exclusively during the day, with few opportunities to see the neighborhoods after dark. When I do go out on a Friday or Saturday night it’s almost invariably to Hongdae, since I live just a few minutes’ walk from the station, as do many of my friends. Occasionally I’ll go to Sinchon or Itaewon or, even more rarely, Jongno, but even those are few and far between. And as great as it is, even Hongdae can start to feel stale after a while. Another niggling bullet point on my Seoul to-do list has been to try going out in spots that the local expat population doesn’t generally go to, to see a side of Korean nightlife that might be a bit different. So with Sillim being a big night spot and not knowing any other foreigners who’d been there, I wrangled together a group of like-minded friends to eat, drink, and be anthropological.

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A proper study of an area’s nightlife must necessarily begin with the proper feed, and in Sillim that’s sundae bokkeum (순대볶음), stir fried sundae. A few dozen meters down Sillim-ro from Exit 3 is a small sign pointing to 양지순대타운 (Yangji Sundae Town), and if you turn right here and walk down Sillim-ro-59-gil (신림로59길) just a short ways you’ll get to Original Traditional Sundae Town (원조민속순대타운). Its un-missable neon sign, sticking out even in a neighborhood full of neon signs, has the name in large Hangeul letters splashed across the front, arching over a traditional hat and long-stemmed pipe.

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The building holds four floors of sundae bokkeum restaurants, though we didn’t really have any choice about where we ate because as we arrived at the second floor landing we were all but grabbed by the ajumma working the door of 왕후순대곱창 (Queen Sundae and Offal). Despite the royal name, the restaurant was sparse, with orange tables and benches, and rectangular metal pans above the gas burners embedded in the middle of the tables. It was like a middle school cafeteria, only with access to fire.

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We split our order between sundae in a spicy sauce (양념순대) and plain sundae (백순대), which was delivered to our table by waiters wearing lime green aprons with pictures of teddy bears on them. The sundae was fired up and stir fried with liver, intestines, cabbage, onions, green onions, tteok, jjolmyeon, and perilla, and could be consumed either wrapped up in sesame leaves or simply dipped in a delicious gochujang-based sauce. Sundae can be something of an acquired taste, and although I’ve acquired it, I’d never actually had sundae bokkeum before. It turned out that was quite an oversight, as the casual and umami-heavy dish is a perfect meal with which to start a night out.

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Sillim’s nightlife is centered on the small streets and alleys outside Exits 3 and 4 that surround Sundae Town. I’ll cop to the fact that, while I was certainly aware that there were other nightlife areas in the city besides Hongdae/Sinchon, Itaewon, Jongno, and Gangnam/Cheongdam, since I never went out in any of those other areas I didn’t really imagine other people, expats or Koreans, going out in them either. Therefore, my preconceived notion was that Saturday night in Sillim would be rather ho-hum, active but not that active.

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If my one Saturday night there was any sort of indication, though, Sillim gets packed. Granted there were six of us in our group, but we were turned away from the first three bars we tried to go to, for lack of open tables. (One thing that’s different about Sillim from night spots with more Western influences and crowds is that the bars here are all (or at least nearly all; we obviously didn’t go to every bar in the neighborhood) very Korean in their layout and setup for drinking, which is to say that it’s done at a table with the group you walked in with. The closest you’ll come to an open space for mingling with strangers is the occasional seat at the bar. Since sitting, drinking, and chatting with friends was what I had in mind that night, at the time the implications of this didn’t really register. The fact that I’m in a relationship put blinders on a bit too. But if you’re single and looking to meet someone in the course of a night out, it’s awfully hard to do so in a joint like that, and the necessity of sogaeting and meetings starts to become apparent.)

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As if to drive home the point, the first place we were able to have a drink in, after wandering through the bar flyer-littered streets, past twenty-somethings playing crane games and hitting coin-operated punching bags, was a room bar called Gaya. This was the first time I’d ever been in, or even heard of, a room bar (not to be confused with a room salon), which is basically what its name says it is: a bar divided into small rooms where you and your friends can drink in privacy. This can be either terribly dull or pleasantly intimate, depending on your proclivities (and, perhaps, your friends). To me it felt like drinking in a train cabin. The six of us piled into our little room, three into each bench on either side of a narrow table, the waiter handed us a menu, and then slid the door closed.

The room bar was fun for about a pitcher, but it certainly was no good for exploring the neighborhood, so after we finished our drinks we went back out. En route to the next bar the two Koreans in our group overheard a pair of girls talking behind us and started to chuckle. When I asked them what it was about, they said that the girls were commenting on the number of 양아치 in Sillim.

For a long time, Sillim was a poor area and had a reputation for prostitution, other shady dealings, and 양아치 (yang-ahchi), a word that roughly translates to ‘thug’ or the Australian term ‘bogan’ and can refer to someone who’s actually a thug, in the literal sense, or to a guy who fancies himself one, dressing in track suits, spitting, and smoking cigarettes with the butt pinched between their thumb and first two fingers. It can also refer to what the two girls behind us had been commenting on: other girls, tackily dressed in cheap clothes and in poorly done makeup. To be honest, I hadn’t noticed this phenomenon up to that point, but my two friends assured me that Sillim was indeed filled with 양아치, and as the rest of the night turned largely into a 양아치 safari I gradually fine-tuned my 양아치 radar.

양아치 presence notwithstanding, Sillim’s not a bad place to go out, particularly if you’re looking for something different, though it does still have a slightly seedy aspect to it, especially if you go north of Nambusunhwan-ro. The areas behind the Renaissance Mall near Exit 7 and outside Exit 6 feature a few bars and restaurants that attract an older clientele and also a lot, and I mean a lot of love motels and noraebba (노래빠), noraebangs where hostess girls sing with/for you, pour drinks, and potentially more. The playground of vice is rounded out by room clubs and ‘business clubs,’ where lots of important business is conducted, to be sure. Near Exit 6, running parallel to Sillim-ro, one street was essentially nothing but love motels, more than a dozen of them, lighting up the alley like a pinball machine, a cacophony of neon vying for your amorous attention.

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Continue straight on Sillim-ro from Exit 6, past the largest concentrations of motels, and you’ll come to the oddly named Culture Street That You Want to Walk (걷고싶은문화의거리), on which the only sign of culture that I noticed was a giant mask mounted as decoration on the wall outside a restaurant. Mostly there were just a lot more restaurants and a lot more neon. There were also quite a few minivans parked on the street. These, my Korean friend informed me, were used as shuttles to ferry noraebba hostesses to and from work.

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Hanging out with middle-aged men around hostess bars not really being our thing, my friends and I decided to head back to the area south of the station, which after being on the north side appeared almost classy. To top it off we found a bar called 미술관, meaning ‘art gallery’ (but if you break up the characters could also mean ‘beautiful alcohol hall’), and were intrigued to discover that they even had Taedong River (대동강) beer on their menu, North Korea’s finest brew. When we tried to order, though, we were told that it currently wasn’t available due to trade restrictions. Damn Norkies. Now there’s a bunch of 양아치 if I’ve ever seen one.

