Posts Tagged ‘market’

Yongsan Station (용산역) Line 1 – Station #135, Jungang Line – Station #K110

May 20, 2012

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It may serve as Seoul’s secondary train depot, but say the words ‘Yongsan Station’ and the first thing anyone thinks of is the sprawling electronics and technology market occupying the neighborhood to the west, an agglomeration of shops and buildings so large, so jumbled, and so exhaustive in its offerings that anyone who is not either a rabid technophile or a veteran explorer of the market may, by the end of a visit, find themselves entertaining fantasies of trashing their toaster and moving to a cabin in Idaho.  Tech-heads, on the other hand, may feel they’ve died and gone to heaven.

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While not quite a Luddite, I definitely fall into the former category, and after a few tepid visits to the market in the past I was hoping that this visit, with more time and less purpose, would finally be the one to, if not quite give me a sense of comfort with the place, at least ease my sense of panic when I go there.  But first, I had to get out of the station, which offers its fair share of reasons not to.

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If you take the subway to Yongsan, you’ll exit through the station’s central hall, a bright, cavernous space crisscrossed by singles and small groups on their way to or from a train.  Beneath the molecule and UFO-like sculptures hanging from the ceiling, other passengers sit around snacking on ice cream, watching one of the station’s TVs, or merely staring into space waiting for their boarding time as the echoing announcements of a delayed train bounce off the walls.

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After exiting through the central doors, a wide corridor separates the station from the I’Park Mall.  Before going inside, though, I walked up the steps just outside the exit doors to what’s called the Event Park, an open plaza that, for the moment at least, held a small ice rink.  It was slowly melting in the early March sunshine, but about eight or nine determined girls continued to cut their way through the slush.

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Walking back down, I entered the first floor of the I’Park Mall, which is actually the third floor as ground level is a couple stories down.  Immediately I was greeted with solicitations of ‘Hello, camera.  Digital camera.  Mp3,’ from the eager salesmen whose booths line the fluorescent-lit aisles.  For many people the I’Park Mall is the first (and sometimes only) encounter they have with Yongsan’s electronic commerce, and although it’s more convenient and certainly nicer than the market proper, prices here tend to be higher as well, and the salespeople can be a bit on the pushy side.  The 3rd floor holds mostly cameras and mp3 players, the 4th floor more of the same, along with home appliances like TVs and vacuums, and the 6th and 7th floors laptops (including a small area labeled ‘Laptops for Foreigners’).  If you turn back towards the station you’ll escape the gadget glut for a bit and end up in regular old mallsville: clothes, housewares, food courts, etc.

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Keep taking the escalators up, though, and on the top floor you’ll come to the rather unassuming looking E-sports Stadium (전자경기장), where the battles in Korean computer gaming’s top league, the SK Planet Starcraft Pro League, take place and are filmed for broadcast on the TV channel dedicated to the video game.  I’d been wanting for quite some time to watch some professional gaming live, not out of any particular interest in Starcraft (of which I have none), but because when one is in a foreign land it’s both edifying and entertaining to observe the natives as they pursue their traditional sport.  I’ve been to a bullfight in Seville, an intra-city soccer derby in Rome, a muay thai bout in Chiang Mai, and a shopping mall in Singapore.  Starcraft in Seoul was naturally next on the list.

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Luckily enough, I happened to stumble upon a competition taking place.  The arena(?) is about the size of a large café, and was packed – standing room only.  The crowd, which was 90% male, either sat in the rows of gray plastic chairs at the front or merely stood around, shoulder to shoulder, in the open space at the back.  On either side of the room, in front of banners bearing the names and logos of the League teams (Samsung KHAN Pro Game Team, Air Force ACE, CJ ENTUS), teammates of the present competitor sat in more plastic chairs, watching the action and awaiting their turn.

Their gaze was directed at an enormous video screen at the front of the room that broadcast the action (if that’s the right word), occasionally cutting away for brief shots of the competitors’ faces, which remained perfectly inscrutable throughout the match.  The competitors, dressed in tracksuits bearing the logos of various sponsors, like a NASCAR driver’s jumpsuit, sat in large angular glass boxes at either end of an elevated stage.  Between them a trio of announcers kept up a rapid-fire running commentary, and although the players wore headsets I wondered if the play-by-play still seeped in, which would provide the strange sensation of hearing your decisions analyzed and critiqued as they were being made.

Before even the gameplay, the first thing I noticed when I walked in (Which you can just do, by the way.  Admission is free.) was how incredibly quiet the crowd was.  For anyone who’s been to a baseball or soccer game here, or even just watched on TV, you know how loud and enthusiastic Korean sports fans can be.  The audience here, though, conducted themselves exactly the way one does when one watches TV or sits in a PC bang: largely silently, minimal blinking.  In the ten minutes it took for the two competitors to build up their armies from the time I entered, the crowd, so much a part of the live sports experience, did almost nothing.  It wasn’t until the first attack that a very mild Ooooh rose up from some of them and one guy off to my left, looking for some sort of outlet for his excitement, hopped up and down in place a bit.

