Jangseungbaegi Station (장승배기역) Line 7 – Station #740

March 24, 2013 by

Jangseungbaegi by Meagan Mastriani

Before modernization it wasn’t uncommon to find totem poles marking the entrance to Korean villages, serving as village guardians and frightening away evil spirits.  These totems, most often called jangseung (장승), are now mostly found only in folk villages or serving as decorative elements in restaurants, but they once played an important role in Korean life, serving as objects of veneration and expressions of the identity of the villages they stood watch over.  One of the most well-known stories related to these objects stems from the latter half of the 18th century, when King Jeongjo, the builder of Hwaseong Fortress, was traveling to Suwon to visit his father’s tomb.  His procession stopped to rest in Sangdo, and with no houses around, Jeongjo ordered a pair of jangseung be erected to guarantee safe passage.  Since then the area where the totems were erected has been known as Jangseungbaegi.

Jangseungbaegi by Meagan Mastriani

While jangseung in the southern part of the country were often made out of stone, those in the Gyeonggi and Chungcheong regions were typically wood, meaning, of course, that the original totems are no longer around.  Instead, just outside Exit 6 a pair of new Jangseung stands guard next to a small fountain pool.  Like many jangseung, these come in a male-female pair.  Also like many jangseung, they bear five-character hanja inscriptions, the one on the male, on the left, reading 天下大將軍 (Great General Under Heaven), and the one on the female reading 地下大將軍 (Great General of the Underworld).  The faces of the two jangseung are virtually identical, with large eyes and noses and sharp teeth bared in a threatening scowl.  A large dot rests between their slanted eyebrows, and at the top of the poles branches had been lopped off, leaving a stubby crown.

Jangseungbaegi by Meagan Mastriani

Jangseungbaegi by Meagan Mastriani

The jangseung looked over an area that was in the process of changing, as here and there throughout the neighborhood I would pass blocks or small plots of land that had been razed and surrounded by temporary metal fencing or the familiar green, black, and pink blankets put up around construction sites.  There was one just across Jangseungbaegi-ro (장승배기로), a small hill now covered in rubble, with a low wall from a mostly demolished building crowning its top like the ruins of an ancient fortress.  Another was south of Sangdo-ro (상도로), on the way to Sangdo Station, where a large area between apartment tower complexes was hidden from view but clearly awaiting the arrival of construction crews.  I came across at least two other sites like these in the neighborhood.

Jangseungbaegi by Meagan Mastriani

Jangseungbaegi by Meagan Mastriani

Jangseungbaegi by Meagan Mastriani

Jangseungbaegi by Meagan Mastriani

While parts of the area were fairly new – especially as one walks toward Sangdo, where the surroundings get nicer and more and more newer buildings and cafes spring up – much of Jangseungbaegi was a bit long in the tooth, and it was those parts that I found more interesting, as I typically do.  South down Jangseungbaegi-ro from Exit 1 I followed the road uphill to a point where I could look down on several old or abandoned shops on a parallel street below.  Next to them was a home that I at first thought was abandoned – a rope was holding down a blue tarp on its roof and refuse was strewn about its yard behind a stone wall – but when traffic let up I could hear the clinking of silverware coming from inside.  On the opposite side of the road, closest to Exit 2, steps led up to a neighborhood of red brick homes crouched around little alleys on a hill.

Jangseungbaegi by Meagan Mastriani

Jangseungbaegi by Meagan Mastriani

Jangseungbaegi by Meagan Mastriani

Jangseungbaegi by Meagan Mastriani

Outside Exit 3 was a cluster of restaurants and bars and a pair of love motels.  There was a garbage and recycling yard, and a bit further on I turned left into Sangdo-ro-22-gil (상도로22길), which had caught my eye with its liveliness relative to the streets around it.  Running like a vein through the neighborhood, it was lined with fruit stands and fried chicken joints, bunshiks, butchers, fish vendors, and tofu, banchan, and tteok shops.  North of Sangdo-ro, Exit 4 led to another garbage yard and a handful of hostess bars on either side of it, all discreetly closed up in the afternoon.