Dorim Stream (도림천)

Exit 3 or 4

Original Traditional Sundae Town (원조민속순대타운)

Exit 3

Right on Sillim-ro-59-gil (신림로59길)

Sillim-dong Nightlife Area

Exit 3 and 4

Culture Street That You Want to Walk (걷고싶은문화의거리)

Exit 6

Straight on Sillim-ro (신림로)

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Children’s Grand Park Station (어린이대공원역) Line 7 – Station #726

October 21, 2012

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About halfway up the Exit 3 escalator, I heard a loud crunch followed by a sound familiar to anyone who’s ever floored the gas pedal only to have their car’s wheels spin uselessly in the mud.  As I neared the top I could see a cloud of white smoke wafting across the sidewalk, and stepping off the escalator I saw the source: a white minivan had completely crossed the centerline near the intersection and struck a black sedan head-on.  The driver of the minivan wasn’t moving from their seat, either stunned or wary of getting out of their vehicle and facing the rightfully enraged driver of the sedan, who was being restrained from approaching the minivan by the driver of another car while the sedan driver’s traumatized daughter, wearing a backpack, her face glossy with tears, screamed at her dad.

Despite the reflexive rawness of the emotions and action, from an objective point of view things weren’t so bad.  It looked like no one had been hurt, and even the two vehicles weren’t in that bad of condition.  It was even rather impressive how others had responded – while the one man restrained the angry victim, preventing things from escalating, two other drivers were directing cars around the accident, helping to keep traffic flowing as smoothly as possible.

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After rubbernecking for a bit I kept walking down Gwangnaru-ro (광나루로), which runs along the north side of Konkuk University’s (건국대학교) campus.  We’ll save explorations of the uni for when we actually get to the subway station named after it (especially since there’s another university we’re visiting in this post), but if you’re looking to get to Kon-dae’s back gate, that’s just a quick right down Gwangnaru-ro-24-gil (광나루로24길), by the big green KU sign.  As you’d expect from a street near a university gate, Gwangnaru-ro-24-gil is lined with cafes, PC bangs, print shops, bars, and cheap restaurants, as well as tall Korean firs.  Not a bad place to pause and watch the students walking to and from campus.

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The university influence, both Kon-dae’s and nearby Sejong University’s, shows up on Neungdong-ro (능동로) where, south of the station, a surprising number of quirky and hip boutiques and salons staffed by twentysomethings line the sidewalks underneath rows of leafy trees.  Just outside of Exit 4 you’ll also find University Culture Street (대학문화의거리), administratively known as Neungdong-ro-19-gil (능동로19길), a long strip full of inexpensive restaurants and a mix of bars, noraebangs, and the occasional shop.  Predictably, it was pretty dead on a Sunday afternoon, but it looked like it might be a pretty lively place on a weekend night.  The street runs for several blocks, all the way to Dongil-ro (동일로), and as you go west, away from the station, more and more love motels start popping up, and business cards featuring girls clad only in lingerie and come hither looks dot the pavement.

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Just outside of Exit 5 is Gwangjin Square (광진광장), the entrance to which is marked by a large steel sculpture entitled ‘The Dream of Gwangjin-gu (광진구의 꿈)’.  Shaped like a crescent moon that’s been cleaved vertically down the middle, the work is by Yi Sang-min (이상민) and Yi Sang-ok (이상옥).

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The triangular park is mostly covered by a large paved plaza where a pair of elementary school boys played net-less badminton and a lone skateboarder worked on basic tricks.  Gwangjin-gu is sister city with Ereğli, Turkey, and on the north side of the plaza is a gift from the Black Sea town, a square structure of light gray marble that I believe is the type of fountain used for wudu, Islamic pre-prayer ablutions, though I could be wrong.  The fountain has gold and khaki green detailing and two faucets on each of its four sides, half at hand washing height, the others with low basins for washing the feet.

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Benches edge the park’s western side, and two old men were stretched out on them, taking naps.  It’s at that end that you’ll also find a stone engraved with the poem ‘Gwangnaru (광나루)’ by 황금찬 (Hwang Geum-chan).

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Only a few steps north, and smack bang outside of Exit 6, is Sejong University (세종대학교).  Wikipedia tells me it’s known for its hotel management, animation, and rhythmic gymnastics programs, which is a fabulous combination.

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From just outside the exit, the two most noticeable campus structures strike a befuddling contrast.  First, there’s the university’s main entrance, marked by a traditional Korean gate with twelve pillars and brightly painted eaves.  Some distance behind it, its lower third obscured by trees and other buildings, a soaring Italianate bell tower reaches into the sky, looking like it’d be more at home in Salerno than Seoul.  Approaching the tower, you see that it pairs with a similarly Italianate chapel – sandy stone blocks partly covered with ivy and capped by a red tile roof.  The low wall behind the chapel is covered in student murals, most of them reproductions of Klimt paintings.

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The Sejong-dae campus is quite appealing, with lots of trees, and in addition to a pick-up soccer game being held on the dirt pitch, several families were using the grounds to take their young kids for a walk and perhaps just get away from the commotion across the street.  If you find yourself on campus on a weekday, you might consider stopping by the Sejong Museum (세종박물관) where the university holds a large collection of royal regalia, paintings, pottery, and more inside a squat building on the campus’ north side.  Fronting the museum is a lily pond with a pair of matching fountains and a few ducks, four of them asleep on the bank, bills turned backwards and tucked into their feathers.

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Just past the university’s front gate, a folding table had been set up on the sidewalk where college-aged artists were painting cartoon characters on the faces and hands of little kids.  They were sponging up some of the business spilling over from the kidsplosion taking place in and outside Children’s Grand Park (어린이대공원) on the other side of Neungdong-ro.  Immediately outside of Exit 1 an old man in a baseball cap was holding a bouquet of Ppororo, Hello Kitty, Coco Mong, and Tyrannosaurus Rex balloons, while other nearby vendors sold cotton candy, kimbap rolls, assorted pojangmacha snacks, and even beer for the withering parent.

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Depending on how you feel about children, Children’s Grand Park may be either the most adorable place in the city or enough to make you call a pox upon Barry White, Marvin Gaye, and anyone else who was ever guilty of aiding and abetting procreation.  However, if your sentiments lean towards the latter, don’t be too put off by the scene around the entrance.  Yes, strollers may be as abundant as shopping carts at a supermarket, but the park is vast and there are sections where you can find yourself nearly alone and out of range of shrieks, giggles, and any other offending noise, you Grinch you.  In actuality, although most visitors are families with young kids, the park is also a popular place for retirees and young couples on dates.  The fact that the park is free (with the exception of rides at the amusement park) may have a lot to do with this.

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If you’re bringing your own kid but didn’t bring your own stroller (and your kid refuses to man up and walk) there’s a stroller rental just inside the front gate.  Conversely, if you did bring your bike or scooter you can check it at the entrance, along with your pet, though you may want to leave the latter at home, as pets are chucked in what are essentially coin lockers.

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The 530,000 square meters of Children’s Grand Park sits on land that was, once upon a time, the site of the royal tomb for Empress Sunmyeong, the wife of Emperor Sunjong, who was the last emperor of Korea and the final ruler of the Joseon Yi Dynasty prior to annexation by Japan.  Sunmyeong never actually served as empress, dying in 1904, three years before Sunjong assumed the throne, but she was granted the title posthumously.  She was first buried here, but in 1926 her remains were exhumed and transferred to Sunjong’s royal tomb in Namyangju.  You’ll still find, just south of the main entrance, a collection of Stone Monuments from Yugangwon in the Graveyard of Empress Sunmyeong (순명비유강원석물), Seoul Tangible Cultural Property No. 134.

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The more recent history of the park saw it opened on Children’s Day in 1973 and, after undergoing renovations, reopened on the same day in 2009.  It now has attractions ranging from an amusement park to a zoo to a botanical garden.

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After you pass through the main entrance, one of the first things you’ll come to is a large lily pond with zigzagging boardwalks running across it.  Peer over the edge and you’ll see numerous koi and a few ducks.  Beyond that is an enormous dancing fountain where a number of kids stood at the rope barrier, close enough to get splashed, while others, preferring to stay dry, watched from further back.