And yet, as I watched and as things vaguely started to make more sense, I began to get the appeal of the game, not just as a game but as a spectator sport.  Its draw lies in the excitement of watching a war where something is at stake, but nothing matters.  There’s no carnage and no consequences, but there are all of the things that make battle entertaining: strategy, conflict, the victor, the vanquished.  I love those TV shows that chart out and reenact the strategies, the mistakes, the gambits, and the sheer dumb luck that led to historical military conflicts turning out the way they did.  Watching how an army of Zergs overruns an army of Terrans in real time isn’t all that different from watching how the English fleet did the same to the Spanish Armada or how the French outlasted the Germans at Verdun.

Finally, after about 20 minutes, a brief round of clapping and a few tentative cheers went up.  It was over.  The guy with the red things had defeated the guy with the blue things.

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Turn left out of the station exit instead of walking directly into the mall, and you’ll arrive at the top of a large flight of steps leading down to Station Plaza, a paved space with some benches and a giant metal ring off to the right.  From the top of the steps, a couple stories up, you can see several skyscraping apartment towers in the distance, their newness and shine a match for the structure you’re currently standing in, with its spotless waiting room, E-Mart and CGV Imax.  In the near distance, though, just across Hangang-daero-23-gil (한강대로23길) from the plaza, things look quite different.  Several shuttered businesses are visible, along with the tops of scaffolding, and, a bit further up the street, empty buildings that have had some of their upper floors half-demolished.

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Along with its electronics market, the other feature that the area around Yongsan Station used to be known for was the red light district just across from it.  Until relatively recently, the parallel street only one block back from Hangang-daero-23-gil was lined with pink-lit rooms where girls waited for customers behind full-length windows.  That’s all gone now, as the city has focused on development and gentrification, but a walk down the backstreet revealed that a handful of those glass rooms are still there, only now there’s tape over cracks in the windows and all that’s inside is broken glass and other detritus.  Mostly, things are just gone, torn down.  Several lots along the alley are just piles of rubble: chunked concrete and metal behind cloth-covered fences.

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It’s not just the red light district that’s seen the end of the line here.  Across from the Yongsan E-mart was a collection of well-known gamjatang restaurants, but these too have been gutted, and in the area behind them partially demolished buildings wait for the coup de grâce; for now their upper floors gape half open like a cross-sectioned diagram.  Even more than in other parts of the city, the redevelopment of Yongsan has been particularly contentious, with residents having claimed inadequate compensation and intimidation by armed thugs.  Fierce opposition by some of the area’s residents to their forced evictions reached a tragic culmination in January 2009 when police raided a building that Molotov cocktail-armed protestors had occupied.  At some point in the ensuing battle a fire broke out, and by the time things had ended five protestors and one police officer were dead.

But the struggle over the future of Yongsan is not yet over.  The 2009 fire occurred in Yongsan District 4.  When I left the station I noticed a long banner that had been strung up directly opposite Station Plaza proclaiming ‘We are not giving this land to thieves.’  It was signed the Union of Yongsan District 3 Residents.

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Finally, the moment came for me to venture into the Yongsan Electronics Market (용산전자시장).  Taking a deep breath I headed across the long covered walkway that leads from the side of the corridor opposite the steps to Station Plaza, over what’s currently a large empty lot, and into the market’s first building, Yongsan Terminal Mall (용산터미널상가).  Similar to the tech part of I’Park Mall but older, Terminal covers several floors of cameras, computers, mp3 players, and accessories.  Step out the back door and on the sidewalk next to the parking lot is a collection of guys selling pirated DVDs, everything from the latest Hollywood blockbuster to The African Queen to an Art Garfunkel concert.

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Not far away, past a line of snack shacks and DVD hawkers, is Seonin Mall (선인상가), which specializes in computer parts.  If you’re a hardcore computer geek, more interested in building your own machine than buying one, this is the place to come.  A bit surprisingly, even to myself, it’s the one place in the market that I kind of actually like going to.  There’s something fun about looking at all of the spare parts – motherboards, processors, uh…chips, and umm…uh, bytes and stuff? right? – and the salesmen have been friendly and helpful on the pair of occasions when I’ve needed something.  This time I had brought along my laptop, which had lost a couple of screws from its underside, and when I asked the guy who had replaced them how much it cost he just waved me off.

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Across the parking lot from Terminal is Najin Mall (나진상가), specializing in phones and video games, though it was quite quiet as I walked through, and it looked as if many businesses had moved out.  Next to that, just to the west, stood the ET Land Main Building (전자랜드본관) and ET Land New Building (전자랜드신관).  I passed a Discman and portable cassette player on my way in, but other than that the merchandise in there was the same as in the Main Building and as in the Terminal Electronics Mall and as in the I’Park Mall, and I started to ponder something I find myself pondering a lot in Seoul, namely, how do all of these businesses that sell basically the same thing in the same area all manage to stay in business?  There was a smattering of shoppers in the ET New Building, but they didn’t seem sufficient to support it long-term, to say nothing of necessitating an expansion to a second structure.

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The places I’ve mentioned here are only some of the main ones in the market, which, just when you begin to think there can’t be any more to it, reveals yet another building, another agglomeration of electricity-fed gadgetry.  Continuing to walk around, there seemed to be no end.  On Cheongpa-ro (청파로), a string of lighting shops where there was everything from chandeliers to multicolored signs programmable to flash either ‘삼겹살’ or ‘길비’ along with a cartoon of the livestock of your choice.  Next to Seonin Mall, running block after block, the Electronics Flea Market (벼룩시장).  Across from that, the old, grungy buildings of Electronics Town (전자타운).  Further down the street, the long Wonhyo Electronics Arcade (원효전자상가).  My hope that this visit would finally be the one to put me at ease, to at last chase away the tension I immediately feel as soon as I arrive at Yongsan was evaporating.  I’d walked around for close to two hours, but still I wanted to throw up my hands.  It’s too much.  I can’t go on.  I see Girls’ Generation’s smiling faces advertising Intel.  I’ll go on.