Jangseungbaegi by Meagan Mastriani

Jangseungbaegi by Meagan Mastriani

Two markets also occupy the neighborhood.  The first I visited, Yeongdo Market (영도시장), was just past a man selling socks from a table set up outside Exit 1 and down the first side street to the right.  On the corner with Sangdo-ro were some vegetable sellers, and perhaps a couple dozen meters past them the market building began, with its old red and white 영도시장 sign half-obscured by a banner hanging in front of it.

Jangseungbaegi by Meagan Mastriani

Jangseungbaegi by Meagan Mastriani

Inside it was incredibly quiet, with only a handful of other people walking through the building, though that may have had something to do with it being March 1st, a national holiday commemorating the 1919 reading of the Korean Declaration of Independence in Tapgol Park.  There were a couple hair shops, a butcher, a kitchen supplies store, a shoe shop, a banchan shop, a couple of small supermarkets, and a bunshik, outside of which a big pot steamed into the air and I could smell janchiguksu.  In the rear of the market was a large area of empty space.  Some refuse was scattered on the floor, but it wasn’t dirty so I wasn’t sure if businesses had moved out or just hadn’t moved in yet.

Jangseungbaegi by Meagan Mastriani

I continued walking through the market building for a bit, passing a sesame oil shop that emitted that salty-sweet smell that I like so much.  Above me, wooden beams supported the tin roof, and windows between the roof and the tops of stores let in light, some of which fell on the display of merchandise outside 대흥상회, illuminating an entire wall of ajumma shirts in the gaudiest colors and designs imaginable.  Rhinestones, sparkles, clashing colors…it was as if someone had taken the plumages of tropical birds, mixed them in a blender with the pawned throwaways of Studio 54 and a handful of LSD, and run the result through a sewing machine.

Jangseungbaegi by Meagan Mastriani

Jangseungbaegi by Meagan Mastriani

Jangseungbaegi by Meagan Mastriani

The second market was down Jangseungbaegi-ro from Exit 5, though I initially walked right past it.  On the station map it’s called Samgeori Market (삼거리시장), while on Naver Maps it’s called New Noryangjin Market (신노량진시장), though if this is the new one I’d hate to see what the old one looks like.  The reason I walked past it was because where I expected it to be there were just some dark alleys in a decrepit old building, and I didn’t think that could possibly be the market.  It was the market.

Jangseungbaegi by Meagan Mastriani

Jangseungbaegi by Meagan Mastriani

Jangseungbaegi by Meagan Mastriani

I walked over its uneven poured concrete floor, past piles of cardboard, chairs, and other rubbish.  Shafts of light streamed through holes in the roof and water dripped down in spots.  There was a tiny little electronics shop, a couple tiny restaurants, one place selling dried seaweed and dried fish, another selling bricks of soybean paste.  Bare bulbs provided occasional illumination.  The upper floors of the building were falling apart; the concrete had disintegrated in several places, revealing rusty metal rebar.  In other spots metal poles had been set in place to support the roof.  It felt like the entire structure could fall apart at any time, and I hoped the jangseung across the street protected against more than just evil spirits.

 

Jangseung (장승)

Exit 6

 

Yeongdo Market (영도시장)

Exit 1

First right after exit

 

Samgeori Market (삼거리시장) / New Noryangjin Market (신노량진시장)

Exit 5

Left on Jangseungbaegi-ro-19-gil (장승배기로19길) or the alleys after it

Jangseungbaegi by Meagan Mastriani

Sangdo Station (상도역) Line 7 – Station #739

March 17, 2013 by

Sangdo by Meagan Mastriani

I’d been hoping for a bit more to be going on around Sangdo, given its relative proximity to Chung-Ang University (중앙대학교), and while it wasn’t an uninteresting neighborhood, it didn’t have any of the collegiate vibrancy that I’d thought it might.  Much of the neighborhood, especially the areas outside Exits 2 and 3 was a typical Seoul landscape of businesses and restaurants on and near the main street, with apartment complexes a block or so removed.  One of those businesses, down Sangdo-ro (상도로) a couple blocks from Exit 3, was a pet bird shop where parakeets, cockatiels, and a large chicken stood in cages just outside the door.  Almost as if they were taunting their captive brethren, two pigeons strutted around on the pavement just outside the cages, pecking at the grain that had fallen on the wrong side of the bars.