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Northeast of the fountain are some flower gardens and large grass fields where people were picnicking and where some families had pitched tents for the day.  The fields here are big enough that a group of teenagers was able to organize a kickball game and play unimpeded.  At the edge of the field visitors will find another monument, this one a statue of 송진우 (Song Chinwoo) (1890-1945) that was erected in 1983.  Song served as principal of Choong-ang High School (중앙고등학교) and, as the plaque beneath the statue put it, ‘masterminded’ the March 1st Independence Movement.  He later became the president and publisher of the Dong-a Ilbo Newspaper (동아일보) before earning the dubious distinction of being the first victim of political assassination in Korea’s modern history, done in by Han Hyun-woo (한현우).  He is buried in the National Cemetery.

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Past the DOM Art Hall and Adventure World (모험의나라) and its playground equipment, you’ll find the compound’s Amusement Park (놀이동산) in the far northeast corner, easily the liveliest part of the park.  Since this is an amusement park targeted mainly at kids and since it’s on a small patch of land, almost everything here is very compact and slightly miniaturized.  There’s a rollercoaster, but it’s a small rollercoaster.  There’s a Viking ride, but it’s a kid-sized Viking ride.  Parts of the sky tram are so low that you almost worry you’ll hit your head on them.  Two tiny cars run in two tiny intersecting circles at a speed so slow that it’s frustrating to watch.  There’s also a small fleet of the sort of rides that you’ll sometimes see outside places like Wal-Mart in the States: little vehicles or horses that judder and shake back and forth when you drop a coin in.

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There are rides that adults can enjoy – the rollercoaster, bumper cars, swings (and maybe a Ferris wheel, but this wasn’t operating when I visited) – but mostly this is the preserve of those who usually fall on the wrong side of the ‘You must be this tall to ride this ride’ line.  Two things made me desperately wish I was about one meter shorter and twenty years younger.  One was a sort of bungee slingshot where kids were strapped into a harness and then slung skywards to bounce up and down in the air for several minutes at a go.  The other was called ‘Water Walk (워터 워크),’ and this consisted of a large wading pool, a large helping of brilliance, and a touch of Jesus.  Kids would clamber into a big transparent bubble before an attendant zipped it up and attached a tube to pump air in.  They’d then give it a shove into the pool and a mad scramble to stay upright inside the bubble would ensue.  It looked insanely fun.

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The park’s other major attraction is its zoo, which, it has to be said, is hit and miss.  On the one hand, the enclosures for the big cats are fairly decent.  The male and female lion seemed perfectly content in their surroundings – he chilled out in the grass, she on a rock – and the two Bengal tigers slowly prowled around theirs.  The elephant pen could have been bigger but the two elephants – donated by former Khmer Rouge member, current prime minister of Cambodia, and all around shady dude Hun Sen – at least had a pool and a waterfall, which they seemed to prefer to stand behind, rather than under, facing the enclosure’s door and swaying back and forth like mental patients in a padded room.

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In the same complex, the three hyenas seemed to have gone a bit mad with boredom as well.  Their enclosure was too small, and one of the animals kept loping back and forth in its horse-like way just in front of the glass while another repeatedly jogged up to the rear wall, hopped up onto its rear legs, and propped itself up with its right forepaw before dropping back down, jogging away, and then turning around and doing the same thing again.

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The enclosures for many of the birds – owls, pheasants, a black vulture, a peacock – were poor too, little more than concrete cylinders with one or two perches, so small that they precluded any real flying.  On the other hand, the partially indoor waterfowl enclave was quite big, and its premises mixed Canadian geese, ducks, herons, storks, egrets, and at least one Japanese crane in a sort of avian United Nations.

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Besides what I’ve already mentioned, you can also find a terraced splash pool, Character World, concert hall, and more at Children’s Grand Park, enough to keep you busy for an entire day, or two.  And while it helps to be too young to legally engage in a wide variety of other fun activities it’s by no means necessary, provided you can summon your inner child or at least tolerate everyone else’s.

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Konkuk University (건국대학교)

Exit 3

Right on Gwangnaru-ro-24-gil (광나루로24길)

University Culture Street (대학문화의거리)

Exit 4

Right on Neungdong-ro-19-gil (능동로19길)

Gwangjin Square (광진광장)

Exit 5

Sejong University (세종대학교) and Sejong Museum (세종박물관)

Exit 6

Children’s Grand Park (어린이대공원)

Exit 1

www.childrenpark.or.kr

Hours | 5:00 – 22:00

Zoo Hours | 10:00 – 17:00

Admission| Free, but tickets must be purchased for amusement park rides

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Ewha Womans University Station (이대역) Line 2 – Station #241

September 9, 2012

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No, that’s not a typo.  Nor is it Engrish.  For a long time I hadn’t even noticed the anomaly in Ewha Womans University’s name; then, when I did, it rankled my English-major sensibilities.  This was the university that produced South Korea’s first female Constitutional Court justice, its first female prime minister, that was one of the country’s foremost institutions of higher learning and they couldn’t get a simple plural right?

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Well, turns out that it’s supposed to be that way.  The university’s founder, American missionary Mary F. Scranton, to emphasize that each student was unique and worthy of respect, chose to pluralize ‘woman’ by adding an s, rather than changing the vowel, thus avoiding grouping all students under what she viewed the more collective ‘women.’  In a society that places so much emphasis on the collective, it’s an interesting acknowledgement of the importance of individuality at time in one’s life when that quality is essential.  Though it still doesn’t resolve the problem of the missing possessive.

The school that would become Ewha Womans University (이화여자대학교) was founded in 1886 and a year later was christened Ewha Hakdang (이화학당), meaning ‘Pear Blossom Academy,’ by Emperor Gojong.  College courses started in 1910, and after liberation from Japan Ewha was granted full-fledged status as a university.  It is now the world’s largest women’s university and the alma mater of many prominent Korean women.

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The university, known colloquially simply as Edae (이대), is a five-minute walk from Exit 2 or 3 down Ewha Yeo-dae-gil (이화여대길), a narrow road lined with stores catering to the Four Necessities of the Co-ed Life: snacks, coffee, accessories, and assorted cuteness.

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Beginning almost immediately outside of Exit 2 is a succession of street stalls that stretches all the way to the university gate, offering sausages and saju readings, takoyaki and silver earrings, tteokbokki and other things.  Practically no two are the same.  Cosmetic shops and shoe stores are well represented, and there are a fair number of tech shops and places selling the sorts of things that for a brief period in one’s early twenties get shifted from the Why? to the Must Have!!!! column: puffy photo frames, checkered lamps, plastic duckies in fleece hoodies.  Restaurants in the area trend toward the kinds of places that sell themselves on an air of girlish sophistication and class, where the act of going there is more the point than eating.  Which is not to say that Edae girls won’t chow down on bossam and sundae, because there are those places too, the absence of squeamishness about foods not being ‘ladylike’ a trait of Korean women that I very much admire.  Bakeries selling things like tarts and cakes are popular, and this may be the one place in the entire country where the slogan hung on the local branch of Mr. Pizza actually makes some sense.  Edae, too, could arguably be credited as the wellspring of the country’s relatively recent coffee obsession, as it was here, on the main drag, that Korea’s first Starbucks was opened.  It’s still there, but now it seems as if you can’t throw a rock in the neighborhood without hitting a café.