I’Park Mall

 

E-sports Stadium (전자경기장)

Top floor of I’Park Mall

 

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Take the elevated walkway from the station

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Majang Station (마장역) Line 5 – Station #541

May 13, 2012

The further east you go along the Cheonggye Stream (청계천) the more the engineering of its western end gets stripped away and the more you’re able to step into its past.  The process culminates in the Cheong Gye Cheon Museum (청계천문화관) and Cheonggye Stream Shack (청계천 판잣집), close to where the stream begins its southerly turn near Yongdu Station (용두역), but just a bit further on you can come face to face with the Cheonggye’s sorriest period before you even leave the station.

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Near the exits at Majang Station is a terrific photo collage by the Japanese priest Nomura Motoyuki, who, between aid activities, photographed Seoul and, in particular, the Cheonggye shanty towns, from 1973 to 1985.  Compared with today, the Cheonggye of the 1970s is unrecognizable – the wood and tin shacks along its banks look ready to collapse at any moment, more reminiscent of a south Asian slum or refugee camp than anything that squares with notions of Seoul.  Kids with dirty faces play amid piles of trash and squalor, while another is bathed outside in a plastic bucket.

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They’re fascinating images to hold in your head as you make your way to the stream today, just a couple hundred meters or so from Exit 2 or 3.  It’s simple but pretty here: a plain stretch of water with some patches of reeds and grassy banks the color of hay.  On the opposite bank a high concrete wall blocks the wide series of tracks that lead to Seoul Metro’s Gunja Train Depot, and this and the flyway running overhead blunt the stream’s charm a bit but don’t detract too much.  There’s of course a two-lane bike path running along the stream, but you’ll also find what is one of the cutest features we’ve come across so far: the Children’s Bicycle Safety Experience Learning Center (어린이 자전거 안전 체험학습장).  This little patch of concrete is separated into two parts: one with S-curve patterns and figure-8’s for absolute beginners to practice on; the other, for slightly more advanced riders, having curving paths and gently banked curves, as well as miniature crosswalks, street lanes, and bike traffic signs for learning traffic rules.  Didn’t come with your own ride?  No worries – there are bike rentals available near the entrance.

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Walking to the stream from Exit 2 you might notice a sign advertising the Sancheong Medicinal Herbs Park (산청 약초 공원) at the stream, but when I arrived at its banks the only trace of the Herbs Park I found was the large sign marking its location.  The absence, I assume, was because I visited in February.  Just a few steps west of where the park was supposed to be was another streamside attraction,  the Cheonggyecheon Ecology Classroom (청계천 생태교실), a white canvas building with displays and dozens of rows of chairs inside, but this too was closed.

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A walk in the opposite direction, from Exit 4, past the Hankook store with its tires wrapped in gold foil like wedding bands for giants, will lead toward Hanyang University and Wangsimni.  After a bit you’ll both start to pick up a university vibe and clearly make out the enormous Bit Plaza complex off to your right.

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There’s a bit of the old school to the Majang area, readily visible on a small market street along Majang-ro-40-gil (마장로40길), which is the side street after U-turning from Exit 3 or 4.  Rough around the edges, there were just a few elderly hangers-on milling about, including an old ajumma wrapped up in mismatched scarf, hat, and jacket, bent over and pushing a low cart before she paused to wind up and spit a gob of unwanted saliva onto the street.

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After returning to the main street I swung right onto Majang-ro-42-gil (마장로42길), where a guy was doing some welding work on the corner, having run an extension cord out of his adjacent shop and across the sidewalk.  After sidestepping the sparks I continued on but nothing really caught my eye until just before the end of the street when I noticed a steep set of stairs labeled Salgoji-2-gil (살곶이2길) running up to my right, just the kind that I can’t resist exploring.

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I went up, and after winding through some narrow, concrete-paved alleys I found myself in a gravel and dirt parking lot in the middle of a rather isolated neighborhood that I couldn’t quite wrap my head around.  There was almost no one about, and it seemed part slum, part abandoned, though I couldn’t figure out how much of which.  There was a vegetable plot and a couple dirt paths winding around it and alongside buildings, some trash strewn here and there, and a single old woman sitting outside and keeping an eye on me.  There was something odd, yet at the same time quirkily endearing about the place, both traits likely brought about by its relative isolation from the rest of the area.

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Anyone familiar with Majang is probably wondering by this point When are they gonna get to the meat?  Don’t worry, we haven’t forgotten, for if there is one thing Majang is synonymous with, it’s meat.

For nearly half a century, since the city’s main meat market moved here from Jongno-gu in 1963, the Majang Livestock Market (마장 축산물시장), has been providing an estimated 70% of all beef consumed in Seoul.  Along with the country’s largest meat market, Majang-dong also used to house a number of slaughterhouses, but these were moved to Doksan in 1998.  Today the market occupies 28 acres and contains thousands of shops selling, in an oh-so-literal way, everything beef and pork related but the squeal.