Sangdo by Meagan Mastriani

Sangdo by Meagan Mastriani

Sangdo by Meagan Mastriani

Sangdo by Meagan Mastriani

Sangdo by Meagan Mastriani

I started my visit by walking down Sangdo-ro from Exit 1, though, passing several low one-story buildings with different shops occupying them: a butcher, an izakaya, an interiors shop with a couple dozen doors leaning against a wall out front, two Buddhist supply stores selling robes, little Buddha figurines, and a tiger statuette.  Amid these was a rather large comic book café called Comic Cozzle.  Next to its front door was an installation shaped like an oversize issue of the wildly popular Japanese manga ‘Drops of God’ (神の雫), intended to look as if it were coming through the window.  Inside were a few teens bent over comic books at the café tables, shelves holding reading material, a pair of coin-operated toy dispensers, and a frilly pink and white dress on display in the window.

Sangdo by Meagan Mastriani

Sangdo by Meagan Mastriani

Sangdo by Meagan Mastriani

Turning right out of the same exit, I started southwest down Yangnyeong-ro (양녕로), soon passing through a traffic underpass with a daycare center perched on top.  Once on the other side, a small alley to the left caught my eye and I started down it, into a partially hidden neighborhood of poor homes marked for redevelopment, huddled together in a small valley.  I continued down the narrow little footpath to a spot where it started to climb uphill and I came to a point from which I could look out over the rooftops below, so close they practically touched one another.  Several of the homes had their roofs covered in blue tarps, held down by tiles and bricks, much like those I’d seen in Geoyeo, but contrasting with the tarps quite a few of them also had satellite dishes latched to the eaves.  On the ground next to me were three TVs lying screen-down next to a pile of branches someone had gathered together.

Sangdo by Meagan Mastriani

Sangdo by Meagan Mastriani

I couldn’t tell if anyone was still living in the area or if they’d all already moved out.  Standing on the rise next to the TVs I spotted a teenage boy in a ball cap and backpack walking down some steps in an alley across the way, but he was the only person I saw and it was impossible to tell if he was going home or just passing through.  Somewhere nearby a dog was barking and howling, but I couldn’t tell where it was or what it was barking at.  I peeked in an open window on one home to see nothing but some rubble and papers scattered on the floor, but when I looked over the gate of a home nearer the station there were clothes hung on a drying rack and some shoes piled on a shelf.

Sangdo by Meagan Mastriani

North of the station, Exit 4, put me back on the busy eight-lane Yangnyeong-ro, lined with shops and cafes leading up to Sangdo Tunnel (상도터널).  Here too there was another Buddhist supply shop, this one specializing in ceramic vessels and brassware.  I walked up and looped around the top of the tunnel to see what kind of view I could get, the vista dominated by apartment buildings and the nude hilltop above the neighborhood marked for redevelopment.

Sangdo by Meagan Mastriani

Sangdo by Meagan Mastriani

Southeast down Sangdo-ro from Exit 5 I could see the huge silver tower of Soongsil University (숭실대학교) up ahead.  There wasn’t anything of any particular interest on the main street, but a left on Sangdo-ro-47-gil (상도로47길) took me to Sangdo Market (상도시장), situated at the first little intersection and mostly occupying the street parallel to Sangdo-ro to the right.  It was your typical little neighborhood market, with fresh tofu, little curlicues of pork, bags of grains, rubber bathroom shoes, boxes of bright red strawberries, and dried fish pinwheeled out on a woven tray.  There were a pair of pojangmachas as well, the ajeosshi at one doing his best to lure in customers, bellowing ‘Odeng! Kimbap! Tteokbokki!’