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The side streets, particularly to the west, via Exit 1 or 2, are where you’ll find most of the area’s renowned fashion and accessories shopping.  It’s not quite the mecca it was back in the day, before internet shopping and international fast fashion chains like Zara and H&M set up shop on the peninsula, but it’s still a bustling, popular place to snag the newest threads at student-friendly prices.  The shops and stalls form a U around the huge apM building, their clothes running the line from freshman to senior, which is to say from fun and funky to young, job-seeking professional.  Imported Americana, like Abercrombie & Fitch and Aeropostale, is popular, and when you need to put the finishing touches on an outfit the alley stalls and carts can fit you out with things like socks and stockings, the latter usually arranged on two dozen disembodied plastic legs that stick up like a plaster mold of the Rockettes at work.  The amount of accessories on offer can only be described as a Frenchwoman’s nightmare.

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Sprinkled among all the apparel are your basic collegiate Good Time necessaries: noraebangs, clubs, fortune tellers, and photo booths.  There are love motels too, but don’t worry, parents reading this.  We didn’t see your daughter go in any of those.  Perhaps most exotically there are even some men’s clothing shops tucked in amongst everything, so the male study abroad students who attend Edae, as if they weren’t lucky enough already, can pick up shirts and pants here as well.  Or, more likely, girls can shop for their boyfriends.

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Underneath the constant blare of upbeat Korean and American pop, I noticed a fair bit of Chinese being spoken as I walked around the neighborhood.  This continued when I arrived at the university proper, after passing the man selling packages of bananas from cardboard boxes by the front gate, where perhaps a handful of exchange students or prospective exchange students from across the Yellow Sea were touring the campus with parents and posing for pictures.

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And Edae is a good place for being an exchange student posing for pictures.  Its campus is one of the prettiest in Korea (which partly goes hand in hand with being one of the oldest), populated with many handsome gray stone buildings, ivy climbing up their sides.  The first of these such buildings that a visitor notices is the Welch-Ryang Auditorium (대강당), directly up a long flight of stairs and looming over the entrance plaza.  Another notable building is Pfeiffer Hall (본관, or just ‘main hall’ in Korean, sparing everyone the trauma of those multiple f’s), a dignified four-story structure with peaked gables and a copper green roof.  Just to the left is a statue of Dr. Helen Kim, Korea’s first woman to receive a doctorate.  She later went on to become the school’s first Korean president.  Pfeiffer Hall is the anchor of the upper campus, an especially pretty section of more stone buildings, a hanok, and many trees – a veritable oasis from the busyness below.

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Connecting the main plaza to the upper campus is the university’s most distinguishing feature: an elegant gash in the earth called the Ewha Campus Complex.  Designed by the renowned French architect Dominique Perrault, the ECC looks a bit like the half excavated carcass of a crash-landed alien cargo ship.  From the main plaza, a wide, gentle slope descends between walls of glass and steel ribs before leveling out and then ascending again, this time more abruptly, up a long flight of steps to Pfeiffer Hall.  It’s a beautiful structure, both in the day and at night, and gives one the pleasingly bipolar feeling of being simultaneously underground and outside.

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Its ingenuity extends inside as well, as the design lets plentiful natural light into rooms that would otherwise be in a basement or taking up valuable real estate elsewhere, the shops, classrooms, study rooms, reading rooms, lounges, and cafes that occupy the ECC being the beneficiaries.  Even if you’re not an Edae student or are indifferent to architecture, there’s still an excellent reason to stop by the ECC, and that’s Arthouse Momo (아트하우스 모모), a two-screen cinema that’s one of the best places in the city to catch independent and foreign films.  For those who pine for a ‘purer’ cinema experience, one where androgynous workers dressed in black check your tickets and there’s no snack bar, this is it.  (You can, naturally, grab a latte at the adjacent café, though.)

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Leaving campus I hung a right once outside the gates and followed an advertisement bus promoting a new idol group called NU’EST as it rolled toward Sinchon Station.  Not to be confused with the subway station, this is Sinchon Railway Station (국철신촌역), where you can catch an actual train train.  This, however, was not the reason I came, nor was the enormous new station/shopping complex.  Tucked below, simultaneously sticking out and easy to miss, like a Model T parked in the lot of a new car dealership, is the original Sinchon Station (신촌역), Seoul’s oldest rail station.

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Pale yellow with wooden window frames and doors and a green tile roof, looking more like a cottage than train depot, this used to be the first stop on the Seoul Station to Pyongyang line.  In operation since 1920, it’s miraculously avoided the wrecking ball, though unfortunately for me it was undergoing renovations when I visited.  I was still able to check out the exterior, however, and to peek in through the windows where I could make out an old schedule board posting trains bound for Munsan (문산), Dorasan (도라산), and Imjingang (임진강).

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Like in some other neighborhoods we’ve been to, opposite sides of the same street can have wildly different characters, and that’s certainly true of Edae.  North of the station, the girl to guy ratio hovers in the 3:1 range and virtually every single business is targeted at the 18-30-year-old female demographic.  South of Sinchon-ro (신촌로), however, one finds themselves in a run-of-the-mill neighborhood that’s perhaps a bit on the scruffy side.  Brick apartment buildings, corner stores, and small churches fill up streets whose hilliness hints at the more pronounced inclinations in nearby Aeogae and Chungjeongno.  Even here a few concrete staircases built into the streets were necessary.

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Daeheung-ro (대홍로), south from Exit 5 or 6, was a fairly busy street, lined with supermarkets, real estate offices, and tteok shops, and up past a dirt lot where piles of tree branches sat in front of old homes I could make out the buildings of Sogang University (서강대학교) atop a hill to the southeast.  Off the avenue, the side streets showed signs of aging: paint peeled from walls and gates, and a loose exhaust pipe fan let off a high-pitched squeal whenever the wind spun its blades.  A good proportion of the denizens walking through those side streets were elderly, and I assumed it was a group of them who had set up the little improvised salon of four green plastic chairs and two stuffed pleather ones that occupied the bit of space next to a green clothing donation bin.

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The last main feature of the Edae neighborhood, and one we talked about when we went to Ahyeon Station, is Wedding Town, the stretch of Sinchon-ro between the two stations that is lined almost exclusively with wedding dress shops.  A hundred meters or so from Exit 4 or 5, dozens of shops provide gowns for soon to be brides that range from glitzy numbers studded with rhinestones to more simple pieces.  In addition to stores selling Western-style dresses many also sell hanbok, but even these range from traditional cuts to more modern interpretations.

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Ewha Womans University (이화여자대학교)

Exit 2 or 3

Straight on Ewha Yeo-dae-gil (이화여대길)

Arthouse Momo (아트하우스모모)

Exit 2 or 3

Inside the Ewha Campus Complex, Door 3

Sinchon Station (신촌역)

Exit 1

Straight on Sinchon-ro (신촌로), right on Sinchon-yeok-ro (신촌역로)

Wedding Town

Exit 4 or 5

East on Sinchon-ro (신촌로)

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Sinchon Station (신촌역) Line 2 – Station #240

July 15, 2012

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For as many times as I’ve been to Sinchon Station – I live practically right down the street – I’d never actually been in the part of the neighborhood south of Sinchon-ro (신촌로), so it was there that I decided to start things.  Plus, it was the early afternoon, and things north of the station don’t really get rolling until the sun goes down.

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Similar to at Ewha Station, there’s a noticeable difference to the two sides.  On Sinchon-ro outside Exit 5 there were several students out and about, some grabbing mandu from a street stall, others watching puppies wrestle in a pet store window.  Past them the street was a mix of businesses: clothing shops, a wine store, and a place called the International Wig Dept. Store, where, among more conventional hairpieces you could also pick up a wig in the style of a bald man, a la Dr. Phil.