You can get to the market by going out Exit 2 and then turning left on Majang-ro-35-nagil (마장로35나길).  This will take you past a pair of enormous white warehouses on your left, abandoned-looking and surrounded by high brick walls.  Upon first seeing them I surmised that this was where the old slaughterhouses used to be, and decided to walk around the large block to see if I could confirm or deny my suspicions.  I turned left on the street just before the wall, which was lined with butcher shops with shiny metal hooks dangling from runners in the ceiling.  As the wall lowered I could partially make out a huge pile of twisted scrap metal in the yard in front of the first warehouse, and when I reached the opposite side this was revealed to be a storage space for KEPCO, the Korea Electric Power Corporation.  The second warehouse, of which I could only make out a gutted-looking second floor poking above the wall, was less clear.

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Just past a brand new elementary and middle school is the market’s south entrance, a large arch overhead reading ‘Welcome to Meat Market.’

For anyone whose trip back up the chain from dinner plate to farm has gone no further than plastic-wrapped Styrofoam trays at the grocery store, Majang Meat Market will be an eye-opening experience, in a good and honest way.  It’s important to know what your food is, and was, and Majang takes you about as close to the present tense as one can go.

Stepping under the arch I glanced down and noticed a spot where the top of the asphalt had chipped away; the exposed pavement had a rusty hue, perhaps actually having been stained by years of blood.  Inside, brigades of rubber-smocked butchers were hard at work, one feeding a slab of meat through a band saw, creating a sound like electrified nails on a chalkboard, while nearby the team in another shop went about their business decked out in all white smocks and caps, which led me to wonder a) why butchers seem to always be portrayed wearing white, and why they actually often do in real life, and b) how every butcher I’ve ever seen dressed this way has never had a single stain on their shirt.

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What was once an animal, at the market was deconstructed into product.  It dangled from pegs on walls, rolled by on dollies, was ground into chuck, or was sliced and wrapped in plastic.  Enormous ladders of ribs hung from industrial hooks, sheets of offal bathed in tubs of cold water like lazily soaking laundry, entire pigs stretched out on metal tables, and the gray shag carpet of intestines was folded over itself in wide heavy flaps on plastic sheeting.  Triangular pig ears were spaced evenly on one table and bowls of kidneys looked like mammoth gelatinous versions of their namesake beans.  On one counter sat a loose mandible, decoupled from its former body and sawed in half, and hanging from a hook were several pairs of what I was pretty certain were bull testicles.  Several stalls were selling tails.  The skin had been peeled off and what was left was menacing and surprisingly powerful-looking, like an alien’s tentacle.  There were also entire cow heads, skinned but with the horns still attached.  Some of these had been wrapped up in heavy fuchsia plastic, the sort of thing I imagined seeing mounted on the bedroom wall of a cattle rancher into S&M.

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The amount of meat at the market was tremendous, almost overwhelming.  I marveled at how so much could be consumed – that this market, which contained more beef than I had ever seen in my life, by many magnitudes, represented only a small fraction of what was consumed nationwide, and that this represented only a single day in a single country.

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It may have been because the heavy scent of protein in the air was going to my head, but as I wandered around the market I felt increasingly happy.  In a decade that has thus far been defined by political and economic malfeasance, it was heartening to be completely surrounded by people pursuing truly good, honest work.  There were a few shoppers in the market, but on a late Tuesday morning it was populated overwhelmingly by people just doing their jobs.  A man in a tiny room on a side alley fed a huge chunk of meat through an auto-slicer, cutting it up into thin ½ cm strips.  A steady stream of mopeds and trucks rumbled about, picking up and delivering.  In one stall, a middle-aged woman tended to nothing but pig heads, using a coarse brush to remove any excess hair before they could be sold.  (Has anyone else ever noticed how pig heads all seem to have a faint smile on their face?)

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Along with the sales of beef and pork, a number of cottage industries have naturally arisen in the market to cater to the workers.  I watched a woman push a cart through the aisles, selling lunches of toast and ramen to the butchers.  A man in a corner stall sold rice cakes and dried seaweed, but business was slow and he was nodding off.  On one of the market’s main aisles I spotted a sign for a barber, its accompanying pole spinning away, and tried to think of a single place where I would want less to get my hair cut.  Of course, there are also knife salesmen and knife sharpeners.  One of these had set up his electric whetstone in an underpass below some rail tracks, and as he applied a dull blade to the grinder the sparks from the metal on metal friction sprayed out like a roman candle, bouncing off the concrete wall in front of him.

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The first time that I visited Majang Market my companion and I were passed by a slowly cruising Mercedes with tinted windows, and I remarked, half-jokingly, that any Benz in a meat market must belong to the gangsters who provide ‘protection services.’  She responded that that was impossible.  There’s no way to verify the explanation for this, but it’s plausible and, at the very least, entertaining.  Although Korean gangsters, I was told, do in fact control many neighborhood markets in the country, largely in the, ‘Awfully nice market stall ya got here.  Be a shame if something happened to it,’ way, they leave Majang alone, not because the workers and organized crime have come to any sort of agreement, but because they’ve decided that thousands of people highly proficient in the use of all manner of knives, blades, and cleavers is one population it would be prudent not to
antagonize.