 

Sangdo Market (상도시장)

Exit 5

Straight on Sangdo-ro (상도로), Left on Sangdo-ro-47-gil (상도로47길)

Sangdo by Meagan Mastriani

Hangangjin Station (한강진역) Line 6 – Station #631

March 10, 2013 by

Hangangjin by Meagan Mastriani

Practically every neighborhood in Seoul undergoes changes on a weekly basis, some quickly, some slowly.  Hangangjin is one of the quick ones, and is steadily turning itself into one of the trendiest, most culturally fresh areas of the city.

If any one thing can be said to have kickstarted this transformation, it’s likely the arrival of the Leeum Samsung Museum of Art (삼성미술관 Leeum) in 2004, which, among other things, shows that once in a while Samsung does something more than just make money.

Hangangjin by Meagan Mastriani

Located just a short walk down Itaewon-ro-55-gil (이태원로55길) near Exit 1, the first thing visitors encounter is the outdoor sculpture garden, which, at the time of my visit featured a trio of pieces by the renowned London-based Indian artist Anish Kapoor, co-designer of the ArcelorMittal Orbit tower that twists above London’s Olympic Village and who was the subject of Leeum’s current Special Exhibition.  The first piece I came to was titled ‘Vertigo’ (‘현기증’), a pair of curved stainless steel rectangles.  Like your breakfast spoon, their concave side inverted and flipped everything they reflected, messing with the viewer’s perspective and causing a mildly unstable feeling.  The structures’ convex sides sat about two meters apart and reflected each other, creating a Russian nesting doll of the same image, each progressively smaller than the last.  In addition to ‘Vertigo,’ the garden also held ‘Tall Tree and the Eye’ (‘큰 나무와 눈’), stacked stainless steel orbs like air bubbles rising from the deep, and ‘Sky Mirror’ (‘하늘 거울’), which did exactly as its name implied.

Hangangjin by Meagan Mastriani

Hangangjin by Meagan Mastriani

The museum itself is trisected, three different permanent collections in three different structures by three different internationally acclaimed architects.  Museum 1, designed by Mario Botta, houses the Leeum’s collection of traditional Korean art, which contains some three-dozen designated national treasures.  Visitors begin their tour on the fourth floor, where the celadon (청자) collection is housed before proceeding back down to the lobby, through the collections of Buncheong ware and porcelain (분청사기 / 백자), paintings and calligraphy (고서화), and Buddhist art and metal works (불교미술 / 금속공예) on subsequent floors.  Exhibition spaces are nearly completely dark, the only light coming from subtle spot lights that illuminate individual vases and scrolls, giving the galleries a solemn, almost religious feel.

Hangangjin by Meagan Mastriani

Museum 2, its building the product of Jean Nouvel, holds the modern art collection.  The second floor houses Korean modern art (한국 근현대미술) – quite likely a great unknown to anyone who isn’t Korean, the first floor international modern art, and the basement contemporary art.  It’s an impressive collection, as a quick listing of names will attest: Koons, de Kooning, Rothko, kimsooja, Twombly, Giacometti, Bacon, Gilbert & George, Nam June Paik, Basquiat, Warhol, Cindy Sherman, Zeng Fanzhi, Damien Hurst.  My personal favorite in the collection – not the best or most groundbreaking, but the one that spoke most closely to my interests and that I stared at the longest – was a work by the Korean artist 박이소 (Bahc Yiso) called ‘드넓은 세상’ (‘Wide World Wide’).  On an enormous light blue canvas, above a map formed by their names written out in Hangeul in a barely visible sky blue script were pinned hundreds of small white papers, each bearing the name of a place that managed to at once capture both the exoticism of the world’s geography and the fecundity of its languages: Araraquara, Erhchiang, Nagykanizsa, Bobo Dioulasso, Oshkosh.