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The back streets were an expected collection of red brick apartment buildings and an elementary school where an old guy was getting in some exercise, walking laps around the perimeter of the dirt athletics field.  At the back of the neighborhood, concrete stairways led up the hill that Sogang University is on; at least a couple of these had been painted in colorful designs at some time in the past, but they were now faded and chipped and I couldn’t make out just what their designs were.

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Speaking of Sogang, it’s easy to get there from Sinchon Station too; a five-minute walk down Baekbeom-ro (백범로) from Exit 6, past some cafes with outdoor terraces where students were enjoying the spring weather, and you’ll arrive at the college’s front gate.

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The proximity of that second school probably does a lot to explain the difference between Ewha and Sinchon Stations’ b-side neighborhoods, so to speak.  While south of Ewha things are very residential and occasionally even a bit on the decrepit side, south of Sinchon the residential is mixed with student life and plenty of local business, from vegetable stalls to office towers, resulting in a much more vibrant neighborhood.  From Exit 7, I strolled down Sogang-ro (서강로), past mothers pushing strollers and businessmen in suits, and past a clutch of love motels meeting university students’ needs between Sogang-ro and Baekbeom-ro.  In front of a newish apartment tower a truck was parked, its bed loaded down with flowers for sale, and nearby ajummas picked through a small rack of clothes on the sidewalk.

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On both sides of Sogang-ro, perhaps a couple hundred meters from the station, large construction areas cut a path east and west, looking to be where a park above the extension of the Jungang line will run.  I turned west down the side street just in front, Sinchon-ro-12-gil (신촌로12길) where a couple seniors had modest shops selling assorted greens, and, just beyond, a few old homes with tiled roofs sat padlocked and waiting to be torn down.

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Only a few steps further on, though, and the vibe changed completely, the university influence clearly having breathed some life back into the neighborhood.  There were quirky cafes, a few izakayas, clothing boutiques, and, on a side street, a small stall selling knit doilies, brightly colored and clearly of the vegan African dance major-crafted variety, not the Days of Our Lives-watching one.  Next to the doilies on Wausan-ro-32-gil (와우산로32길) there’s also a bakery called 김진환 제과점 (Kim Jin-hwan Bakery), which a friend informed me is a rather famous little bakery.  All it does are loaves of white bread, which left me a bit nonplussed – Just how famous can a white bread bakery be? – but in the few minutes I was in the area at least five different groups of people entered, inquiring about buying a loaf, only to suffer the same fate that my friend and I just had: being informed that they were closed for the day.  Anyone tried their bread and can attest to how good it is?

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The bakery and everything else on that funky little street can also be accessed by walking straight out of Exit 8, where the far end of the alley comes out.  If you go that way you’ll pass a strip of pojangmachas just outside the exit, followed by stores selling clothes and phones on one side of the sidewalk, staircases between buildings leading down tiny alleys to the backstreets. On the other side of the sidewalk is a strip of tarps set on the ground, each one covered with vegetables.  Behind them, perched on milk crates, ajummas sell produce to other ajummas.

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When people think of Sinchon they of course think of the opposite side of Sinchon-ro, however, but before we get to the Yonsei campus and the area between it and the station, I’m going to take a quick detour to a bit of an oddity that I never would have expected to encounter in Seoul, much less just blocks from my apartment.

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I live between Hongdae and Sinchon, and one night, taking a back road home for the first time, I noticed the gilded figure of an angel blowing a trumpet, perched atop a thin column and glowing against the otherwise black sky.  A Google map search revealed that this was where the Seoul Temple of the Church of Jesus Christ of Latter-day Saints (예수그리스도 후기성도교회 서울성전) was located.

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Like chewing gum and Spam, Mormonism was brought to Korea by American G.I.s, though the first Korean to join the church, Kim Ho Jik, actually did so, in 1951, while attending Cornell University.  It wasn’t until 31 years later, however, that a temple was finally opened.  The first Mormon temple built on mainland Asia, it is the 37th overall.

Despite it being maybe four blocks from my place, I’d never bothered to actually go check the temple out, exactly the kind of neighborhood oversight this whole project was meant to address.  After a five-minute walk from Exit 1 I turned right on Sinchon-ro-7-gil (신촌로7길), just before the Moto café, and after a block the temple was on my left.  As I walked in a short, stocky Korean man in his fifties came out to inquire as to why I was there, and when I told him I just came to have a look around he said OK, but not to go inside the temple.

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The complex occupies a small plot of land, about half of which is taken up by the temple itself, a handsome granite building with a black tile roof that’s a nod to traditional Korean architecture.  The building is surrounded by slender gray and white pillars and landscaping that looks like an engineered bioreserve for the pairs of babe-cheeked young men fulfilling their missionary duties that I occasionally see wandering around my neighborhood.  It’s immaculate, bordering on fetishistic, almost spooky, and was being attended to by a half dozen workers when I stopped by.  The bushes are all perfectly trimmed, the beds of pansies are blemish-free, and in front of the temple entrance there is a mesmerizing, undulating hedge whose rises and falls look like waves on a lake.

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Few places in Seoul can compete with the area just north of Exits 2 and 3 for sheer happening-ness, particularly after the sun goes down.  Surrounded as it is by some of the most prestigious bastions of higher learning in all of Korea, it naturally follows that Sinchon is a place where you can get really, really drunk.  A huge assortment of bars occupy the streets and alleys running off Yeonsei-ro (연세로), some in basements, some on ninth floors, and interspersed with these are an equal number of restaurants, many of which are, let’s be frank, basically just bars with red meat.

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Of course, there’s far more than just eating and drinking to the neighborhood.  Sing at a noraebang, watch a movie at a DVD bang, or head to a multibang and do both, as well as play Wii or board games.  Naturally, you can shop, whether it’s in one of the many stores or just browsing the offerings at the dozens of sidewalk tables that go up – everything from socks to accessories to cell phone cases.  With the bit of spare change left over you could test your strength at one of the street-side punching bags or your aim by tossing darts at a board of inflated balloons.  Stuffed animals for winners.  Or simply cut to the chase and make for one of the love motels that loiter discreetly on the quiet back streets near Exits 3 and 4.

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Like N Seoul Tower or the Cheonggyecheon, Sinchon is a great place to show up at around dusk, to watch the neighborhood transform from its more subdued daylight hues to the neon-bathed fairground it becomes after the sun goes down.  As day changes to night the signs turn on, carnival games get set up, and glowing totems of pressurized air inflate outside of restaurants to advertise the dining pleasures awaiting you, if only you’ll step inside.  More enticing, however, are the smells of chicken, pork, and squid that fill the air, mingling with the fainter traces of cigarette smoke and beer and whatever is cooking at the nearest street stall: mandu, odeng, hoddeok.  The nocturnal piñata that is Sinchon dispenses as many aural treats as it does olfactory ones.  There’s the sizzle of meat on grills, the boisterous shouts of students in various stages of inebriation, and the shimmering dissonance of a half-dozen different K-pop songs pouring out of the surrounding shops at any one time.

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There’s a bit less variety to Sinchon nightlife than what you’ll find down the road in Hongdae – no clubs, for example, and less variety in restaurants and bars – but one advantage it has is its compactness.  In Sinchon you could eat tteokbokki, take a few cuts in a batting cage, do a tequila shot, and win a can of peanuts from a crane game in the time it would take to walk from one favorite Hongdae bar to another.

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At the far end of the Yonsei-ro Midway is the reason for all that commotion: Yonsei University (연세대학교), which you can reach by walking to the end of the road from Exit 3 and taking the pedestrian tunnel that runs under the rail tracks.