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Of course, the point of these dozens of acres and hundreds of shops is to feed yourself, and for anyone who loves beef or pork there literally is no better place in the city.  Majang is where you’ll get the freshest meat, bar none.  There are certainly a number of barbecue restaurants in the surrounding neighborhood, but you don’t even need to leave the market to eat.  The majority of eateries are clustered near the market’s north entrance, opposite the Cheonggye Stream.  These range from jokbal places to large restaurants that serve just about any cut of beef or pork you could want, including barbecue ‘sampler platters’ that include three or four different cuts.

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To get the fullest market experience, however, you might want to go full DIY.  Pick up whatever you want in the market and take it to one of the modest restaurants that will rent you a grill for just a few thousand won and serve up side dishes for just a few thousand more.  Take a moment to think about what’s brought your food here, throw it on the fire, dig in, and complete the chain.

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Cheonggye Stream (청계천)

Children’s Bicycle Safety Experience Learning Center (어린이 자전거 안전 체험학습장)

Exit 3

Sancheong Medicinal Herbs Park (산청 약초 공원) and Cheonggyecheon Ecology Classroom (청계천 생태교실)

Exit 2

 

Majang Livestock Market (마장 축산물시장)

Exit 2

Left on Majang-ro-35-nagil (마장로35나길)

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Airport Market Station (공항시장역) Line 9 – Station #903

April 8, 2012

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Almost none of the buildings around Airport Market Station are more than three or four stories tall, and this makes the wide Gonghang-daero (공항대로) just south of Exit 4 seem bigger than it already is.  I used to live close to here – my first place in Seoul was south of the nearby Songjeong Station – but even though I obviously got out to other parts of the city I never really paid attention to the relative spaciousness until I recently returned.

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The reason for the low buildings, of course, is the proximity of Gimpo Airport, which Gonghang-daero runs right up to at its west end.  I started my visit by walking in the direction of my old neighborhood, taking in a clear view of the large three-legged sculpture that marks the airport’s entrance.  It was a warm day and a lot of people were out, including a guy who had set up a row of about 50 yellow bins along the west wall of Songjeong Elementary School to sell all sorts of domestic odds and ends.

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The east side of the station was a peaceful, family-oriented neighborhood, filled mostly with local shops and notable for its relative dearth of chain stores, particularly international ones.  The expected red brick apartments lined the backstreets, and I watched for a bit as people headed to Banghwa-dong-ro (방화동로), the main street, to do shopping.  Walking north on it, I was slowly trailed for a block by a Bongo truck creeping along and using the loudspeaker mounted on its roof to blare advertisements for the squid in its bed.  There was nothing particularly special about the area, but it gave off good vibes, and felt to me more like a smaller, provincial city than part of Seoul.

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I looped northwest for a bit, through an area that took me past auto service centers, hostess bars, restaurants, churches, and snack shops, before returning to Exit 1 to check out the actual Airport Market (공항시장).

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Immediately outside the exit some old women were selling vegetables and legumes on the sidewalk, and as I walked past them an guy driving a flatbed cart attached to a small tractor motor went past, the loudest thing I had heard in the neighborhood.

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I turned right into the market on Banghwa-dong-3-gil (방화동3길) and walked past a couple decrepit looking buildings, their paint all chipped and the canvas that had once formed overhangs now shredded and hanging forlornly from the skeletal steel beams.  A few steps further on a neon sign (off) picturing a mug of beer and the word ‘HOF’ hung at a crazy angle from a lone loop of wire.

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There were a few businesses that looked like they formed the link between raw material and product sold in the market, but approximately 80% of the businesses were closed.  I first wondered if Saturday was just an off day for the market, but the longer I wandered around the more I became convinced that things were simply falling apart.  Clumps of weeds grew out of cracks in the buildings and on roofs, and inside the passageways were lit by single bulbs, occasionally partly illuminating a shadowy figure walking through.

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I wandered into the actual market building, where most places’ shutters were down.  Judging by the amount of rust on them it was likely they hadn’t actually been opened for a long time.  Life here seemed to have packed up and moved on.

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Before doing so myself, however, I needed to sate my curiosity, so I ascended the concrete steps to the second floor.  Amazingly, not everything up there was closed.  A tailor shop was still open, the proprietress sitting inside and chatting with a friend, and, in doing so, leaving me baffled as to how one could manage to stay in business on the second floor of a building that was three-quarters abandoned inside a market that was three-quarters abandoned.  There was also a bar up there, doing a fairly brisk business of old men, though this was easier to comprehend.  Old guys like to drink and they especially like to drink on the cheap, and I doubted I could find many cheaper bars in Seoul.

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Just before I went back down and returned to the subway, I walked to the south end of the building, past an old-fashioned sewing machine set along the wall in the hallway, and stepped into a room where sunlight poured in through the window.  There was a desk on one side and a whiteboard calendar hanging on the wall opposite, and between them a lone navy and silver ottoman, sitting in the middle of the floor.  I wondered how long ago whatever business that had been there had left, and how long it would be until all the others did.  My guess was not long.

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Airport Market (공항시장)

Exit 1

Right on Banghwa-dong-3-gil (방화동3길)

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Dongnimmun Station (독립문역) Line 3 – Station #326

April 1, 2012

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Seoul’s modern history is a tumultuous one, but the city keeps her scars well hid beneath hard-earned layers of development and success.  There are some areas, though, where the wounds have been left exposed, and you can get a glimpse of the troubles the capital and its people have been through.  A good place to do that and to gain a deeper appreciation for how far the city and country have come is the area around Dongnimmun, or Independence Gate.