The third section of the museum, the Samsung Child Education and Culture Center (삼성아동교육문화센터), was designed by Rem Koolhaas.

Hangangjin by Meagan Mastriani

The second institution serving as a major cultural anchor for the neighborhood is Blue Square (블루스퀘어) performing arts complex.  Accessible directly from the station, it is Korea’s largest performing arts hall, with space both for musicals and concerts as well as cafes, a florist, a candy shop, restaurants, and souvenir shops.  ‘The Phantom of the Opera’ was in the middle of a run during my visit, and the main lobby had displays of costumes, a Phantom photo booth, and fake roses curling around the bases of the stairs’ handrails.

Hangangjin by Meagan Mastriani

Coincidence or no, Samsung has their enormous hands heavily involved in Blue Square as well, with the two main theaters poetically being called the Samsung Electronics Hall (삼성전자홀) and the Samsung Card Hall (삼성카드홀).  All the romance that went into naming those also went into the building itself, which, in stark contrast to the Leeum, is incredibly bland architecturally, its mirrored blue glass façade making it look more like the resident of a suburban office park than a theater.  Offering a little bit of contrast is the structure behind the main building called NEMO, which, aping Platoon Kunsthalle, is made of orange and yellow shipping containers and was hosting a children’s performance called ‘Hello! Madagascar.’

Hangangjin by Meagan Mastriani

Hangangjin by Meagan Mastriani

Hangangjin by Meagan Mastriani

The Leeum and Blue Square are indicative of the greater Itaewon area’s tendency over the last few years to get less and less scruffy, a tendency that’s well apparent in the Hangangjin neighborhood, particularly as you get closer to Itaewon.  If five years ago you had told me that Comme de Garçons would open their Seoul flagship store here and not in Apgujeong, I never would have believed you.  But there it is, selling its 400,000 won-plus hoodies just a few steps past the turnoff for the Leeum.  And just a bit further down Itaewon-ro (이태원로) is Beaker, which pairs a Williamsburg aesthetic with Cheongdam prices: Band of Outsider flannels, bike accessories, 33,000 won soda can-sized bottles of artisanal shampoo.

Hangangjin by Meagan Mastriani

Hangangjin by Meagan Mastriani

Not every new wine bar, restaurant, and boutique here is wallet emptying, thankfully.  Shops like Millimeter Milligram, not far from Exit 3, add to the offbeat, artistic atmosphere with quirky stationary, bags, and art supplies, and plenty of cafes provide a place to pause between shops or exhibitions.  One café that particularly stands out is Take Out Drawing (with another location in Noksapyeong), which, in addition to using organic and fair-trade products, also offers two-month artist residences, the second half of which include exhibitions of the residents’ work.  The café’s ‘newspaper’ has, alongside the menu, small profiles of current artists in residence in both Korean and English.

Hangangjin by Meagan Mastriani

Hangangjin by Meagan Mastriani

Hangangjin by Meagan Mastriani

When it comes to eating in Hangangjin, Brazilian churrascarias, Japanese izakayas, and Spanish tapas joints, among others, contribute to an internationalized dining scene.  Hangangjin’s cosmopolitanism is just as evident if you turn off Itaewon-ro onto Daesagwan-ro (대사관로), or Embassy Street.  Running southeast from Itaewon-ro, it’s, naturally, dotted with embassies – Thailand, Kenya, Côte d’Ivoire – as well as the Lao ambassador’s residence, more international restaurants, and cafes and boutiques catering to the locals.