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After you do so you’ll no doubt notice the enormous gray stone, glass, and steel canyon that is Severance Hospital (세브란스병원), the university affiliated hospital and one of the best in the country.

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The modern university can be traced back to Severance’s ancestor, Gwanghyewon, a hospital established by the American missionary Dr. H.N. Allen at King Gojong’s behest in 1885.  The name was soon changed to Jejungwon and a medical school was established, before changing again, this time to honor L.H. Severance, who donated money in 1904 to reconstruct the facilities.  Shortly after, H.G. Underwood founded Chosen Christian College at a Seoul YMCA in 1915.  This too soon underwent a name change, to Yonhi College, in 1917, which after World War II would become the country’s first co-ed university.  In 1957 Yonhi and Severance merged to form Yonsei University.

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Yonsei’s is one of the few Korean campuses I’ve seen (Korea University and, to a lesser extent, Edae being others) that, coming as I do from a milieu of central quads and stately brick buildings with names like Old Main, manages to feel like a campus to me.  Many colleges in Korea are relatively young, and their grounds are cramped and filled with buildings that seem more suited to waiting on a government bureaucrat – who should have been back from lunch two hours ago – to review your small business application than to contemplating Hume or the repercussions of the Boxer Rebellion on contemporary China’s attitudes toward its ethnic minorities.  Not the universities’ fault; I just like a little ambiance with my tuition.

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Yonsei, pleasantly, provides that.  Along the central artery leading away from the main gate were beds of pansies, and at its far end, just before the main hall, huge azalea bushes were starting their deep lilac bloom.  Halfway between, I passed a granite tower with the Yonsei eagle perched atop, the year 1885 inscribed at its base, where there was also a black stone etched with Isaiah 40:31 in Korean and Hebrew.  A few dozen meters to the left, basketball courts were packed with pick-up games.

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That main hall, formally known as Underwood Hall, sits at the middle of a U-shaped triumvirate of ivy-covered semi-Gothic buildings with Tudor-style arched entrances that form the campus’ focal point.  Dating from 1924, the hall is Historic Site No. 276, and originally served as a lecture hall and the literature building (문학관).  It’s not, however, the oldest of the three.  That distinction goes to the west building, Stimson Hall (Historic Site No. 275, 1920), named after C.M. Stimson who donated $25,000 for its construction.  To the east is Appenzeller Hall (277, 1924), named for H.G. Appenzeller, an American missionary, and originally  a lecture hall for natural sciences (이학관).

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These three buildings form a horseshoe around a courtyard where well-tended triangular hedges surround flower bushes, and, at the very center, there stands a statue of Horace Grant Underwood (1859-1916), the university’s founder, dwarfed slightly by the buildings around him.  Mustachioed, he spreads his arms out before him, perpetually welcoming students, though the expression on his face suggests that he might be beseeching them just a little bit too.

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Immediately behind Underwood Hall is another U-shaped trio of stone buildings, also surrounding a small courtyard with triangular hedges.  This may be the most idyllic spot on campus, completely surrounded as it is by stately old buildings and cut off from any views of greater Seoul that could intrude on your tweed-jacketed, tortoise shell-rimmed daydreams.

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The campus’ upper reaches are an antidote for whatever academic stress students might be suffering, dotted as they are with tranquil park areas, copses of trees, dirt walking paths, and a creek that, for the time-being at least, was nearly dried out.  This is also where you’ll find the President’s Residence (충장공관), an elegant stone house with an expansive lawn that is just crying out for a barbecue and a few rounds of lawn bowling.

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When I was visiting Edae not long ago, walking around its upper campus I noticed something poking above the treetops to the west that gave me a real ‘What the…?’ moment: an enormous white satellite dish, much bigger than the kind used for television, that nevertheless I had somehow not seen before.  It seemed to be somewhere on or near the Yonsei campus.

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Sure enough, once at Yonsei, I spotted it again, and after passing the President’s Residence I found a path up to it, where it sat atop the crest of a hill, gigantic and pointed at the western sky.  As I’d ventured to guess, it was an astronomical radio observatory, belonging, as the sign read, to the ‘Korean VLBI Network, Korea Astronomy and Space Science Institute’ (한국우주전파관측망).

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I walked up to its base and looked up.  As big as it had looked from a distance, it was even bigger up close, maybe the biggest manmade thing that was not a building that I’d ever stood next to.  It sounds a bit silly, but I tried to guess how many bowls of tchigae it could hold in its basin, to try to place its size in terms of something I could comprehend.  10,000?  100,000? Who knew?  There was a low hum coming from the machinery inside, and as I stared at it I couldn’t be sure, but I thought I saw the dish move ever so slightly.

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Despite being an arts and letters person and not a math and science one at all, I’ve always been something of an astronomy nerd, fascinated by the unfathomable destruction and creation in the cosmos and by the brain-melting complexities of questions regarding dark energy and the curvature of space, and I think this is due to my sense that astronomy is as much about philosophy – our quest to understand where we come from and why we’re here – as it is about science.  So I took a seat on the bench underneath the dish and just sat and contemplated it a while, the way a devotee might gaze at the Kaaba.  It had a peculiar physical immediacy: its incredible mass, the laboratory-ivory color of spaceships and escape pods.  But there was something surreal about it too: the evocative noises I could hear coming from inside, the fact that even at that moment the machine was channeling invisible signals that I could never comprehend from places I could never be.  I sat there for a long time just staring at the machine, thinking that if I was patient enough I’d witness something, that I’d be rewarded with a glimpse of the unknowable processes going on inside, that something would happen.

And then it did.  Just as I was about to get up and leave I heard a whirring sound, louder than before, and I looked up to see the dish tilting downward, from a 45-degree angle to perhaps ten degrees, and doing it so quickly that I almost felt worried that the entire thing would unhinge and come crashing down right in front of me.  When it reached ten degrees it stopped.  Nothing happened for a good 30 seconds and then, just as suddenly as the first time, it began moving again, this time tilting back up four, five, six times, a few degrees at a time until it came to rest around 70 degrees.  Was it tracking something?  Keeping its gears loose?  Playing?  It was as if a building had suddenly come alive, shifted to a more comfortable position, and then returned to its naturally lifeless state.

The dish did not move any more, but I continued to sit on the bench for several minutes and stare at it, my face in an open-mouthed smile, rather stupefied.  Then I too roused myself to motion and headed down the hill, left to ponder all the mysteries of the universe that I didn’t know and that the machine did.

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김진환 제과점 (Kim Jin-hwan Bakery)

Exit 7

South on Sogang-ro (서강로), Right on Sinchon-ro-12-gil (신촌로12길), Left on Wausan-ro-32-gil (와우산로32길)

02) 325-0378

 

Seoul Temple of the Church of Jesus Christ of Latter-day Saints (예수그리스도 후기성도교회 서울성전)

Exit 1

Straight on Sinchon-ro (신촌로), Right on Sinchon-ro-7-gil (신촌로7길)

 

Yonsei University (연세대학교) and Severance Hospital (세브란스병원)

Exit 3

Straight on Sinchon-ro (신촌로)

www.yonsei.ac.kr

http://www.iseverance.com

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Myeongdong Station (명동역) Line 4 – Station #424

March 11, 2012

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There are chickens in Myeongdong.  Not stuffed or deep-fried, but real actual chickens, about ten of them, that twitch and peck at the dirt in someone’s small yard.  Administratively speaking, they may technically be in Hoehyeon-dong-2-ga (회현동2가) and not Myeong-dong (명동), but with a strong throw you might be able to hit the station with a stone, and if you get a lucky bounce it might tumble all the way across Toegye-ro (퇴계로) to the hyper-electric warren of streets that is what we think of when we think of Myeongdong.