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The station takes its name from the triumphal arch that sits just south of Exit 4.  Near the intersection of Tong-il-ro (통일로) and Seongsan-ro (성산로), the large gray stones of Independence Gate (독립문) frame the south entrance to Seodaemun Independence Park (서대문독립공원).  The arch was constructed in 1897 and modeled on France’s Arc de Triomphe, as seemingly all arches everywhere are.  Previously this had been the location of a different gate, Yeongeunmun (영은문), where envoys from the suzerain Ming and Qing dynasties of China were received.  Soon after the First Sino-Japanese war ended the gate was demolished, and a year later Independence Gate was completed.  Near the gate is a statue of 서재필 (Seo Jae-Pil), a renowned independence activist and the man who was responsible for organizing the gate’s construction.

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Opposite the arch, across Seongsan-ro, is Yeongcheon Market (영천시장).  Covered stalls filled with produce lead down a side street to a larger covered market.  Quite a bit longer than you first suspect when coming from the station, the market building houses, in addition to the usual suspects, a small supermarket and even places selling finches, goldfish, and fishing supplies.

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Back beyond the arch, Independence Park is full of remnants of and memorials to Korea’s troubled past.  The largest and most significant of these is the Seodaemun Prison History Hall (서대문형무소역사관), just up the path from Exit 5.  When you reach the top of this short path you’re met with the sight of a red brick wall about ten feet high with an arched entryway reminiscent of the front of a barn.  Next to the entrance rises a gray octagonal watch tower with small windows in each side.  The tableau is at once stern and quaint: the sturdy bricks and squat dimensions give it an air of authority, but for anyone who’s ever seen or is familiar with modern super-max facilities it lacks the ability to intimidate.  Its slightly nostalgic quality shouldn’t fool you about the horrors that occurred inside, though.

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Built by the Japanese, the prison was opened in 1908 with a design meant to hold up to 500 inmates.  A mere 11 years later it held 3,000, an indicator of how vigorous the Korean resistance was and how harsh the Japanese repression.

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Visitors are taken on a self-guided tour that begins in the Exhibition Hall with an overview of imperialism in Korea, from the French landing on Ganghwa Island (강화도) to the Sino-Japanese War to Japanese colonization.  It also tells you how the prison was expanded in the 1930s by a magnitude of 30 from its original 1,600 square meters in order to accommodate the explosion in arrests of Korean independence activists.  What the history glosses over is that the prison was not shut down with the defeat of the Japanese, but was maintained by Korea’s subsequent dictatorships and put to use for their own nefarious purposes until finally being closed in 1987.

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From the Exhibition Hall you pass into the Central Prison Building, which was the command and control center of the old prison and held the warden’s office.  Here there is a variety of information on resistance movements, with basic information provided in English.  There is also a memorial hall, where the mug shots of some 5,000 killed independence activists cover the walls.  It’s a humbling sight.

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In Prison Building No. 12 the exhibitions continue in the basement with displays on how inmates were interrogated and tortured by their captors.  One of these was simply called water torture (물고문), and consisted of a prisoner being strung upside down by the feet while a prison guard either dunked his head in water or poured water from a kettle up his nose to make him think he was drowning.  I suppose you would have argued that the Japanese were only using an ‘enhanced interrogation technique,’ though, huh John Yoo?

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Above the interrogation and torture chambers, and in Prison Building No. 11 as well, concrete block and steel corridors of cells show the prisoners’ quarters: small wood-floored squares with heavy triple bolts on each door.  When the prisoners were let out it was often to go to the Engineering Work Building, which housed some of the 12 factories that were set up in the prison, mostly to produce textiles and clothes.  Finished goods were used both within the prison itself and also to bolster the Japanese war effort.

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In a rather disorienting contrast with the horrors and deprivations that once occurred here, the grounds of the prison are beautiful.  The stately red brick buildings contrast with the bright green grass of what are some of the nicest lawns in Seoul, and the entire complex is surrounded by hills that are often shrouded in mist, and fronted by the rising peak of Mount Inwang.  I haven’t been there in winter, but I’m sure that it would be equally lovely on a bright, crisp January morning, covered in a blanket of snow.

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The one building that, fittingly, scars the lovely scene is tucked away in the far southwest corner.  The Execution Building is a homely structure of unpainted wood planks that looks something like a frontier schoolhouse.  Inside three benches face what looks like a miniature stage, where a noose hangs above a stool set on a trap door.  There are even curtains, and one wonders if they were opened for the performance or closed before the final act, each its own respective type of cowardice.

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Surrounding the Prison History Hall is the large Independence Park, which has many of the things your average neighborhood park would have – walking paths, exercise machines, basketball courts – but which also hosts a couple of structures related to Korea’s independence struggles: the Patriotic Martyr Monument (순국선열추념탑) and the Independence Hall (독립관).

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The former, a tower of taegeukgis flanked by bas relief of scenes of famous activists, was erected by the Seoul Metropolitan Government on August 15, 1992.  The latter, just a few meters away from the Independence Gate, went through a transformation similar to its neighbor.  Originally called Mohwagwan (모화관) and used to entertain Chinese emissaries, it later hosted forums to promote independence.  Destroyed by the Japanese it was reconstructed in 1996 and now the handsome dark brown wood structure houses memorial tablets and relics.