Hangangjin by Meagan Mastriani

Hangangjin by Meagan Mastriani

Daesagwan-ro connects to Hannam-dae-ro (한남대로), and walking along the latter between the station and the river gives you a chance to play a bit of embassy spotting.  (If you cross Hannam-ro via the pedestrian bridge near the Daesagwan intersection you’ll also get clear views of N Seoul Tower, the minarets and onion dome of the Itaewon mosque, and the Seoul Finance Tower in Gangnam.)  Among others I was able to pick out the flags of Vietnam, Spain, Burma, Bulgaria, and Italy, which, almost too neatly, had an olive Vespa parked out front.  In addition to the embassies, Hannam-dae-ro (or, rather, down long driveways leading off of it) is also where you’ll find the Chief Justice of the Supreme Court’s Residence, the Speaker of the National Assembly’s Official Residence, and the official residence of the Minister of Foreign Affairs and Trade, the last of these gated and watched over by a soldier with an extremely large gun.

Hangangjin by Meagan Mastriani

Hangangjin by Meagan Mastriani

Hangangjin by Meagan Mastriani

If instead of turning right down Hannam-dae-ro after leaving Exit 2 you cross the pedestrian bridge that runs over it, to your left you’ll see a Harley-Davidson store that stands in front of a small residential neighborhood.  Turning down the small side street there, Hannam-dae-ro-40-gil (한남대로40길), took me past a small collection of stone statues – horses, pagodas, a reclining Buddha – and soon led to an entrance to Eungbong Neighborhood Park (응봉근린공원), a large wooded hill cut through with walking paths.  There were also some tennis courts, badminton courts, playgrounds, and a square, but most of the park was left to the trees.

Hangangjin by Meagan Mastriani

Hangangjin by Meagan Mastriani

Of course, for an even bigger park, there’s always nearby Namsan Park (남산공원), which is easy to get to from Hangangjin.  Just go out Exit 1, U-turn, and follow the sidewalk until it ends.  There go up the steps to the left, cross the street, and you’re just outside the park.  At that point there was a sign pointing to a mineral spring (남산약수터), only 200 meters away.  I followed the sign up the driveway of an adjacent wedding hall, and by the time I made it past the parking lot things had already gotten remarkably calm and quiet, the traffic on Hannam-dae-ro just a faint murmur.  The path to the spring then took me past a small artificial stream, its water frozen where the course led over a small drop.

Hangangjin by Meagan Mastriani

Hangangjin by Meagan Mastriani

The first time I arrived at the spring I walked right past it, not realizing what it was.  My image of the spring was that it would be something bubbling up from the ground, but the Namsan spring instead poured out of two narrow metal pipes that jutted out of a stone wall on a wooden platform.  (Unfortunately, the spring water here is not fit for drinking.)  As an elderly hiker pulled a radio playing old pop music out of his bag and carried it with him to the adjacent exercise equipment, water poured out of the pipes in a steady stream, falling into stone basins underneath.  One of the basins was crusted up with ice around its edges; the other was not, as the water flowing out of that pipe had better aim, and poured neatly into the drain.

Leeum Samsung Museum of Art (삼성미술관 Leeum)

Exit 1

Right on Itaewon-ro-55-gil (이태원로55길)

leeum.samsungfoundation.org

Phone: 02) 2014-6901

Hours | 10:30 – 18:00, Closed Mondays, New Year’s Day, Seollal, and Chuseok

Admission | Adults – Permanent Exhibition 10,000, Special Exhibition 8,000, Daypass 14,000; Kids, Seniors, Handicapped – Permanent Exhibition 6,000, Special Exhibition 5,000, Daypass 8,000 (9,000 for kids)

Blue Square (블루스퀘어)

Exit 2 or accessible directly from the station

www.bluesquare.kr

Take Out Drawing (Hannam Branch)

Exit 3

Straight on Itaewon-ro (이태원로)

http://www.takeoutdrawing.com

Phone: 02) 797-3139

Hours | 11:00 – 00:00

Eungbong Neighborhood Park (응봉근린공원)

Exit 2

Right on Hannam-dae-ro (한남대로), cross pedestrian bridge to the left, right on Hannam-dae-ro-40-gil (한남대로40길)

Namsan Park (남산공원)

Exit 1

U-turn, Straight on Itaewon-ro (이태원로), Up stairs and cross Soweol-ro (소월로) to park

Hangangjin by Meagan Mastriani

New Photographer Wanted!