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That Myeongdong, the Myeongdong of crowds and shoppers and neon lights and some of the world’s highest real estate prices, wasn’t ever thus.  It was once mostly residential, and in the postwar years it would have taken a true visionary to imagine it as it is now.  But like the city around it, Myeongdong has transformed, and to trace its development is to come to the conclusion that this single square kilometer may represent more fully than anywhere else the diverging postwar fates of the two Koreas.  It’s everything the North is emphatically not: unabashedly international, hyper-capitalist, über-prosperous.  Chinese, Thai, and (horror of horrors!) Japanese and American tourists are to be found here at all hours, usually loaded down with shopping bags, eager participants in the whitecapped churn of consumerism as billions of won are made and spent here every day.  Which is why those chickens surprised me so much.  Rather than the real one, they seemed more at home in some alt-history version of Myeongdong, where MacArthur’s Incheon landing never happened, the North won the war, and Seoul became a dour expanse of factories and subsistence farming.

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For the uninitiated, Myeongdong, smack in the heart of the city, is one of Seoul’s main tourist and shopping destinations, a grid of streets filled to bursting with shopping malls, international chain stores, boutiques, cafes, restaurants, and seemingly a million other places where you may quickly be dispossessed of your money.  The streets are mostly pedestrian, but don’t let that lull you into believing that you can enjoy a breezy stroll while casually window shopping.  The area is always bustling, and on a Friday or Saturday wading through the streets is a slow process that resembles picking your way through the crowd at a club, full of shuffle steps and bumped shoulders.

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Adding to that sensation is the fact that walking through the streets of Myeongdong is like walking through a K-pop jukebox set on shuffle.  Almost every storefront blares pop music into the street outside, so as you make your way down the street you’re continuously walking through five second snippets of Girls’ Generation, 2PM, and T-ARA.  While the fact that every single store does this may render its effectiveness at luring in customers dubious, it doubtless adds to the area’s incredibly high energy.  The music, the crowds, the flashing lights, the barkers barking in Korean or Japanese – it all will either invigorate or drain you.  For me it does both.  When I’m in the mood, there’s nowhere in Seoul that’s more exciting or that makes me love living in East Asia, with all its intensity and drive, more.  When I’m not, I feel like a cartoon character who’s just had his bell rung, woozy and disoriented, with flashing stars swirling around my head.

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While there are so many places to shop in Myeongdong that singling out one place over another is a bit moot, there is one for which I’m going to do just that.  If you follow the main street just outside of Exit 6 (Myeongdong-8-gil (명동8길)) down to Myeongdong-gil (명동길), and then hang a left you’ll come to the Noon Square complex, where you’ll find Level 5, a collection of small boutiques spread over the fifth floor.

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While most of the stores in Myeongdong sell the same clothing you could find in New York or Tokyo or Barcelona, Level 5 sells threads that are true Seoul and that are at the leading edge of fashion in Korea.  That’s because Level 5 was established (in August 2009) as a dedicated space for promising young designers, to give them an opportunity to work with more established craftspeople, develop their own work, assist with marketing and promotion, and provide a space for them to display and sell their finished product as they work to establish themselves in the Korean and global fashion markets.

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Don’t, however, thing of shopping here as charity work.  The merchandise, from sunglasses to blazers, from bags to bracelets, and running the gamut from sophisticated prep to urban weekender, is high quality (these are, after all, some of the best young designers Korea has to offer) and truly one of a kind.  And as an added bonus, Level 5 is relatively quiet.  It’s off the radar of tourists and most Koreans, leaving it primarily to those in the know and resulting in a more relaxed shopping environment.

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Back outside, you’re on Myeongdong-gil, which, even by Myeongdong standards, is irrepressibly vibrant.  In addition to shoppers, the street is a magnet for the curious, noisy, and eccentric.  You’ll usually see several tour groups trailing behind their guides’ bobbing pennants, often wearing matching hats or polos in the royal yellow of the Thai king.  Other mainstays are the Christian proselytizers, always wearing sashes and frequently holding up crosses or signs, usually equipped with a megaphone or speakers that blare out hymns or exhortations of conversion, routinely ignored by everyone.  The street is also a popular place to air grievances, and from time to time you’ll see a small demonstration, as I did on a recent weekend, where several students from Dongguk University were protesting the closing of the school’s creative writing department.  As students at a Buddhist university, they were doing this not with noisy slogans, but by repeatedly prostrating themselves.

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Myeongdong2web

If you can find a spot to linger without getting in people’s way (no easy task), Myeongdong-gil is a fun place to stop for a while and just see what happens.  And if you get hungry you needn’t ever go very far to get something to eat.  The street is lined with food carts, serving everything from sausages to hoddeok to dumplings to strips of dried squid.  Prices tend to be a bit higher than elsewhere, but not unreasonably so.  Interspersed with the food carts are street stalls that sell cheap accessories – lots of hats, gloves, and scarves in the winter, and belts, caps, and sunglasses in the summer.

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In the middle of Myeongdong-gil is a handsome cream-colored brick building, whose modest design can make it easy to overlook among its flashier neighbors.  This is the Myeongdong Theater (명동예술극장).  The building, dating from 1934, was originally called the Meiji Theater and served as a cinema, primarily for the area’s Japanese residents during the colonial period.  It later served a ten-year stint as city hall in the 1940s and 50s before going on to become the home of the National Theater of Korea.  It was closed in 1975, not to be reopened until 2009 after renovations were completed.  The 552-seat facility now holds a variety of theatrical performances.

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Follow Myeongdong-gil east, gradually away from the crowds, and you’ll come to Myeongdong Catholic Cathedral (명동성당), built in 1898.  Sitting atop a small hill, this large red and gray brick structure has a 45-meter central tower that ends in a gray-green peak with a thin metal cross atop it all.  The cathedral is surrounded by handsome brick church buildings.  On the day I went, a Sunday, the walkway was busy with people on their way to Mass and a small choir sang hymns out front.

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Inside, the church has a long central aisle with stately gray stone pillars every five meters that meet to form arches above, which crisscross a simple white roof.  On either side, intricate and brightly colored stained glass windows allow light in, and below them the Stations of the Cross are depicted in square, monochromatic metal bas reliefs.  The windows along the sides depict only abstract floral designs, but in the apse above and behind the altar are more tall, narrow windows whose vertical triptychs display scenes from the Bible.  Flanking the apse are large paintings illustrating Christianity in Korea, and on one side there is also a statue of Korea’s most famous Catholic, Saint Andrew Kim Tae-gon.  In a rear balcony is a massive pipe organ, its huge metal tubes set in light-colored wood.  For the moment it was silent, and the only sounds in the pre-Mass church were rustling papers, footsteps, and the noises of people settling into their seats, mostly families and old women wearing lace veils over their hair, as many older observant Catholic women do in Korea.

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The cathedral occupies a large place in Korean history, and not simply because it was the biggest building in the capital when it was constructed.  Stemming from its foundations as a sanctuary for Catholics in a country that was not always hospitable to them, the building has had a long association with dissidents and protestors, providing both a staging ground and asylum for them, most notably for pro-democracy advocates in the 1970s and 80s.

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Just a few steps past the church as you’re walking from central Myeongdong is a small granite plaque noting the Site of the Heroic Deed of the Martyr Yi Jaemyeong (이재명의사의 거터).  It was here that, during the colonial era, 이 ambushed the Japanese collaborator 이완용, stabbing him in the stomach and shoulder after he had left a memorial mass for the emperor of Belgium.  The attack succeeded only in injuring 이완용, and 이재명 was caught, arrested, and executed.