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Across Tong-il-ro is the neighborhood’s other main feature: an entrance to Mount Inwang (인왕산), Seoul’s most spiritual mountain, and the trio of attractions found on its lower slopes: Guksadang, Seonbawi, and a carved Buddha.

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If you step out of Exit 2 you should notice a sign pointing left up Tong-il-ro-14-gil (통일로14길) to Seonbawi and Inwangsan Guksadang.  Past this the route isn’t well signposted, but the entrance isn’t too hard to find.  From the station exit, make the sharp turn at the sign and follow the road up to the Hanok Restaurant (한옥).  Take a right there, toward the steps that you should see in that direction.  If you’re not sure, the friendly ajumma in the nearby convenience store will point the way, as she did for me.  At the top of the steps is an inclined sidewalk with a wood fence on the right and I’Park apartments on your left.  Here you should see a sign or two again.  It’s only about 200 meters to the mountain path entrance.

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At the entrance to Inwangsan is a brightly painted wooden gate, from which it’s just 150 meters to Guksadang and another 30 to Seonbawi.  You’ll pass a few small temples on the way up, including Seonamjeong Temple (선암정사), where a vicious-looking pair of door guardians scare off evil spirits, one wielding a scimitar, the other holding a boulder over his head.

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I could already hear the sound of drums coming from above, and just a few more steps took me to their source at Guksadang (국사당), a wooden shrine in the familiar burgundy with emerald trim, finished off with bright and intricate detailing.  Vivid robes in several different bright colors hung from a thin rope across a doorway, and inside was a large central altar stacked with fruit and flowers and bearing a pig head, its mouth stuffed full of money.  Several shaman assistants in all white hanbok sat inside, a couple of them on smoke break.  Off to my right I noticed a monk in gray robes and wide-brimmed straw hat ascending some steps, a big plastic bag full of groceries in either hand.  As soon as he disappeared through a gate the drums, which had gone quiet, took up their cadence again, this time joined by a pair of cymbals and a piri (피리), the keening traditional Korean flute.  The female shaman, or mudang (무당), dressed magnificently in royal blue robes and a red hat with two pheasant feathers sticking straight up, began to walk around rhythmically in front of the alter, her eyes closed.

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Guksadang is the country’s most important shamanist shrine, said to house the spirit of King Taejo, founder of the Joseon Dynasty.  Originally located on Namsan, it was rebuilt here after being demolished by the Japanese in 1925.  Korean shamanism is an animist religion or, maybe more accurately, belief system, and one of its primary features is the gut (굿) (pronounced goot), a rite performed by the mudang to do everything from pray for a bountiful harvest to initiate a new shaman.

This particular rite was a memorial service being performed for the surviving family, which consisted of the widow, some sons and daughters, and one grandchild, who seemed far more interested in his ice cream than in what was going on around him.  Indeed, the expressions on the sons and daughters’ faces were mostly ones of forbearance; indulging mom in a belief they themselves had lost.

I lingered outside for a bit, trying to make myself inconspicuous, unsure of whether or not I was welcome, but just as I was about to leave one of the assistants, a woman with a small streak of hot pink in her hair, waved me around to the side and invited me in, and I sat down to watch the ceremony.

Guts are hard to reconcile with modern Korea, but they’re still a common occurrence at Guksadang.  This particular one mostly alternated between the shaman intoning, bouncing, and walking about in front of the altar, and inveighing in a chant-talk before the family.  It also involved more costume changes on the shaman’s part than you’d see at most pop concerts.  The most curious moment came partway through when the family was ushered outside to sit on the temple steps.  They were then given a large sheet of white crepe paper to hold over their heads, onto which the shaman sprinkled first water, then sesame seeds that had been in a bowl together with eggs and what looked like feces.  Several colorful flags were then waved above them, followed by a pair of knives that the shaman banged together, tapped on each family member’s head, and stabbed the air with.  Finally, she took the paper, lit it on fire, and waved it in the air before taking a sip of liquid and spitting it in a spray over the family’s heads.

The ceremony was long – after this climax everyone went back inside for more of the back and forth of chanting and posturing before the altar – and when it reached a point where it began to turn into a session of genuine mourning I quietly made my leave, hiking the 50 meters up to Seonbawi (선바위) (often Romanized as the Zen Rocks, Taoist Rocks, or Immortal Rocks).  Called this because they are said to resemble a pair of robed monks absorbed in meditation, they’re a popular spot for women to visit to pray for a child.  My secular mind was unable to make out anything even remotely monk-like in their appearance.  What they mostly look like is a giant chunk of half-melted butter that someone then took swipes out of with their fingers, or like an ooze creature that had risen up from the ground only to glimpse Medusa and be turned into stone.  You might not be after a child, but the rocks do offer magnificent views across the city, taking in Namsan, Jongno Tower, and the folds of mountains ringing the city.  It’s a peaceful view, and it’s likely the only sounds you’ll hear will be the drumming carrying up from Guksadang and the cooing of the dozens of pigeons that like to hang out on the rocks.

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On your way back to the station, you might want to stop by the Rock-carved Buddha (마애불) that’s down a pathway to your left if you’re standing facing the steps to Seonbawi.  Frankly, it’s not very impressive.  About two meters high and lacking in intricacy it left me a bit disappointed, though it undoubtedly suffers from comparisons to the area’s more fascinating surroundings.