March 3, 2013 by

Part of the experience of living as an expat is dealing with plans that suddenly change, both your own and others’, and the goodbyes that turn into a fact of life.  Unfortunately, it’s that time for us here at Seoul Sub→urban, as Meagan will be leaving Seoul in mid-March to return to the U.S. to pursue a master’s degree.  That of course means that Seoul Sub→urban is in need of a new photographer!

In addition to the blog, photographing for Seoul Sub→urban comes with a paid monthly column for SEOUL magazine, and there may be other opportunities that arise with the publication of our book later this spring.  If you’re interested in becoming part of the project, please look over the below information and follow the instructions at the end of the post.

Photographer Responsibilities

- Shoot and publish an average of 1 stop per week for the blog.
- Shoot 1 additional stop per month for SEOUL magazine.
- Help with the occasional publicity the project receives (radio interviews, etc.)

We’re Looking for Someone Who:

- Will be in Seoul for at least one year (preferably longer) from June 1, 2013.
- Can commit to visiting (on average) one subway stop per week.
- Uses professional equipment.  (No iPhones or point-and-shoots, people.)
- Has a strong grasp of Photoshop and/or Lightroom
- Is able to work independently.
Bonus points will be given to anyone who:
- Has a moderate to strong ability with web design.  (We’re hoping to revamp the website soon.)
- Has lived in Seoul for six months or more
- Speaks Korean.

Interested?  Please e-mail seoulsuburban@gmail.com by Saturday, March 9 with the following:
- Name and self-introduction
- Information on your photography experience and five sample shots (jpg please)
- The equipment you use
- Why you’d like to join the project

We’ll then review applications and ones we like will be provided with a sample station to photograph and further instructions.  Thanks in advance for your interest!

Charlie

Gaehwa Station (개화역) Line 9 – Station #901

February 10, 2013 by

Gaehwa by Meagan Mastriani

I had expected Gaehwa to be one of the dullest stations in the entire course of this project, a visit that I’d finish up in under an hour and have written in less than that.  Its most prominent feature is, after all, the fact that it’s the headquarters of the Seoul Metro Line 9 Corporation, an organization that is nothing if not clearheaded about its mission.  I thought that I could peek out the doors of Exit 2, scan across the rail yards and the Gangseo bus terminal, and then wander through the little neighborhood of Naechon (내촌) across Gaehwa-dong-ro (개화동로) for a few minutes before capping my pen and calling it a job well done.  Right on the former, totally wrong on the latter.

Gaehwa by Meagan Mastriani

Out Exit 1, beyond a man selling big bags of puffed rice snacks on one corner and a pojangmacha truck selling toast and ramen on the other, I could see the treed slope of Gaehwa Mountain.  Most of the trees were winter bare, but a crown of twenty or so evergreens ran along the top.  Just past an overhead highway was a small nameless stream.  I followed its walking path north, alongside water that flowed slowly in a thin channel between iced-up edges, and about thirty meters from where I’d started there were two dozen small bones sitting on the side of the path.  They looked like they had come from some small mammal – a cat or a dog maybe – and they were clean and white, bare of any flesh or tendon that had clung to them.

Gaehwa by Meagan Mastriani

Gaehwa by Meagan Mastriani

Gaehwa by Meagan Mastriani

Slightly further north, the little channel met the Daeduduk Stream (대두둑천).  It was covered in snow and crisscrossed by footprints, but I couldn’t tell if the stream had frozen solid or if it was emptied of water, though it seemed like the latter.  The area around the stream felt more like the Korean countryside than Seoul – just off the highway where intercity buses ran back and forth, backhoes and dump trucks were parked and signs advertised plastics, springs, steel, and a strawberry farm.