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Myeongdong is especially popular with tourists from Japan, and if you take a left out of Exit 6 and then your first right onto Myeongdong-8-gil (명동8길), you’ll see a corner of the neighborhood catering specifically to them.  Near where the road meets Samil-ro (삼일로), about half of the signs are in Japanese and a series of stores specialize in bulk sales of kim and Korean ginseng, two of Japanese visitors’ favorite souvenirs.  I noticed that you can also pick up a Hello Kitty dressed in hanbok if you prefer.

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In the other direction, most easily arrived at via Exit 5 and then a right onto Myeongdong-2-gil (명동2길), is what passes for Seoul’s Chinatown.  If you haven’t been and are thinking San Francisco or Bangkok or Cholon in Ho Chi Minh City, stop right there.  Seoul has about the saddest excuse for a Chinatown you could imagine – one street, about a block long – though it does contain a couple interesting things of note.

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After walking a block from Toegye-ro, you’ll spot the Seoul Chinese Primary School on your right, established in 1909 and recognized as the country’s oldest foreigner school.  Then, on the left, is an attractive white building with the white sun of the Chinese Nationalists on a blue crest.  This is the old Overseas Chinese Meeting Hall, though it now houses nothing more notable than a photo studio.

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Between these two buildings, a small side street holds a few Chinese restaurants, but if you’re hoping for authentic Chinese food, as opposed to Korean-Chinese, again, please kindly place your expectations back in your stomach.  The word is, though, that you can at least get some of the city’s best jajjangmyeon around here, and while I’m not prepared to rate it, I did get some that was pretty good at Sandong Gyoza, a tiny place with a cozy downstairs and a half upstairs that requires you to walk bent over.  More fun might be the string of open air restaurants just past the Meeting Hall, at least when the weather is nice.

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If instead of turning right you continue straight from Exit 5, you’ll turn the corner and find the hulking, and controversial, Seoul Central Post Office Tower (서울중앙우체국).  Its symmetrical white towers look like a log being cleaved by a splitting maul, an interesting design, but one that’s been criticized for clashing too much with the more classical buildings surrounding Myeongdong Intersection.

While ‘Myeongdong’ makes people immediately think of the area north of the station, there is of course a neighborhood south of it too, with a couple significant attractions.

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Leave Exit 1, U-turn, and follow the road as it curves around to the right, past the National Red Cross Headquarters, and up on the left you’ll spot Namsan Art Center (남산예술센터), which houses another branch of Seoul Art Space.

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Just beyond the Art Center is the Seoul Animation Center, the city’s temple to all things illustrated.  Painted in bright colors (of course), there are also a number of statues of animation characters outside and on the roof, including one of Taekwon V guarding the front of the building.

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Inside, displays range from whimsical dioramas of castles and small figurines to a gallery of cartoon-themed art offering takes on contemporary family life.  The visitors to the center when I dropped by were, naturally, mostly kids and their parents, and some of them were creating their own work in workshops offered by the center, catching a film screening, or having their portrait drawn by one of the three cartoonists offering caricatures in the lobby.  Others played with some of the interactive gadgets, including one kid I watched strain to stand on his tiptoes in order to get the top half of his head in the frame at a Pororo photo booth, not quite realizing that he simply could have backed up a couple steps.

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I was, I’m fairly certain, the oldest non-parent there, but despite this, and the fact that I’ve never really been into cartoons or animation myself,  I’m pretty sure that I spent the entire visit with a rather dopey grin smeared across my face.  At no time was this more true than when I went into the men’s bathroom.  Above the urinals was a sculpture of a crowd of characters inquisitively peeking over the ledge to see what was going on down below.  But it gets better.  The back wall of each urinal was composed of a video screen that alternated between a target, a buzzing fly that taunts and sticks its butt out at you, and an animated Whac-a-Mole.

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Next to the Animation Center is the Cartoon Museum, which isn’t quite so much a true museum as it is an archive and library of animation.  On the first floor is the Cartoon Library, offering shelves and shelves of comic books, manga, and graphic novels.  The second floor holds a huge collection of video animations, everything from South Park to Ghost in the Shell to the old Claymation Rudolph the Red-Nosed Reindeer Christmas Special.  Anyone is free to come in at any time, pick out one of the videos, and watch it, slouched on a brightly colored chair in front of one of the dozen or so screens that are available.  As I walked around, nosing through the collection and the figurines displayed in glass cases, kids and their parents were absorbed in Disney’s Aladdin and episodes of Pokemon.

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The area just west of the museum is almost quiet, at least relative to its surroundings, and it was here that I saw the chickens.  The neighborhood is dotted with restaurants and small businesses, including many that begin to display signs in Chinese for translators, travel agents, and trading companies as you work your way up Toegye-ro-18-gil (퇴계로18길) towards the Chinese embassy.  En route, you’ll also pass the Chojun Textile Art Museum (초전섬유 퀼트박물관).

Although hints of the more modern Myeongdong existed in this neighborhood, in the form of clothing and jewelry boutiques, it was still much the sort of place where you’d likely witness kimchi pots stacked outside buildings, as I did.

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The other main attraction on the south side of Myeongdong Station is the cable car up to N Seoul Tower on Namsan (남산).  To get there, go out Exit 4, and take a left onto Banpo-ro (반포로) at the major intersection.  From there you’ll be able to see the white silver and red needle poking into the sky ahead of you and the thin lines of the cable car, little gray boxes gliding up and down them.

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Just before the traffic disappears into the Namsan 3 Tunnel you’ll arrive at an elevator (10:00 – 23:00) that takes you up an inclined track to the cable car proper.  The trip costs 7,500 won round-trip for an adult, a fair bit more than the less direct Namsan bus, but it’ll get you to the summit quickly and directly, and provide you with views of the city bettered only by the trip up the tower itself to its viewing platform.  Try to time your visit so you arrive at the tower just before dusk.  That way you’ll be able to take in the city in daylight, and then watch as the sun sets and Seoul turns itself into a terrestrial galaxy, nowhere more luminous than the electric supernova below you.

Level 5

Exit 6

L on Myeongdong-8-gil (명동8길), L on Myeongdong-gil (명동길), 5th floor of Noon Square

http://www.level5.co.kr

Myeongdong Theater (명동예술극장)

Exit 6

L on Myeongdong-8-gil (명동8길), at intersection with Myeongdong-gil (명동길)

Myeongdong Catholic Cathedral (명동성당) and Site of the Heroic Deed of the Martyr Yi Jaemyeong (이재명의사의 거터)

Exit 6

L on Myeongdong-8-gil (명동8길), R on Myeongdong-gil (명동길)

http://www.mdsd.or.kr

Chinatown

Seoul Chinese Primary School, Overseas Chinese Meeting Hall

Exit 5

R on Myeongdong-2-gil (명동2길)

Seoul Central Post Office Tower (서울중앙우체국)

Exit 5

R on Banpo-ro (반포로)

Namsan Art Center (남산예술센터), Seoul Animation Center, and Cartoon Museum

Exit 1

U-turn, follow road as it curves to right

Museum Hours: Tue – Sun 9:00 – 18:00, Closed holidays

http://www.ani.seoul.kr

Chojun Textile Art Museum (초전섬유 퀼트박물관)

Exit 3

L onto Toegye-ro-18-gil (퇴계로18길)

Namsan Cable Car

Exit 4

L on Banpo-ro (반포로)

Hours: 10:00 – 23:00

cablecar.co.kr

Parts of this post first appeared in the February 2012 issue of SEOUL magazine.

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