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Independence Gate (독립문)

Exit 4

 

Yeongcheon Market (영천시장)

Exit 4

South on Tong-il-ro (통일로), cross Seongsan-ro (성산로)

 

Seodaemun Independence Park (서대문독립공원)

Exit 4 or 5

 

Seodaemun Prison History Hall (서대문형무소역사관)

Exit 5

www.sscmc.or.kr/newhistory/index_culture.asp

02) 360-8590~1

Hours

Mar – Oct: 9:30-18:00; Nov – Feb: 9:30-17:00; Closed Jan. 1, Seollal, Chuseok, and Mondays (Tuesday if Monday is a holiday)

Admission

Adults: 1,500; Teenagers: 1,000; Kids 7-12: 500

 

Mount Inwang (인왕산)

Exit 2

Left on Tong-il-ro-14-gil (통일로14길), right at Hanok Restaurant (한옥), up stairs and sidewalk

Guksadang (국사당)

Follow the path leading up from the parking lot on your left after passing through the Inwangsan’s entrance gate; approximately 15 minutes from the station

Seonbawi (선바위)

Follow the path up from Guksadang

Rock-carved Buddha (마애불)

Standing at the base of the stairs to Seonbawi, follow the path to the left

 

Parts of this post first appeared in the March 2012 issue of SEOUL magazine.

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Sindap Station (신답역) Line 2 – Station #211-2

February 26, 2012

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Given that my visit to Sindap coincided with Seollal, coming out of the station’s one exit reminded me a bit of the scene in Westerns when the protagonist steps out of the saloon onto an empty street, the only things a’stirrin’ bein’ tumbleweeds an’ dust. And, OK, my imagination is getting away with me and I exaggerate, but it was awfully quiet. There was a normal-seeming flow of traffic – likely families on the way to and from relatives’ homes and gravesites – but the pedestrian traffic was thin to the point of almost not being there at all. There was one guy doing some stretching in Yongdap Neighborhood Park (용답 근린 공원), the small space just outside Exit 1. More of a plaza than a park, really, it did have a packed dirt basketball court, some exercise equipment, and a few benches.

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Sindap sits on one corner of a large intersection where Cheonho-daero (천호대로) and Majang-ro (마장로)/Sagajeong-ro (사가정로) intersect, and a cold January wind was whipping across the open space, past the low, 3-4-story older brick commercial buildings in brown, carnation, and burnt sienna.

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Behind the station is the Cheonggye Stream (청계천) and my aim was to get at it, but the tracks seemed to cut off access so I turned left out of the exit to see if I could find a way to it. I walked northwest several hundred meters, on the way making note of the bright cream, orange, yellow, and red Seoul Sindap Elementary School (서울신답초등학교), which had three large solar panels perched on the roof.

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Finally, just after the rail overpass where Line 1 trains rumbled north towards Cheongnyangni, I noticed a set of wood stairs, and these led up to a path down to the stream. Here, near where the stream starts its southward turn towards the Han, the waterway has almost none of the engineered character that typifies its more popular western end. It’s much wider, maybe four times what it is in Jongno, and lined on either side with thick beds of reeds, brown and crisp in the winter, that in some stretches were as tall as I was, blocking completely my view of the stream. The only thing in the stream that indicated an artificial touch were the stepping stone bridges leading from one bank to another, though it appeared as if, temporarily at least, the freezing over of the stream in spots had rendered them superfluous. This wasn’t a theory I was ready to put to the test, however.

As I got back near the station I came to see that I had taken the long way round by turning left out of the station instead of right. If I had done that and then followed it by another right onto Majang-ro at the intersection I would have noticed the path leading down to the stream just behind the car park.

The rest of the neighborhood seemed rather unremarkable, though pleasant enough. East of the station an (on this day at least) extremely quiet neighborhood sat squeezed between Cheonho-daero and the tall metal walls shielding it from the train tracks running parallel to the Cheonggye.

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The story was similar north of Cheonho-daero, though here at least there were some people grabbing some holiday exercise at the square block Gandeme Park (간데메공원). No one was using the badminton or basketball courts, but a few singles and couples were circumambulating the walking path or using the exercise equipment. The park seemed relatively new, with good playground equipment, and a couple features that would make it nicer in the warmer months: a rose arch, that for now was denuded, and an octagonal pavilion above a pond, which had been drained for the winter.

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Lastly, if you head to the corner of the intersection diagonal from the station, you can pretty quickly reach the west end of Dapsimni Antiques Town, which sits just one block back from Cheonho-daero. Of course everything was shuttered up due to the Lunar New Year holiday, but you can get an idea of what the Antiques Town is all about by checking out the post from our visit to Dapsimni Station.

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Yongdap Neighborhood Park (용답 근린 공원)

Exit 1

Cheonggye Stream (청계천)

Exit 1

Right out of exit, right on Majang-ro (마장로), Right on path after car park

Gandeme Park (간데메공원)

Exit 1

Northeast on Sagajeong-ro (사가정로), Left on Hwangmul-ro (황물로), Right on Dapsimni-ro-38-gil (답십리로38길)

Dapsimni Antiques Town

Exit 1

East on Cheonho-daero (천호대로), first or second Left

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