Gaehwa by Meagan Mastriani

Gaehwa by Meagan Mastriani

Gaehwa by Meagan Mastriani

Gaehwa by Meagan Mastriani

Across Gaehwa-dong-ro was Naechon, a petite neighborhood of mostly small homes, many with blue, orange, or green tile roofs, though there were also some rather expensive looking houses (one with a Mercedes and BMW parked outside) whose owners had likely taken advantage of the cheaper land to build places they couldn’t have in Gangnam.  After crossing the road I turned left onto Gaehwa-dong-ro-11-gil (개화동로11길).  There were some simple beauty salons and grocers, and a man was shoveling snow off of a pile and tossing it into the street so it would melt in the above-average temperatures.

Gaehwa by Meagan Mastriani

Gaehwa by Meagan Mastriani

I was following a pair of signs pointing to Mata Temple and the Gangseo Trail, and at the end of Gaehwa-dong-ro-11-gi they directed me to the left and then quickly to the right.  At the end of an inclined drive that ran past some small fields where garden sheds sat, their metal frames exposed under ripped plastic, was Mata Temple (마타사).  The temple itself isn’t much to look at – white panel siding under a black shingle roof – but it is home to a standing stone Buddha (석불입상) that is Seoul Tangible Cultural Property No. 249.  The information on the temple proper available at the site was a little fuzzy – it’s presumed to date from the late Goryeo period and in 1924 a new temple was built here, but what happened in the meantime was left unsaid.  As for the statue, which now stands outside the temple, the 3.2-meter high figure was sculpted in the Joseon period, in a style popular in Gyeonggi-do and Chungcheong-do.  A disc-shaped canopy sits on its head above long ears and a wide nose, and its hands are gathered over its heart in what the informational sign said seemed to be Dharmachakra mudra.  The sign also claimed that at some point the statue was buried higher up Gaehwa Mountain, though why and when also went unexplained.

Gaehwa by Meagan Mastriani

Gaehwa by Meagan Mastriani

In front of the statue eight bricks of soybean paste were hanging in slings made from straw rope, drying in the sun, and behind it was a bare rock slope dotted with several smaller Buddhas and, at the top, a larger seated one, all of them gazing out over the runways, the taxiing planes, and air traffic control tower of Gimpo Airport.

Gaehwa by Meagan Mastriani

To the right of the standing Buddha, a path curled around to the entrance to the Gangseo Trail (강서둘레길), which was marked by a handsome wood gate and sign.  The trails run up and around Gaehwa Mountian (개화산), but this particular entrance also bore a bit of historical significance, as it’s where you’ll find a Memorial to the Loyal Dead (호국충혼위령비) of the 11th, 12th, and 15th regiments of Korea’s 1st Army Division, as the metal plaque at the trailhead announces.  For the four days after the North’s invasion of the South on June 25, 1950 that triggered the Korean War, the 1,100-plus troops of those three regiments held the North’s troops at bay after retreating to Gaehwa Mountain from their original positions.  All of the men perished, but their sacrifices are honored in a memorial service held every June by the Association of Gaehwasan Battle Bereaved Families and the 1st Army Division (개화산전투전사자유족회).

Gaehwa by Meagan Mastriani

Gaehwa by Meagan Mastriani

After you pass through the trailhead gate and go up a flight of stairs you’ll come to the memorial for the men of the 11th, 12th, and 15th, which sits in a small grass clearing with thick slabs of black stone bearing the names of the soldiers on either side.  It was very quiet.  To the left a Korean flag hung from a short pole, and on the small altar in front of the memorial someone had left an opened bottle of Chamiseul and a bag of Coco Mong Milk Balls.

 

Daeduduk Stream (대두둑천)

Exit 1

Left on Gaehwa-dong-ro (개화동로)

 

Mata Temple (마타사), Gangseo Trail (강서둘레길), Gaehwa Mountian (개화산), and Memorial to the Loyal Dead (호국충혼위령비)

Exit 1

Cross and turn right on Gaehwa-dong-ro (개화동로), Left on Gaehwa-dong-ro-11-gil (개화동로11길), Follow signs to Mata Temple and Gangseo Trail

Gaehwa by Meagan Mastriani


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